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Barbara M. Messner,
As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her from "The Pillow Book", the diary of a 10th-century lady-in-waiting. Nagiko grows up, obsessed with books, papers, and writing on bodies, and her sexual odyssey (and the creation of her own Pillow Book) is a "parfait mélange" of classical Japanese, modern Chinese, and Western film images. Written by
Michael C. Berch <email@example.com>
Anything by Greenaway is bound to be cinematic Art, but this effort is particularly brilliant.
It has full-frontal nudity, male and female -- not presented necessarily in sexual context, but you might want to pick your audience carefully. The nudity and homosexuality in the film are handled offhandedly and without prejudice, thus removing any hint of perversion or pornography. I know that sounds odd, but believe me, I'm a very conservative individual/artist.
But that's not The Film -- the plot is intriguing, the Art is breathtaking, and the calligraphy, ahhhhhhh, is astoundingly beautiful, especially when transcribed on human form. The vessel and the content are one -- how sublime of author and director.
My criticism? Sometimes Greenaway seems to think that we can simultaneously process all five lanes of the highway that run in his head. I, for one, am willing to watch his films twice. (Well, maybe not "The Falls").
Greenaway offers food for my soul -- I kiss both his eyes.
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