Life as a Mormon missionary isn't what 19-year-old Brandon Allen expected: so many rules and so few successes. Los Angeles is as unrepentant as Sodom and Gomorrah. He's forced to share a ... See full summary »
Matthew A. Brown,
The film is a biblical soap-opera whose action unfolds in the Californian desert. Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband ... See full summary »
The conclusion to The Prophecy Trilogy. Once again, Christopher Walken returns as the Arch-Angel Gabriel. As the War in Heaven and on Earth rages on, Pyriel, the Angel of Genocide, rises to... See full summary »
Reluctantly Bill agrees to spend a weekend on his brother-in-law's boat in the Bahamas. But he and his wife are not the only invited passengers, and instead of a few relaxing days at sea ... See full summary »
Julia runs a trendy bar in Barcelona. She treats men with caution, believing one can love too much and invite pain. She's been dating Pablo, one of her waiters. After his grisly murder (his... See full summary »
Angels come to Earth to find a human soul that can end the war in heaven. Humans are caught up in this battle and must find a way to stop the angel Gabriel before he takes the soul back from where the angel Simon has hidden it. Written by
Aaron Sherman <email@example.com>
In a bit of truly inspired foreshadowing, in 1993, 2 years before this films release, Christopher Walken played an eerily similar role to that of his portrayal of the Archangel Gabriel in The Prophecy. In the Madonna video for the song "Bad Girl" (from her album "Erotica"), Walken plays the Angel of Death who silently follows a woman (Madonna) as she is being destroyed by her lifestyle. Though there is no speaking part, his mannerisms and look are strikingly similar to his later depiction of Gabriel - even down to his slicked back hair, pale complexion and mostly black wardrobe. See more »
When Gabriel opens the freezer door at the morgue, a crew member's movement is reflected in the shiny part of the handle. See more »
I remember the First War, the way the sky burned, the faces of angels destroyed. I saw a third of Heaven's legion banished and the creation of Hell. I stood with my brothers and watched Lucifer Fall. But now my brothers are not brothers, and we have come here where we are mortal to steal the Dark Soul, not yet Lucifer's, to serve our cause. I have always obeyed, but I never thought the War would happen again.
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The 23rd chapter of the St John's revelations........
.......and there rose a second war in heaven.
Gabriel is a rogue angel intent on capturing the black soul of a recently deceased war criminal general. Standing in his way is the good angel Simon, who hides the soul in a child, a couple of honest citizens, and Lucifer himself, who has his own vested interest in proceedings.
Largely ignored on release, and badly marketed as a horror film, The Prophecy, in this day and age of torture porn and slasher overkill, is crying out to be seen more by a jaded horror audience. For it be a film that has an interesting theological heart, that matches its daring and deeply provocative ideas. Here is a film that adds another chapter to the bible, the result being a battle for a soul on Earth that will have major repercussions for both heaven and hell. Gabriel (Christopher Walken) is even (poignantly some might say) using would-be-suicides as his unwilling helpers, their paths to peace blocked by Gabriel in his cunningly crafted intentions-yes this is pretty tight stuff indeed.
Flecked with the odd bit of humour (zip code wise cracks for heaven and hell), Gregory Widen's film perhaps is guilty of not fully realising end of the world promise. But this is a minor itch come the finale, because really the picture should be judged as one complete and intelligent whole. Cast wise you will search in vain for a weak link, because there simply isn't one. Walken is suitably gargoyle like, slick black hair and pasty faced, he induces fear whilst simultaneously charming the beejesus out of the humans, re: talking monkeys. Elias Koteas (a candidate for most undervalued actor of his generation), Virginia Madsen, Adam Goldberg (suicide Jerry), Amanda Plummer (suicide Rachael), Eric Stoltz (Simon) and Viggo Mortensen (Lucifer), all deliver top line performances to ensure the piece lives up to its billing as one of the best acted cult films from the 90s.
It had enough support to warrant a direct to video franchise, with mixed results following each subsequent sequel. But it's here where it matters, a fine film that deserves far better than the bad reputation it gets from those who expected a straight out horror film. I urge anyone who hasn't seen it to give it a go, open your mind and hope Gabriel doesn't come a wandering in. 8/10
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