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Directed by | |||
| Gregory Widen | |||
Writing credits(WGA) | ||
| Gregory Widen | (written by) | |
Produced by | |||
| W.K. Border | .... | executive producer | |
| Raquel Caballes Maxwell | .... | co-producer | |
| Don Phillips | .... | executive producer | |
| Joel Soisson | .... | producer | |
Original Music by | |||
| David C. Williams | |||
Cinematography by | |||
| Richard Clabaugh | (director of photography) | ||
| Bruce Douglas Johnson | (director of photography) | ||
Film Editing by | |||
| Sonny Baskin | |||
Casting by | |||
| Don Phillips | |||
Production Design by | |||
| Clark Hunter | |||
Set Decoration by | |||
| Michele Spadaro | |||
Costume Design by | |||
| Dana Allyson | |||
Makeup Department | |||
| Tarra D. Day | .... | assistant hair stylist: Los Angeles (as Tarra Day) | |
| Tarra D. Day | .... | assistant makeup artist: Los Angeles (as Tarra Day) | |
| Peggy Hannaman | .... | hair stylist: Los Angeles | |
| Peggy Hannaman | .... | makeup artist: Los Angeles | |
| Steven Mack | .... | hair stylist | |
| Scott Patton | .... | special makeup effects: Patton EFX | |
| Martha Preciado | .... | key makeup artist (as Martha Cecilia) | |
| Dave Snyder | .... | on-set prosthetics supervisor | |
| Mark Villalobos | .... | special makeup effects artist | |
| R. Stephen Weber | .... | second makeup artist | |
Production Management | |||
| Candice D. Campos | .... | post-production supervisor | |
| JoAnn Perritano | .... | production manager | |
| Paul Ratajczak | .... | post-production supervisor | |
Art Department | |||
| John G. Aldrete | .... | construction coordinator | |
| Joe Arnold | .... | swing gang (as Joseph Arnold) | |
| Max Biscoe | .... | swing gang: Los Angeles | |
| Henry Cota | .... | carpenter: Los Angeles | |
| Jose D. Cota | .... | carpenter: Los Angeles | |
| Philip Fracassi | .... | on-set dresser (as Philip Dominic Peter Fracassi) | |
| Scott Getzinger | .... | swing gang: Los Angeles | |
| John Harrington | .... | property master | |
| Baxter Jeffrey | .... | carpenter | |
| Stacy Lande | .... | scenic artist | |
| Merdyce McClaran | .... | assistant property master | |
| Rick Potts | .... | scenic artist | |
| Charles Righetti | .... | leadman | |
| Joanne Bloomfield | .... | prop assistant (uncredited) | |
Special Effects by | |||
| Thomas M. Ficke | .... | special effects technician (as Thomas Michael Ficke) | |
| Larry Fioritto | .... | special effects: Los Angeles, Special Effects Services | |
| David Gallion | .... | special effects rigger | |
| Gary L. King | .... | special effects technician (as Gary King) | |
| Jor Van Kline | .... | special effects coordinator | |
| Dean Welch | .... | special effects technician (as Dean W. Welch) | |
Visual Effects by | |||
| T. Dow Albon | .... | cloud wrangler: Effects Associates, Inc. | |
| Keith Allan | .... | titles and opticals: Title House | |
| Jeff Bankert | .... | grip: optical unit | |
| Kent Burton | .... | model animator: enemy ghost sequence, Todd Masters Company | |
| Candice D. Campos | .... | first assistant director: optical unit (as Candice Campos) | |
| Scott Coulter | .... | digital effects supervisor: enemy ghost sequence, Todd Masters Company | |
| R. Blaine Currier | .... | dolly grip: optical unit (as Blaine Currier) | |
| June Czerwinski | .... | wardrobe: optical unit | |
| Jim Danforth | .... | matte artist: angel effects and Mesa mattes, Effects Associates, Inc. | |
| Jim Danforth | .... | matte photographer: angel effects and Mesa mattes, Effects Associates, Inc. | |
| Karen Danforth | .... | administration: Effects Associates, Inc. | |
| Dragon | .... | computer imaging: cave sequence, Title House | |
| Dragon | .... | rendering: cave sequence, Title House | |
| Melissa Elliott | .... | titles and opticals: Title House (as Melissa Limmer) | |
| Conánn Fitzpatrick | .... | digital animator: Available Light, Ltd. (as Conann Fitzpatrick) | |
| Phillip Giles | .... | digital supervisor: Neo Digital | |
| Jamison Scott Goei | .... | digital animator: Neo Digital (as Jamison Goei) | |
| Dave Gregory | .... | optical composites: enemy ghost sequence, Todd Masters Company (as David Gregory) | |
| Dave Gregory | .... | titles and opticals: Title House | |
| Michael F. Hoover | .... | digital animator: enemy ghost sequence, Todd Masters Company (as Michael Hoover) | |
| Bruce Douglas Johnson | .... | visual effects director of photography: cave sequence | |
| Bruce Douglas Johnson | .... | visual effects supervisor: cave sequence | |
| Laurel Klick | .... | digital supervisor: Available Light, Ltd. | |
| Ralph Maiers | .... | digital compositor: Digital Magic Company | |
| George Maxwell | .... | chief lighting technician: optical unit | |
| Dan Middleton | .... | production coordinator: Effects Associates, Inc. | |
| Joel Miller | .... | digital animator: enemy ghost sequence, Todd Masters Company | |
| Rodney Montague | .... | visual effects producer: Digital Magic Company | |
| Vincent Niebla | .... | sculptor: beast, enemy ghost sequence, Todd Masters Company (as Vince Nebla) | |
| January Nordman | .... | digital animator: Available Light, Ltd. | |
| Scott Patton | .... | digital animator: enemy ghost sequence, Todd Masters Company | |
| Jeff Pierce | .... | digital transfer supervisor: Digital Magic Company | |
| Rebeca Scott | .... | project coordinator: Effects Associates, Inc. | |
| David Taylor | .... | first assistant camera: optical unit | |
| Joseph Thomas | .... | digital animator: Available Light, Ltd. | |
| Ron Cosmo Vecchiarelli | .... | electrician: optical unit (as Ronald Cosmo Vecchiarelli) | |
| Kimberly Weeks | .... | script supervisor: optical unit | |
| Michelle 'Miki' Weiss | .... | titles and opticals: Title House (as Michelle [Miki] Weiss) | |
| Gucci Westman | .... | project coordinator: Effects Associates, Inc. | |
| Martin Zboril | .... | computer animation: cave sequence | |
| Martin Zboril | .... | conceptual art: cave sequence | |
| Adalberto Álvarez | .... | grip: optical unit (as Adalberto Alvarez) | |
Stunts | |||
| Chuck Borden | .... | stunt coordinator: additional photography | |
| Dan Bradley | .... | stunt coordinator | |
| Ben Bray | .... | stunts | |
| Doug Coleman | .... | stunts | |
| Scott Alan Cook | .... | stunts | |
| Doru Dumitrescu | .... | stunts | |
| Leslie Hoffman | .... | stunt safety | |
| Brett A. Jones | .... | stunts (as Brett Jones) | |
| Dyanna Lynn | .... | stunts | |
| Debby Lynn Ross | .... | stunts | |
| Alexis Scher | .... | stunts | |
| Erik Stabenau | .... | stunts | |
| Michael R. Thayer | .... | stunts | |
| Pete Turner | .... | stunts | |
| Pete Turner | .... | stunt double: Christopher Walken (uncredited) | |
Casting Department | |||
| Lisa Bankert | .... | casting associate | |
| Leigh French | .... | voice casting | |
| Gaye Gilbert | .... | casting: Arizona (as Gay Gilbert) | |
| Mary Santiago | .... | extras casting | |
Costume and Wardrobe Department | |||
| Cassandra Conners | .... | wardrobe supervisor | |
| Jacqueline K. Fodor | .... | wardrobe supervisor | |
Editorial Department | |||
| Jennifer Lane | .... | assistant editor | |
| Sharon McGeeney | .... | negative cutting: Superior Film Service | |
| Ray Morfino | .... | color timer | |
| Ken Schwartz | .... | colorist | |
| Ian Slater | .... | assistant editor | |
Music Department | |||
| Mark Boccaccio | .... | music editor (as Mark Boccacio) | |
Transportation Department | |||
| Michael Bacon | .... | driver | |
| Collin Butrum | .... | transportation | |
| Gene Callahan | .... | driver | |
| Erik Carter | .... | transportation captain | |
| William Dawson | .... | driver (as William J. Dawson) | |
| Michael Dewey | .... | driver | |
| P. Gerald Knight | .... | transportation coordinator | |
| Gene Petty | .... | driver | |
| DeAnna Rush | .... | driver (as Deanna Rush) | |
| Steve Shoemaker | .... | driver (as Steve 'Shoe' Shoemaker) | |
| Larry Smith | .... | driver: honeywagon | |
| Richard Stauffacher | .... | driver | |
| Dotti Thompson | .... | driver (as Dorothy V. Thompson) | |
| Ron Volpe | .... | driver (as Ron M. Volpe) | |
Other crew | |||
| Cindy Adams | .... | caterer: Silver Screen Catering | |
| Scott Adams | .... | caterer: Silver Screen Catering | |
| Roger Arar | .... | legal services | |
| Jason Autajay | .... | set production assistant | |
| Kelly Baldwin | .... | assistant to producers | |
| Carol Banker | .... | script supervisor (as Carol J. Banker) | |
| Lindsay Bayman | .... | legal services (as Lindsey Bayman) | |
| Steven Belgard | .... | unit publicist (as Steve Waldo Belgard) | |
| Thomas 'Doc' Boguski | .... | production coordinator | |
| Brett Boydstun | .... | set production assistant (as Brett A. Boydstun) | |
| Anna Braga | .... | stand-in | |
| James 'Trip' Brown | .... | office production assistant: Los Angeles | |
| Darcy J. Bruno | .... | studio teacher | |
| Sandra B. Clark | .... | craft service assistant | |
| Susan Coagan | .... | craft service | |
| Tarry Cokolow | .... | security | |
| Brad Curd | .... | office production assistant: Arizona | |
| Kevin S. Curd | .... | office production assistant: Arizona | |
| Konrad Dowling | .... | insurance: RHH/Albert G. Ruben | |
| Maureen Duffy | .... | completion guarantor: Film Finances | |
| John Dusenberry | .... | office production assistant: Los Angeles | |
| David Epstein | .... | production accountant (as David B. Epstein) | |
| Nan Garcia-Wood | .... | medic: Los Angeles | |
| Jennifer Getzinger | .... | assistant to director | |
| Jennifer Getzinger | .... | script supervisor: Los Angeles | |
| John Grant | .... | location manager: Los Angeles | |
| Phillip J. Hardy | .... | production assistant: Los Angeles | |
| Robin Hewitt | .... | controller: NEO | |
| Lew Horwitz | .... | production financing: The Lewis Horwitz Organization (as Lewis Horwitz) | |
| Tiby Kantrowitz | .... | set production assistant (as Tiby Lee Kantrowitz) | |
| Brian M. Kingman | .... | insurance: RHH/Albert G. Ruben (as Brian Kingman) | |
| Pamela D. Kleckner | .... | assistant location manager: Arizona | |
| Peter Lambert | .... | production financing: The Lewis Horwitz Organization | |
| John Lark | .... | stand-in | |
| Karl Lund | .... | security | |
| Ramiro López | .... | catering: Los Angeles, International Catering (as Ramiro Lopez) | |
| Frank Marinella | .... | set production assistant (as Frank Michael Marinella) | |
| Melanie Masson | .... | set production assistant | |
| Melanie Miller | .... | production secretary: Los Angeles | |
| Ken Moglovkin | .... | accounting services: NEO | |
| Kathleen Papera | .... | set production assistant: Los Angeles | |
| Gayle Phelps | .... | bird wrangler: optical unit | |
| Richard Potter | .... | production executive | |
| Charlotte Purin | .... | assistant location manager: Los Angeles | |
| Dennis H. Ranke | .... | location manager | |
| Steve Ransohoff | .... | completion guarantor: Film Finances | |
| Andrew Rona | .... | production executive | |
| Adrian F. Roscher | .... | legal services (as Adrian Roscher) | |
| Richard E. Rosenthal | .... | studio teacher: Los Angeles (as Richard Rosenthal) | |
| Ron Schmidt | .... | assistant production coordinator (as Ronald J. Schmidt) | |
| Ron Schmidt | .... | production coordinator: Los Angeles (as Ronald J. Schmidt) | |
| Scott Smith | .... | medic: Arizona (as C. Scott Smith) | |
| Claudia Soisson | .... | assistant accountant | |
| Carol Sonheim | .... | bird wrangler: optical unit | |
| Marion Spiegelman | .... | completion guarantor: Film Finances | |
| Jr. Donald Stanton | .... | office production assistant: Los Angeles (as Donald Stanton) | |
| David Steinberg | .... | legal services | |
| Janet L. Stott | .... | legal services | |
| Art Stribley | .... | production financing: The Lewis Horwitz Organization (as Arthur Stribley) | |
| Traci Tasher | .... | assistant to producers | |
| Traci Tasher | .... | craft service: Los Angeles | |
| David Wittenstein | .... | office production assistant: Arizona | |
| Kurt Woolner | .... | completion guarantor: Film Finances | |
| Stephen Zakman | .... | office production assistant: Los Angeles (as Stephen M. Zakman) | |
| Kimberly Weeks | .... | script supervisor: second unit (uncredited) | |
Thanks | |||
| Syd Cole | .... | special thanks: Magic Film & Video Works | |
| Marie Hélène Desbiens | .... | special thanks: Magic Film & Video Works (as Marie-Hélène Desbienes) | |
| Joe Forte | .... | special thanks | |
| Rubén García | .... | special thanks: Magic Film & Video Works (as Ruben Garcia) | |
| Rima Greer | .... | special thanks (as Rima Bauer Greer) | |
| Patrick Kerlee McAllister | .... | special thanks | |
| Brian Kibbie | .... | special thanks: Magic Film & Video Works | |
| Don O. Knowlton | .... | special thanks (as Donald Knowlton) | |
| Mario Landeros | .... | special thanks | |
| Robert W. Lowe | .... | special thanks: Chief of Police, Superior | |
| William MacCallum | .... | special thanks: Director, Arizona Film Commission (as William E. McCallum) | |
| Eric Makus | .... | special thanks | |
| Mike Petzold | .... | special thanks | |
| Greg Pruss | .... | special thanks (as Gregory Pruss) | |
| Jim Ryan | .... | special thanks: Principal, Superior High School | |
| Kathryn Takis | .... | special thanks | |
| Donald Widen | .... | special thanks | |
| Tracy Wong | .... | special thanks | |
| Chris Zapata | .... | special thanks: Superior Town Manager | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Religion has always been a clouded issue to me. There is absolutely no evidence that there is a God or an afterlife. But that hasn't stopped me ( and billions of people ) from believing in something. And I have always been taught that if there is good, then there is also the bad. If there is a heaven, there has to be a hell. The Prophecy tells us that there is, but it is not necessarily that cut and dried. The ruler of hell in this film is more like a character in a Martin Scorsese film. He is evil ( he has to be, he is Lucifer ) but he is not necessarily here to make God's life miserable. He is not necessarily good, but he is in a self serving kind of way.
The Prophecy is a very confusing and convoluted but brilliant film. The story ( bear with me here, it's been a while since I've seen this film ) is about a war between angels. Some angels became jealous when God decided he loved humans more than them. They become bitter and decide to start a war in heaven with the angels that are loyal to God. Their theory is that if the angels that oppose them are gone, they can take over certain things and hopefully get God's love back. To do this, they must steal the soul of the most heinous person that ever lived. We meet Gabriel, the lead angel in this crusade, and played by Christopher Walken, he is one of the most entertaining characters I have ever seen in the history of film. He has a sense of humour, he is vicious and he uses humans as slaves to do his dirty work. He catches them just before they are about to die and uses them with the promise that he will kill them once their job is finished. Here we meet Jerry, as his human monkey,and the only reason I mention this is because it is one of Adam Goldberg's early roles. He was Upham in Saving Private Ryan and watching this you could tell he had talent and that he would go places. He is fantastic in this film.
Elias Koteas plays Thomas, the only one who may have an insight into what is going on. He was a former priest who understands how religion is playing a part in all of this.
Eric Stoltz plays Simon, one of the good angels that is trying to save the world from Gabriel and he is very affective here as well.
But the star of this film is absolutely Walken. He is perfect as Gabriel. He has a sense of humour and he is evil at the same time. And in some ways you are rooting for him to win. That is until the very end when Satan shows up, because he steals every scene he is in as well.
Satan is played with wicked slickness by Viggo Mortensen. When he speaks he almost slithers and creeps his words onto the screen. He makes a dark scene darker and he keeps you glued to the screen. And his role in this film is one that epitomizes convolution. He is awesome.
This film is one that should not be missed. If you don't understand everything about it the first time, watch it again and again. You'll learn something new every time. And you'll enjoy it more and more. This is one hell of a film!!