| Charles S. Dutton | ... | Boy Willie (as Charles Dutton) | |
| Alfre Woodard | ... | Berniece Charles | |
| Carl Gordon | ... | Doaker | |
| Tommy Hollis | ... | Avery | |
| Lou Myers | ... | Wining Boy | |
| Courtney B. Vance | ... | Lymon | |
| Zelda Harris | ... | Maretha | |
| Rosalyn Coleman | ... | Grace | |
| Tommy Lafitte | ... | Ace | |
| Lynne Innerst | ... | Miss Ophelia | |
| Harold Surratt | ... | Papa Willie Boy | |
| Elva Branson | ... | Mama Berniece | |
| Tim Hartman | ... | Sutter | |
| Ben Tatar | ... | Watermelon Man | |
| Alice Eisner | ... | Watermelon Lady (as Alice Gerber Eisner) | |
| Bob Tracey | ... | Nolander | |
| rest of cast listed alphabetically: | |||
| John W. Iwanonkiw | ... | Electrician Helper (uncredited) | |
| Jackson Nunn | ... | Horse Trainer-Owner (uncredited) | |
Directed by | |||
| Lloyd Richards | |||
Writing credits(WGA) | ||
| August Wilson | (play) | |
| August Wilson | (teleplay) | |
Original Music by | |||
| Dwight Douglas Andrews | |||
| Stephen James Taylor | |||
Cinematography by | |||
| Paul Elliott | |||
Film Editing by | |||
| Jim Oliver | |||
Casting by | |||
| Olivia Harris | |||
| Phyllis Huffman | |||
| Canice Kennedy | |||
Production Design by | |||
| James William Newport | |||
Art Direction by | |||
| Tim Saternow | |||
Set Decoration by | |||
| Diana Stoughton | |||
Costume Design by | |||
| Vicki Sánchez | |||
Makeup Department | |||
| Sterfon Demings | .... | hair stylist: Alfre Woodard | |
| Ellie Winslow | .... | key makeup artist | |
Production Management | |||
| Robert Bennett Steinhauer | .... | unit production manager | |
| Karen Mayeda Vranek | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Marty Eli Schwartz | .... | first assistant director | |
Art Department | |||
| Norman Beck | .... | carpenter | |
| Robert Buncher | .... | carpenter | |
| Darien N. D'Alfonso | .... | scenic painter | |
| Ellie H. Ferrari | .... | set dresser | |
| Smith Harper Hutchings | .... | on-set dresser | |
| Smith Harper Hutchings | .... | set dresser | |
| Eva Kamienska-Carter | .... | set designer | |
| Kenneth J. Kellers | .... | lead man | |
| Buster Pile | .... | construction coordinator | |
| Eugene Pope | .... | carpenter | |
| Gregory Puchalski | .... | scenic artist | |
| Paul Bucciarelli | .... | scenic artist (uncredited) | |
Sound Department | |||
| Skip Adams | .... | sound editor | |
| John Asman | .... | sound re-recording mixer | |
| Jessy Bender | .... | boom operator | |
| Sam Black | .... | sound re-recording mixer | |
| Charles Bruce | .... | sound effects editor | |
| David E. Fluhr | .... | sound re-recording mixer (as David Fluhr) | |
| Stephen Grubbs | .... | supervising sound editor | |
| Michael C. Moore | .... | sound mixer | |
| Eric A. Norris | .... | sound effects editor | |
| Klint Macro | .... | voiceover recordist (uncredited) | |
Camera and Electrical Department | |||
| Robert Bender | .... | grip | |
| Pat Dames | .... | grip | |
| Bob Greene | .... | still photographer | |
| George T. Kalinski | .... | grip | |
| Ed Letteri | .... | gaffer | |
| Chris Lugar | .... | electrician | |
| Frank McGough | .... | best boy electric | |
| John S. Moyer | .... | Steadicam day player | |
| Jean-Pierre Nutini | .... | electrician | |
Casting Department | |||
| Mary Beth Boyle | .... | extras casting agent | |
| Nancy Mosser | .... | extras casting director | |
Editorial Department | |||
| Chad Mochrie | .... | post-production coordinator | |
Transportation Department | |||
| Katie Scott | .... | transportation | |
| Marc Scott | .... | transportation coordinator | |
Other crew | |||
| Ray Cervenak | .... | security captain | |
| Elloise Dover | .... | assistant: Mr. Dutton | |
| Diana Osberg | .... | set production assistant | |
| Matthew Sirianni | .... | production assistant | |
| Gene Starzenski | .... | set paramedic | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I first viewed this film in a literature class in 2003, and it quickly became one of my favorites. It rather saddens me that so many people complain that there's no story, no action. There is a lot of story to this film, if you want to take the time to watch and appreciate it. Not every movie has to be a massive epic. This film is a story about a family and how some of the members want a better life and to purge the past of pain, and just like real life, some of the best stories are about the intimate moments and of the struggles we all face.
If you enjoy a good drama, a story that slowly reveals the history behind the events you first see, this is the movie for you.