Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
A corrupt businessman commits a murder and the only witness is the girlfriend of another businessman with close connections to the Chinese government, so a bodyguard from Beijing is ... See full summary »
Jackie witnesses his father's death by the skilled hands of a martial arts master with an unknown killing technique. Jackie vows to become a Shaolin monk and avenge his death (not very ... See full summary »
A monk from Tibet is sent to Hong Kong by his master. He is to recover a magical bottle to which he has the cap from a lawyer. When these items were united long ago they protected Tibet ... See full summary »
Jackie plays Foh, an expert mechanic who has returned from Japan after a master course at Mitsubishi Motors. He runs a small business in Hong Kong along with his father and two sisters. In his spare time, he also helps the police out by checking cars that have been illegally upgraded. One night, psychotic street racing driver Warner Krugerman, aka Cougar, speeds past Foh and the cops. Foh gets into a car and stops Cougar heroically. Cougar lands in jail, but breaks out eventually. He gets revenge on Foh by trashing his business and kidnapping his sisters. The only way Foh can get his sisters back is by racing cougar in Japan. He now must retrain himself in race car driving so he can be at his best to race Cougar. Written by
Pat McCurry <firstname.lastname@example.org>
Jackie Chan sustained an injured ankle in Rumble in the Bronx a year before, therefore, stunt doubles was used for most of the fight scenes. See more »
Chan Foh To wears dark colored shoes during the autoshop fight but near the end of the fight when there is a close-up shot of his foot kicking the lead henchman in the face, his shoe is white. See more »
Jackie Chan goes back to his roots in this exciting, martial arts, car racing drama. I was kept interested by the film throughout and I rarely got bored due to the adrenaline pumping fight scenes and fairly captivating plot.
Jackie Foh's (Jackie Chan) sister's are kidnapped by a criminal racing driver and Jackie must beat him in a race to get them back. What the plot lacks is intelligence and justification of the ideas. Why did the racing driver kidnap the sister's in the first place? Why does he want to race Jackie? These are things that are never really developed and don't really make much sense. However, what the plot lacks in intricacies it makes up for in intensity and entices the audiences with 'Rocky-esque', uplifting scenes where we see Jackie train to become the best racer there is. It is done in a typical, feel-good way and gets the viewer behind Jackie throughout.
The acting is actually very good and Jackie Chan, Michael Wong and Kar Lok Chin are particularly impressive in their roles as Jackie Foh, Steve Cannon the attorney, and Jackie's racing trainer respectively. However, as usual in Hong Kong films, the Western actors are pretty poor, most notably Cougar (the kidnapper) played by Thorsten Nickel.
As far as the action goes, we see a familiar style reminiscent of Jackie's 'Police Story' days, with some of the best fight scenes you are ever likely to witness, especially a scene where Jackie uses a sledgehammer to fend off his adversaries. The action is presented in such a way where the viewer can actually 'see' what is happening, as a result of clever camera-work, so it is made that more exciting because we know it is real. This is where Chan films always excel; we feel the danger for the character, because we know the stunts are real and not computer generated effects; this adds so much to the exhilaration.
There is not much character development, plot depth or originality, but it achieves to entertain the audience and even at times 'move' them. Definitely a 'must-see' for all Jackie Chan fans and worth taking a look at for those even slightly interested.
A good, exciting, film.
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