| Helen Mirren | ... | Supt. Jane Tennison | |
| Beatie Edney | ... | Susan Covington | |
| Robert Glenister | ... | Chris Hughes | |
| Lesley Sharp | ... | Anne Sutherland | |
| Tracy Keating | ... | Carolyn Norwood | |
| Richard Hawley | ... | DI Richard Haskons | |
| Jack Ellis | ... | DI Tony Muddyman | |
| David Phelan | ... | DC Pride | |
| Graham Seed | ... | Doctor | |
| John Benfield | ... | DCS Kernan | |
| Tony Rohr | ... | DS McColl | |
| Mark Bazeley | ... | DC Aplin | |
| Chris Brailsford | ... | DC Westbrook | |
| Mossie Smith | ... | WPC Maureen Havers | |
| Caroline Selby | ... | Alison Sutherland | |
| Candice Paul | ... | Gayle Sutherland | |
| Adrian Lukis | ... | John Warwick | |
| Fergus O'Donnell | ... | DC Hawker | |
| Stuart Wilson | ... | Dr. Patrick Schofield | |
| Stephen Tindall | ... | DCI White | |
| Anthony Daniels | ... | Pathologist | |
| David Ryall | ... | Oscar Bream | |
| Patrick Cremin | ... | DI Andrews | |
| Sam Cox | ... | DCI Birnam | |
| Richard Cubison | ... | Commander Lane | |
| Mac Andrews | ... | Stubbs | |
| Anna Niland | ... | WPC | |
| Malcolm Raeburn | ... | Supt. Sleeth | |
| Robin Ashenden | ... | Reporter |
Directed by | |||
| John Madden | |||
Writing credits | ||
| Paul Billing | (written by) | |
Produced by | |||
| Rebecca Eaton | .... | executive producer: USA | |
| Sally Head | .... | executive producer | |
| Paul Marcus | .... | producer | |
Original Music by | |||
| Stephen Warbeck | |||
Cinematography by | |||
| David Odd | |||
Film Editing by | |||
| Anthony Ham | |||
Casting by | |||
| Doreen Jones | |||
Production Design by | |||
| Chris Truelove | |||
Art Direction by | |||
| Stephen Graham | |||
Costume Design by | |||
| Mike O'Neill | |||
Makeup Department | |||
| Jane Hatch | .... | makeup supervisor | |
| Anastasia Shirley | .... | assistant makeup artist | |
Production Management | |||
| Bill Leather | .... | production supervisor | |
| David Meddick | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Trina Fraser | .... | first assistant director | |
| Sue Whitley | .... | second assistant director | |
Art Department | |||
| Iain Andrews | .... | assistant art director | |
| Murray Cook | .... | graphic designer | |
| Trevor Devoy | .... | production buyer | |
| Tony Mills | .... | construction manager | |
| Terry Nixon | .... | stand-by props | |
Sound Department | |||
| Ben Brookes | .... | boom operator | |
| Dean Humphreys | .... | sound re-recording mixer | |
| John Rutherford | .... | dubbing editor | |
| John Senior | .... | dubbing editor | |
| Nick Steer | .... | sound mixer | |
Special Effects by | |||
| Steve Tomkow | .... | special effects | |
Stunts | |||
| Andy Bradford | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jimmy Camp | .... | gaffer | |
| Craig Feather | .... | focus puller | |
| Mike Fisher | .... | camera grip | |
| Tony Slater-Ling | .... | clapper loader (as Tony Ling) | |
| Howard Somers | .... | camera operator | |
Costume and Wardrobe Department | |||
| Samantha Horn | .... | wardrobe supervisor | |
Editorial Department | |||
| David Boyle | .... | assistant film editor (uncredited) | |
| Chris Clarkson | .... | assistant film editor (uncredited) | |
Other crew | |||
| Gwenda Bagshaw | .... | script associate | |
| Elizabeth Bradley | .... | script editor | |
| Craig McNeil | .... | production executive | |
| Carl Morris | .... | production financing | |
| Milly Preece | .... | production coordinator | |
| Valery Ryan | .... | script editor | |
| David Weir | .... | location manager | |
| Sue Wild | .... | continuity | |
| Recent Posts (updated daily) | User |
|---|---|
| Difference between US and UK version | evilswede |
| How did she become the superintendent? | MyBoyBuddha |
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| Prime Suspect 3 | Mystic River | Prime Suspect: Scent of Darkness | Freeway | "Prime Suspect" |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
This one unravels deftly. You might not know what's coming. If you really watch for details, you might. Again, the realism of this series beats the 'twinkie' world of Law & Order any day. This is not a Dick Wolf Happy Meal - this is the real thing, and at the top of the heap of great actors and other craftsmen involved is Helen Mirren, a wonder if there ever was one.
Sometimes you have to step away from the quality stuff and wander over into comic book land so to speak to fully appreciate what you're getting. This part is not a cozy one to snuggle up with; this one will make you think - but it's that good. A child is missing; there's a hunt for the child; that's all you need to know. As it wears on, the narrative 'sort of' tells you what you will finally understand. This is neither a 'whodunnit' nor a straightforward drama nor a police series - it's a bit of all three. And watching Helen Mirren do her stuff is going to be a treat for all your senses.