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Rendezvous in Paris (1995)
"Les rendez-vous de Paris" (original title)

 |  Comedy, Romance  |  28 June 1996 (USA)
7.6
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Ratings: 7.6/10 from 1,055 users  
Reviews: 6 user | 21 critic

Three stories of love and coincidence around the theme of dates in Paris.

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Title: Rendezvous in Paris (1995)

Rendezvous in Paris (1995) on IMDb 7.6/10

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Cast

Complete credited cast:
...
Esther
Antoine Basler ...
Horace
Mathias Mégard ...
Le dragueur - Flirt
Judith Chancel ...
Aricie
Malcolm Conrath ...
Félix
Cécile Parès ...
Hermione
Olivier Poujol ...
Le garçon de café - Coffee-shop waiter
Aurore Rauscher ...
Elle - Woman
Serge Renko ...
Lui - Man
Michael Kraft ...
Le peintre - Painter
Bénédicte Loyen ...
La jeune femme - Young Woman
Veronika Johansson ...
La Suédoise - Swedish Girl
Florence Levu ...
Mouffetard - Street Singer
Christian Bassoul ...
Musette - Accordion Player
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Storyline

Different stories of young women and men coming together and coming apart in Paris' romantic settings, are organized in four distinct chapters: (1) Le rendez-vous de 7 heures / The 7 p.m. rendezvous; (2) Le lendemain... / The next morning; (3) Les bancs de Paris / The seats of Paris' parcs; (4) Mère et Enfant, 1907 / Mother and Child, 1907. Written by Artemis-9

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

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Details

Country:

Language:

Release Date:

28 June 1996 (USA)  »

Also Known As:

Rendezvous in Paris  »

Box Office

Opening Weekend:

$36,471 (USA) (9 August 1996)

Gross:

$730,099 (USA) (18 October 1996)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Mono)

Color:

Aspect Ratio:

1.37 : 1
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User Reviews

 
Mixed trio of love stories in modern-day Paris
6 January 2005 | by See all my reviews

I first saw this in a cinema and was immediately disappointed with its low-budget production values. The sound and lensing is very poor, so much so that the blurred effect of the projected image eventually gave me a headache. However, the three individual stories of love save the film from its shoddy technical features. The first has a clever climax; while the second deals with complex issues in a sombre way, leaving the third to close this dynamic in its own unique fashion. The real star of the film is Paris itself, used as a constant backdrop to the trials and tribulations of the film. This is really a film for lovers of Paris rather than Rohmer's directorial style and is probably one of his most accessible film to date.


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