When Nick Di Santo learns that his father is not only alive but can possibly reveal the origin of his son's dark gift, he sets out on a trip that takes him to an abandoned mansion he thought only existed in his childhood imagination.
Hatch Harrison had a traffic accident with his car. At first the doctors said he was dead but then they succeeded to bring him back to life after two hours. But Hatch starts to have strange... See full summary »
As children, Rheanna and Annette are happy. However, after an evening of ghost stories and games with their friend Tara, what started as innocent fun soon turns into a nightmare. Rheanna, ... See full summary »
A youth, played by Nathan Forrest Winters, is waiting for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house claiming his older brother died.
Nathan Forrest Winters
When sheriff Barnum investigates the death of an elderly rural resident, he discovers a teenage grandson living in the basement. Raised by his grandparents, he has experienced the world only through books, never leaving the family farm. He is sent to a state home for boys where he has trouble fitting in socially. His odd appearance and unusual abilities cause the small town residents to fear and ridicule him. However, not all are afraid. Some begin to view his potential and gifts with wonderment. Written by
Robert B. Young <firstname.lastname@example.org>
During the hospital scene where Ripley confronts the Sheriff about the classroom incident, we hear a voice on the intercom paging "Dr. Tarantini", "Dr. McGreal", "Dr. Cain" and "Dr. Grodnik". Tom Tarantini and Sean Cain are both actors in the film, Mimi N. McGreal is a production assistant, and Daniel Grodnik is the film's producer. See more »
In the very first scene, the ambulance has a headlight out on the driver's side as the vehicle is driving towards you. When the scene shifts to the ambulance pulling up in front of the hospital, the headlight is out on the passenger's side of the vehicle. See more »
She didn't go some place... your wife. I felt her go. Not away, just out... everywhere.
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Frustratingly follows an acute by-the-numbers fashion
There so many good things in this film, so many elements that come together (emotional, visceral and otherwise), that it's an outright shame "Powder" isn't a better picture. An albino youngster--psychic, telekinetic, and more brilliant than anyone on Earth--is found orphaned in a rural home and is brought out into the cold, cruel world for the first time in his life. Writer-director Victor Salva wrings every ounce of emotion from the tender scenes, but he lays the schoolyard bully stuff on mighty thick. The terrific finale is nearly overshadowed by the nasty events that precede it (which are not only puzzling, but overwrought). That's the trouble, I think: "Powder" is a careful, gentle, insightful, sincere little movie derailed every now and again by heavy-handedness, and a plot that follows every cliché down the path to predictability. Still in all, a moving finish, and all the acting is quite solid. **1/2 from ****
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