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Al di là delle nuvole (1995)

Not Rated | | Drama, Romance | 27 October 1995 (Italy)
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »

Writers:

, (screenplay) | 3 more credits »

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3 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Patricia
...
Mistress
...
The Girl
...
The Director
...
The Girl
...
Niccolo
...
Carlo
...
Silvano (as Kim Rossi-Stuart)
...
Carmen (as Ines Sastre)
...
Husband
...
The Man of All Vices
...
Friend
Enrica Antonioni ...
Boutique Manager
Carine Angeli
...
(as Alessandra Bonarota)
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Storyline

Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see". Written by Oscar Esteban <oscar-esteban@p4.virtual.encomix.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| |

Release Date:

27 October 1995 (Italy)  »

Also Known As:

Más allá de las nubes  »

Box Office

Gross:

$30,890 (USA) (10 December 1999)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

In order to obtain the covering insurance needed to put the film into production, Michelangelo Antonioni (who was still recovering from a severely debilitating stroke) had to agree to have a secondary director on staff, ready to take over from him at any time. His choice, Wim Wenders, even provided the prologue and epilogue for the film. See more »

Quotes

Patricia: [translation] Everything is ridiculous. Love is ridiculous. It has to be said. It's an illusion, a trap. But the trap is mysterious, so we all fall into it. Like stewed prunes!
See more »

Connections

Featured in To Make a Film Is to Be Alive (1995) See more »

Soundtracks

Air
Written and performed by Laurent Petitgand
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User Reviews

 
The Twelve Stabs: Story in the Viewing
20 January 2003 | by (Virginia Beach) – See all my reviews

This is a special film if you know the context. Antonioni, in his eighties, had been crippled by a stroke. Mute and half paralyzed, his friends -- who incidentally are the best the film world has -- arranged for him to 'direct' a last significant film. The idea is that he can conjure a story into being by just looking at it. So we have a film: about a director who conjures stories by simple observation. And the matter of the (four) stories is about how the visual imagination defines love.

The film emerges by giving us the tools to bring it into being through our own imagination. The result is pure movie-world: every person (except the director) is lovely in aspect or movement. Some of these women are ultralovely, and they exist in a dreamy misty world of sensual encounter. There is no nuance, no hint that anything exists but what we see; no desire is at work other than what we create.

I know of no other film that so successfully manipulates our own visual yearning to have us create the world we see. He understands something about not touching. No one understands Van Morrison visually like he does. Morrison's Celtic space music is predicated on precisely the same notion: the sensual touch that implies but doesn't physically touch.

Antonioni's redhead wife appears, appropriately as the shopkeeper and she also directs a lackluster 'making of' film that is on the DVD.

Ted's Evaluation -- 3 of 4: Worth watching.


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