An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise ... See full summary »
Raymond J. Barry,
Rejected by Hollywood and facing pressure to return to Stalinist Russia, filmmaker Sergei Eisenstein travels to Mexico to shoot a new film. Chaperoned by his guide Palomino, he experiences the ties between Eros and Thanatos, happy to create their effects in cinema, troubled to suffer them in life.
As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her from "The Pillow Book", the diary of a 10th-century lady-in-waiting. Nagiko grows up, obsessed with books, papers, and writing on bodies, and her sexual odyssey (and the creation of her own Pillow Book) is a "parfait mélange" of classical Japanese, modern Chinese, and Western film images. Written by
Michael C. Berch <email@example.com>
The Pillow Book is a rare film that transcends limitations of film and text in a unique handling by auteur Peter Greenaway. Based loosely on the tenth century writings of the imperial court observer, Sei Shonagon, Greenaway brings to the screen a rich visual amalgam that relies on stunning settings, the physical beauty of actors Vivian Wu and Ewan McGregor, and the joy of ancient and modern systems of writing that are the calligraphic arts.
Greenaway's penchant for incorporating art, numbers, books, and architecture in a filmic medium ensure those who enjoy his style will not be disappointed. As a young child, Wu's character has celebrated her birthday's by having her father write the story of creation on her face in a family ritual celebration. However, with adulthood and marriage, her spouse is neither interested nor willing to continue her tradition. Frustrated at her inability to find a lover who is a good calligrapher, or a calligrapher who is a good lover, Wu finally meets a bi-sexual translator, Jerome (McGregor) who offers himself to Wu as a living surface for her erotic creativity. Inspired by the opportunity to obtain revenge on the publisher who blackmailed her father and is Jerome's lover, Wu's character, Nagiko creates the ultimate love poem illuminated in red, gold and black characters and delivered to the publisher on the naked body of Jerome.
The Pillow Book is adult eroticism at it's most sensuous and visual best. It is a story that revels in the binaries of the profane and grotesque, yet delights the eye with Greenaway's ability to translate a vision of love and horror into a singular statement of lush physical beauty and passionate sexuality.
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