Rendezvous in Paris (1995)
"Les rendez-vous de Paris" (original title)

 |  Comedy, Romance  |  28 June 1996 (USA)
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Ratings: 7.5/10 from 1,098 users  
Reviews: 6 user | 21 critic

Three stories of love and coincidence around the theme of dates in Paris.



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Complete credited cast:
Antoine Basler ...
Mathias Mégard ...
Le dragueur - Flirt
Judith Chancel ...
Malcolm Conrath ...
Cécile Parès ...
Olivier Poujol ...
Le garçon de café - Coffee-shop waiter
Aurore Rauscher ...
Elle - Woman
Serge Renko ...
Lui - Man
Michael Kraft ...
Le peintre - Painter
Bénédicte Loyen ...
La jeune femme - Young Woman
Veronika Johansson ...
La Suédoise - Swedish Girl
Florence Levu ...
Mouffetard - Street Singer
Christian Bassoul ...
Musette - Accordion Player


Different stories of young women and men coming together and coming apart in Paris' romantic settings, are organized in four distinct chapters: (1) Le rendez-vous de 7 heures / The 7 p.m. rendezvous; (2) Le lendemain... / The next morning; (3) Les bancs de Paris / The seats of Paris' parcs; (4) Mère et Enfant, 1907 / Mother and Child, 1907. Written by Artemis-9

Plot Summary | Add Synopsis


Comedy | Romance


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Release Date:

28 June 1996 (USA)  »

Also Known As:

Rendezvous in Paris  »

Box Office

Opening Weekend:

$36,471 (USA) (9 August 1996)


$730,099 (USA) (18 October 1996)

Company Credits

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Technical Specs


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Aspect Ratio:

1.37 : 1
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User Reviews

Encounters and missings
19 December 2013 | by (Portugal) – See all my reviews

Eric Rohmer usually explores with exceptional psychological talent what is in the minds and hearts of ordinary people in what concerns love relations. In his movie people reflect and talk thoroughly about what they feel (or suppose they feel) in what regards those relations and live apparently superficial events although very meaningful and sometimes unexpected and surprising. In this movie the first two stories are about love and infidelity treated in a humorous way without prejudice of their psychological depth. Human beings are like that and they not always realize what they really feel. The third story is of love and infatuation, of illusion and disillusion when you think that because you love someone, automatically the loved one also loves you which seldom is true. The city of Paris atmosphere where the three stories take place is particularly favourable to such sentiments and situations for its romantic urban environment. We have then here the usual Rohmer's characters: authentic human beings somewhat doubtful about their feelings and thoughts (though they sometimes suppose they are certain about that) who now and then have to face situations for which they were not prepared. Not very dramatic but not superficial anyway.

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