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Beyond the Clouds (1995)

Al di là delle nuvole (original title)
Not Rated | | Drama, Romance | 27 October 1995 (Italy)
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »


, (screenplay) | 3 more credits »

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3 wins & 3 nominations. See more awards »
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Cast overview, first billed only:
The Girl
The Director
The Girl
Silvano (as Kim Rossi-Stuart)
Carmen (as Ines Sastre)
The Man of All Vices
Enrica Antonioni ...
Boutique Manager
Carine Angeli
(as Alessandra Bonarota)


Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see". Written by Oscar Esteban <oscar-esteban@p4.virtual.encomix.com>

Plot Summary | Add Synopsis


Drama | Romance


Not Rated | See all certifications »

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Release Date:

27 October 1995 (Italy)  »

Also Known As:

Más allá de las nubes  »

Box Office


$30,890 (USA) (10 December 1999)

Company Credits

Production Co:

, ,  »
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Technical Specs


Sound Mix:



Aspect Ratio:

1.66 : 1
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Did You Know?


Michelangelo Antonioni's first film after suffering a stroke in 1985. See more »


Patricia: [translation] Everything is ridiculous. Love is ridiculous. It has to be said. It's an illusion, a trap. But the trap is mysterious, so we all fall into it. Like stewed prunes!
See more »


Features Close to Eden (1991) See more »


Written and performed by Laurent Petitgand
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User Reviews

A moderate failure; still worth seeing
3 April 2001 | by (Saint Paul, MN) – See all my reviews

Michelangelo Antonioni is one of the major figures of cinema history, even if most people haven't heard of him. He was nowhere near as prolific as filmmakers such as Fellini, Godard, Bergman, Kurosawa, or Truffaut. And his films now are difficult to procure. There are only a few readily available, and I have seen all of those but one (Il Grido, which has recently been released on DVD by Kino). Four of the five Antonioni films that I've seen, L'Avventura, Red Desert, Blowup, and The Passenger are among the best films ever made. One other that I've seen, L'Eclisse, I think probably is also to be included among them; if only the video that I saw would not have been so horribly defiled! Now I have seen Beyond the Clouds.

I had always heard that it was a great failure, but it was difficult to lower my expectations of Antonioni. Wim Wenders' presence did not help, either. Throughout the film, there were many things that annoyed me, and also many things that I loved. I think a pros/cons list will help here.


1. The writing seems weak. All the stories told have little depth, it seems, and we find out almost nothing about anybody we meet in the picture. Usually, Antonioni's writing can be used to show just how well a film can be written, and his characters are the definition of "complex." But in another way I can also see the style of writing presented here in a more positive light, which I'll comment on later.

2. The acting is really weak. I cannot in any way defend it. There is not one performer who isn't subpar here, and most of the actors are second-rate actors in the first place (Irene Jacob excepted). John Malkovich is one of the hammiest actors who's ever lived. The only thing I ever liked him in was Being John Malkovich, because that film delightfully (and, apparently, unnoticeably, at any rate by Malkovich himself) mocked his very pretensions, which are in full force in this film.

3. Casual nudity - okay, no one on Earth wants to see John Malkovich buck naked. Fortunately, if you are a fan of female nudity, nearly every woman in the film, including Bond girl Sophie Marceau, appears naked from head to foot with everything in between (sorry, Irene Jacob fans, no nudity from her!). I myself don't mind nudity when it is called for, like in Last Tango in Paris, but the rampant nudity in this film makes it seem like European softcore along the lines of Emmanuel. Actually, the softcore it really reminded me of was Red Shoe Diaries. The light jazz by Van Morrison just adds to this effect. Antonioni was once a proto-feminist. Many of his most famous films were from a distinctly female point of view. And when men did take over in his films, they were very unlikable. Here, the women are often exploited.


1. Cinematography - okay, we have two of the best visual directors of all time working on this film, the cinematography ought to be outstanding. It is, generally. There are a couple of visual moments that are absolutely spectacular, some of the best I've ever seen. This includes an ethereal scene where Malkovich explores a deserted playground on a beach. He sits on a swing, spins around in it with a shot that involves a beautifully moving camera, and then we watch a strong wind blow sand around on the beach (Antonioni loves showing the wind in his films). Another great visual scene involves a camera gliding about a spiral staircase near the end of the film.

2. Mood - The nonchalant flow of the narrative actually adds a lot of mood. The title of the film is entirely appropriate. You do feel as if you're witnessing something beyond the clouds. Certain stories are left in suspension, never to be resolved, and it feels right. By the final scene, Beyond the Clouds had nearly won me over. Still, there were too many things wrong with it to suggest it to non-Antonioni fans, but Antonioni fans owe it to themselves to see it once. 6/10

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