Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an...
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Socially inept garbage man Simon is befriended by Henry Fool, a witty roguish, but talentless novelist. Henry opens a magical world of literature to Simon who turns his hand to writing the ... See full summary »
Thomas Jay Ryan,
A ten-years-later continuation of Hal Hartley's "Henry Fool", where Fay Grim (Posey) is coerced by a CIA agent (Goldblum) to try and locate notebooks that belonged to her fugitive ex-husband (Ryan). Published in them is information that could compromises the security of the U.S., causing Fay to first head to Paris to fetch them ...
Peter, a family man who works for a failing supermarket chain finds his life shaken up by his new boss, Susan, who starts to groom him for an executive position. Money and opportunities are within his grasp, but at what price?
Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
Nora Wilder is freaking out. Everyone around her is in a relationship, is married, or has children. Nora is in her thirties, alone with job she's outgrown and a mother who constantly ... See full summary »
Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an illegal party. To repay the loan, she begins working as a library clerk. At first she hates it, but when challenged decides to master the Dewey Decimal System and become a great library clerk, while romancing a falafel vendor and helping her roommate in his goal to become a professional DJ. Written by
James Meek <firstname.lastname@example.org>
I Wish Parker Posey Would Get More Star Vehicles Like This
Parker Posey flashes her 1,000-kilowatt smile frequently in this film, and your enjoyment of the movie will rely primarily on how smitten you are by Posey's quirky charm.
Count me as a follower. I think Posey is a hoot in everything she's in, incapable of giving an ordinary performance. I have a feeling that in "Party Girl" she plays a variation of herself, but that's just fine with me. She appears in virtually every frame of the film, but the movie isn't much of anything without her, so I welcomed the overdose of Posey.
The script for "Party Girl" feels half-assed, though I did appreciate the existential crisis faced by Posey's character and the shelter she seeks in the Dewey Decimal System as a way of bringing order to her chaotic existence. I wish the screenwriters had taken clever hooks like that further. And the ending had a conventional, all-loose-ends-tied-up quality that would better suit a television sitcom than an out-there indie film.
But none of these faults take anything away from Posey herself, so really, how serious can they be?
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