A shy maths graduate takes a holiday in Dinard before starting his first job. He hopes his sort-of girlfriend will join him, but soon strikes up a friendship with another girl working in ... See full summary »
Zeb finds a doll and a ring in a garbage can. Then, he sees Ann going to work with her friend Babs. He thinks she looks like the doll. When he gets home, he caresses the doll... Ann feels ... See full summary »
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are ... See full summary »
Mai Qiang is a 30-year old bachelor, withdrawn, with little in his life besides his job at an isolated signal station along the Yangtze River and his ink drawings he uses as toilet paper. ... See full summary »
Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust. Besides her student life she likes to stroll about Paris, to explore ... See full summary »
An adaptation of Franz Kafka's classic story about Gregor Samsa, a man who awakes and sees himself suddenly turned into a repulsive insect that causes problems to his (at one time) beloved ... See full summary »
In 1897, in a castle near the town of Werewolfville in the Carpithians, a slightly deranged Professor Orfanik experiments with his new inventions which include, even at this early date, television and a film camera.
Different stories of young women and men coming together and coming apart in Paris' romantic settings, are organized in four distinct chapters: (1) Le rendez-vous de 7 heures / The 7 p.m. rendezvous; (2) Le lendemain... / The next morning; (3) Les bancs de Paris / The seats of Paris' parcs; (4) Mère et Enfant, 1907 / Mother and Child, 1907. Written by
I first saw this in a cinema and was immediately disappointed with its low-budget production values. The sound and lensing is very poor, so much so that the blurred effect of the projected image eventually gave me a headache. However, the three individual stories of love save the film from its shoddy technical features. The first has a clever climax; while the second deals with complex issues in a sombre way, leaving the third to close this dynamic in its own unique fashion. The real star of the film is Paris itself, used as a constant backdrop to the trials and tribulations of the film. This is really a film for lovers of Paris rather than Rohmer's directorial style and is probably one of his most accessible film to date.
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