IMDb > Rendezvous in Paris (1995)

Rendezvous in Paris (1995) More at IMDbPro »Les rendez-vous de Paris (original title)

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Release Date:
28 June 1996 (USA) See more »
Three stories of love and coincidence around the theme of dates in Paris. Full summary » | Add synopsis »
Plot Keywords:
2 nominations See more »
User Reviews:
Mixed trio of love stories in modern-day Paris See more (6 total) »


  (in credits order) (verified as complete)

Clara Bellar ... Esther
Antoine Basler ... Horace
Mathias Mégard ... Le dragueur - Flirt
Judith Chancel ... Aricie
Malcolm Conrath ... Félix
Cécile Parès ... Hermione
Olivier Poujol ... Le garçon de café - Coffee-shop waiter
Aurore Rauscher ... Elle - Woman
Serge Renko ... Lui - Man
Michael Kraft ... Le peintre - Painter
Bénédicte Loyen ... La jeune femme - Young Woman
Veronika Johansson ... La Suédoise - Swedish Girl
Florence Levu ... Mouffetard - Street Singer
Christian Bassoul ... Musette - Accordion Player

Directed by
Éric Rohmer 
Writing credits
(in alphabetical order)
Éric Rohmer 

Produced by
Françoise Etchegaray .... producer
Original Music by
Sébastien Erms 
Cinematography by
Diane Baratier 
Film Editing by
Mary Stephen 
Art Department
Pierre De Chevilly .... art painter
Sound Department
Pascal Ribier .... sound
Other crew
Claire Champion .... title designer
Régine Vial .... press attache (uncredited)
Crew believed to be complete

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Les rendez-vous de Paris" - France (original title)
See more »
98 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:


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4 out of 7 people found the following review useful.
Mixed trio of love stories in modern-day Paris, 6 January 2005
Author: howie73

I first saw this in a cinema and was immediately disappointed with its low-budget production values. The sound and lensing is very poor, so much so that the blurred effect of the projected image eventually gave me a headache. However, the three individual stories of love save the film from its shoddy technical features. The first has a clever climax; while the second deals with complex issues in a sombre way, leaving the third to close this dynamic in its own unique fashion. The real star of the film is Paris itself, used as a constant backdrop to the trials and tribulations of the film. This is really a film for lovers of Paris rather than Rohmer's directorial style and is probably one of his most accessible film to date.

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