Two musicians are unknowingly drawn into a supernatural scheme.

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(story), (story) | 3 more credits »
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Cast

Cast overview, first billed only:
...
Chris
...
Sister Kate
...
Lila
...
Colin
...
Megan
...
Grandma Ruth
Aileen Allado-Jones ...
Backup Singer
Michael Bishop ...
Guitar Player
Michael Carr ...
Cook #2 (as Mike Carr)
John Carr ...
Security Guard #2
Ralph M. Cardinale ...
Cook #1 (as Ralph Cardinale)
Jon Clair ...
Teenage Boy
Rich Cooley ...
Piano Player
Casey Christensen ...
Security
Kerri Danesi ...
Wardrobe Assistant (as Kerra Danesi)
Edit

Storyline

Two musicians are unknowingly drawn into a supernatural scheme.

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for language and some violence | See all certifications »
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Details

Country:

Language:

Release Date:

10 November 1995 (USA)  »

Also Known As:

A Fúria dos Anjos  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

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Did You Know?

Goofs

At the end of the film Chris and Lila go to the studio and Chris has his helmet with him when he gets off the bike and starts walking. After he takes hold of Lila's hand the helmet has gone. He also doesn't have it right at the end when they are driving off. See more »

Connections

Referenced in Who Is Alan Smithee? (2002) See more »

Soundtracks

Gates of Babylon
Written by Ritchie Blackmore (as Richie Blackmore) and Ronnie James Dio
Performed by Holy Soldier
See more »

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User Reviews

About as bad as it gets...
3 August 2004 | by See all my reviews

It's sad to have to say that a film is bad but this one really should have been binned. The acting is poor, with the sole exception of Diane Ladd who struggles with a script that needed a lot more editing before it got into the actors' hands.

It is, in many ways, a film that illustrates how not to do it. So many scenes are too long that I was left feeling that the director had undershot and was keeping anything that he could just to make up the footage. The photography is barely adequate and there is an air of confusion hanging over most scenes. After a while, I found myself watching the actors eyes as they desperately searched for their cues.

This film reminds me of the worst excesses of British television in the sixties. Does anyone remember the late and totally unlamented 'Doomwatch'? Well, this actually succeeds in making Doomwatch seem like good film making. Not only is the plot paper thin but half the time the director gives an amazing impression of having forgotten it.

And did I mention that most of the scenes are too long?


4 of 4 people found this review helpful.  Was this review helpful to you?

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