When Nick Di Santo learns that his father is not only alive but can possibly reveal the origin of his son's dark gift, he sets out on a trip that takes him to an abandoned mansion he thought only existed in his childhood imagination.
Hatch Harrison had a traffic accident with his car. At first the doctors said he was dead but then they succeeded to bring him back to life after two hours. But Hatch starts to have strange... See full summary »
As children, Rheanna and Annette are happy. However, after an evening of ghost stories and games with their friend Tara, what started as innocent fun soon turns into a nightmare. Rheanna, ... See full summary »
A youth, played by Nathan Forrest Winters, is waiting for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house claiming his older brother died.
Nathan Forrest Winters
When sheriff Barnum investigates the death of an elderly rural resident, he discovers a teenage grandson living in the basement. Raised by his grandparents, he has experienced the world only through books, never leaving the family farm. He is sent to a state home for boys where he has trouble fitting in socially. His odd appearance and unusual abilities cause the small town residents to fear and ridicule him. However, not all are afraid. Some begin to view his potential and gifts with wonderment. Written by
Robert B. Young <firstname.lastname@example.org>
Composers John Williams and Jerry Goldsmith both showed interest in scoring Powder. Williams demanded to see the cut first before he decides to do it. This was not possible due to the very tight schedule between finishing the film and releasing. So Goldsmith finally got the nod. Director Salva stated he is a big fan of Goldsmith's work, especially his film music from the 60's, but they both differed in what the film needed. See more »
When the girl is lying on the bed, the lamp changes sides between shots. See more »
It's hard to believe that, all of that.
It's because you have this spot that you can't see past. My grams and gramps had it, the spot where they were taught they were disconnected from everything.
So that's what they'd see if they could? That they're connected?
And how beautiful they really are. And that there's no need to hide, or lie. And that it's possible to talk to someone without any lies, with no sarcasms, no deceptions, no exaggerations or any of the things that people use to confuse ...
[...] See more »
If someone explained the plot of Powder to me, I would assume it was some sappy, simple, over emotional clap trap, from someone like Spielberg. Yet when I actually saw the film, I found it to be deep, intelligent and very moving.
There are some things wrong with the film, a number of the characters are stereotypes and some parts of the plot are a little unexpected. If you ignore these simple problems, the quality of the direction and acting shine through, to provide an excellent film.
I very rarely say this, but I think, Sean Patrick Flanery's performance is one the most remarkable I have ever seen. Tender and awkward, without looking false.
Overall an excellent film, but maybe for the more mature viewer.
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