Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an...
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Socially inept garbage man Simon is befriended by Henry Fool, a witty roguish, but talentless novelist. Henry opens a magical world of literature to Simon who turns his hand to writing the ... See full summary »
Thomas Jay Ryan,
Things have been tough lately for Amelia. Her best friend moved out of the apartment, her cat got cancer, and now her best friend, Laura, is getting married. She copes with things, from the... See full summary »
Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an illegal party. To repay the loan, she begins working as a library clerk. At first she hates it, but when challenged decides to master the Dewey Decimal System and become a great library clerk, while romancing a falafel vendor and helping her roommate in his goal to become a professional DJ. Written by
James Meek <firstname.lastname@example.org>
On June 3, 1995, it became the first feature film to be shown in its entirety on the Internet through Glenn Fleishman's Point of Presence Company (POPCO). Parker Posey appeared live in the POPCO offices to introduce the film and welcome Internet viewers. See more »
You don't think I'm smart enough to work in your fucking library?
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I Wish Parker Posey Would Get More Star Vehicles Like This
Parker Posey flashes her 1,000-kilowatt smile frequently in this film, and your enjoyment of the movie will rely primarily on how smitten you are by Posey's quirky charm.
Count me as a follower. I think Posey is a hoot in everything she's in, incapable of giving an ordinary performance. I have a feeling that in "Party Girl" she plays a variation of herself, but that's just fine with me. She appears in virtually every frame of the film, but the movie isn't much of anything without her, so I welcomed the overdose of Posey.
The script for "Party Girl" feels half-assed, though I did appreciate the existential crisis faced by Posey's character and the shelter she seeks in the Dewey Decimal System as a way of bringing order to her chaotic existence. I wish the screenwriters had taken clever hooks like that further. And the ending had a conventional, all-loose-ends-tied-up quality that would better suit a television sitcom than an out-there indie film.
But none of these faults take anything away from Posey herself, so really, how serious can they be?
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