When Nick Di Santo learns that his father is not only alive but can possibly reveal the origin of his son's dark gift, he sets out on a trip that takes him to an abandoned mansion he thought only existed in his childhood imagination.
As children, Rheanna and Annette are happy. However, after an evening of ghost stories and games with their friend Tara, what started as innocent fun soon turns into a nightmare. Rheanna, ... See full summary »
A youth, played by Nathan Forrest Winters, is waiting for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house claiming his older brother died.
Nathan Forrest Winters
When sheriff Barnum investigates the death of an elderly rural resident, he discovers a teenage grandson living in the basement. Raised by his grandparents, he has experienced the world only through books, never leaving the family farm. He is sent to a state home for boys where he has trouble fitting in socially. His odd appearance and unusual abilities cause the small town residents to fear and ridicule him. However, not all are afraid. Some begin to view his potential and gifts with wonderment. Written by
Robert B. Young <email@example.com>
During the hospital scene where Ripley confronts the Sheriff about the classroom incident, we hear a voice on the intercom paging "Dr. Tarantini", "Dr. McGreal", "Dr. Cain" and "Dr. Grodnik". Tom Tarantini and Sean Cain are both actors in the film, Mimi N. McGreal is a production assistant, and Daniel Grodnik is the film's producer. See more »
In the final confrontation with John, the button on his jeans are magnetically drawn to Jeremy, but the identical buttons on his denim jacket are somehow unaffected. See more »
Deputy Harley Duncan:
I'm just saying that that's more than albino, Doug. That is spooky.
Sheriff Doug Barnum:
I never thought we'd find a man too white for you there Harley.
See more »
I have taken in hand the constructive criticism of others about this film. I've noticed that most people don't like the film because of Salva's criminal record. That's no reason to give it ill-repute.
The film itself is a little dodgy in parts and could have used some better acting from some of its stars. Sean Patrick Flanery does an amazing job as Jeremy Reed, and I believe he was well-suited for the part.
I didn't like Lance Henriksen's acting at all. I thought that the way he portrayed the character was a little too repetitive and boring. But then again, I don't care for him as an actor anyway. I think he's crotchety, annoying, and outdated; and the characters he chooses to play reminds me of the acclaim that Robert Redford always gets - undeserved.
The film is about a young man who suffers a birth "defect" after his pregnant mother is struck by lightning and killed. OK, I can understand some of this. He is raised by grandparents who soon begin to fear him and show him no emotion - not unlike his father. When his last grandparent dies he is left alone for a short period of time before he is discovered by the police. Our main character is highly intelligent, scared, telekinetic, and has an electric personality, not to mention he's an albino, too.
A social worker, Jessica, played by Mary Steenburgen is called to take over the boy's case and he is placed in a group living situation in a home. He is placed with delinquents and abandoned children who have no respect for him. I love Steenburgen and think she always does a good part in any film she is in. She's a fine actress, and though she may not be classed as "dazzlingly" beautiful, her charms show through no matter what character she plays. She's heart-warming, endearing, and always brings a good sense of love to a film.
Those who say that Salva's sexual undertones are present in the film can be dismissed right away. I knew nothing of Salva's past when I watched this film for the first time, and I noticed nothing out of the ordinary. Goldblum's character, who is a science teacher and befriends the boy, does a good job of interacting with him. He's not molesting him or harming him by holding his hand and giving him a long-needed hug. If you're assuming this shows sexual predators at work, I think you need to see the therapist, not Salva.
Also, the scene in which he is looking at another boy who is in the locker room is not about lust. He is longing to be able to do normal things that others do without being ridiculed. If you'll remember, it's the very next scene where they tell him he's a freak who is as "bald as a baby." He just wants to fit in, and it is at this point that I believe he realizes he doesn't.
Overall, this film does bring a sense of wonder to the viewer. If you sit back and take it all in, Salva is showing us what might happen if we all stop judging one another and start accepting human beings for their uniqueness. He's not trying to make you accept him for being a child predator. He's showing the world that people are ALL different, and if we spent a little less time being so blocked and full of hate, we might come to realize this and appreciate the aesthetic value of the human soul.
I gave this film a 7 out of 10 because I didn't like Lance Henriksen's performance at all, I thought some of the characters could have come through in the end (Why didn't his love interest stand up for herself against her father? Why were there loose strings here?), and I would have liked to have seen more "after the fact" wrap-ups when Jeremy becomes raw energy in the film's climax. Also, why in God's name does Powder have eyelashes if he is unable to grow hair? Huh? What? OK, so Sean does have pretty eyes, but, come on!
On a side note, for those of you who think that the Deputy Sheriff's character was a "stereotypical" cop character, giving the police a bad name...I have relatives who are police in a small town like this one, and you should hear THEM talk over the dinner table. It ISN'T much different.
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