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Beyond the Clouds (1995)
"Al di là delle nuvole" (original title)

6.5
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Ratings: 6.5/10 from 4,084 users   Metascore: 66/100
Reviews: 41 user | 36 critic | 10 from Metacritic.com

Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »

Writers:

(book), (screenplay), 4 more credits »
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Title: Beyond the Clouds (1995)

Beyond the Clouds (1995) on IMDb 6.5/10

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3 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Patricia
...
Mistress
...
The Girl
...
The Director
...
The Girl
...
Niccolo
...
Carlo
...
Silvano (as Kim Rossi-Stuart)
...
Carmen (as Ines Sastre)
...
Husband
...
The Man of All Vices
...
Friend
Enrica Antonioni ...
Boutique Manager
Carine Angeli
Alessandra Bonarotta ...
(as Alessandra Bonarota)
Edit

Storyline

Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see". Written by Oscar Esteban <oscar-esteban@p4.virtual.encomix.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| |

Release Date:

27 October 1995 (Italy)  »

Also Known As:

Más allá de las nubes  »

Box Office

Gross:

$30,890 (USA) (10 December 1999)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Michelangelo Antonioni's first film after suffering a stroke in 1985. See more »

Connections

Featured in To Make a Film Is to Be Alive (1995) See more »

Soundtracks

Your Blue Room
by the collected members of U2 and Brian Eno
See more »

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User Reviews

 
an ultimate film
26 February 2000 | by (Los Angeles) – See all my reviews

I was stunned by this film. Afterwards, I didn't even want to see any films for a long time- any other film would be so unsatisfying by comparison.

For many, it may be the worst of Antonioni- very slow, without an engaging conventional story line, microscopic examinations of human emotions and interactions- and the worst of Wenders- verbose, confused transcendentalism. It is composed of short distinct episodes linked by Wenders' typical meandering hero's stream of consciousness, so it doesn't produce the temporary oblivion of escapist cinema.

But for fans, the worst is the best and the disjointed story line is sketching a single poetic image that stretches across the film. Wenders and Antonioni create a discourse between their segments that seeks out the heart of things.


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