Two girls meet on a train: Prune is looking for her father whom she has not seen since she was a little girl, Marina is looking for the mother she has never had. Prune learns that her ... See full summary »
Iago convinces Othello, The Moor of Venice that his wife, Desdemona has been unfaithful. Iago is an evil, manipulative character with his own agenda. A plot of jealousy and rage transpires in this classic Shakespearean tale. Written by
Jason Ihle <firstname.lastname@example.org>
The first time an African-American was cast in the title role in a movie version of Othello. See more »
During Emilia's dying speech, the already dead Desdemona can be seen breathing. See more »
[to Cassio, after having killed his wife Desdemonda]
Will you, I pray, demand this demi-devil why he hath thus ensnared my mind and body?
Demand me nothing. What you know, you know. From this time on I never will speak word.
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I've always enjoyed Kenneth Branagh's versions of the Shakespeare classics, as he always does a very good job, but in this movie, the one who lifts the whole movie, is none other than "the-always-great-actor" Laurence Fishburne. Surely he has made some poor choices in films, even though he's a wonderful actor, but in this one we're truly given the real Othello: the passion, the intensity of jealousy as it grows stronger alongside with Fishburne's well portrayed paranoia and, furthermore, we're finally given a black Othello!
I don't think they could have chosen a better Othello. Who else could have given him that blend of sympathy/antipathy, love/hatred and, not to forget, those fiery eyes...? Branagh is good as always, but not at his peak, Iréne Jacob's Desdemona is fairly good but a bit bleak, whilst Laurence Fishburne truly lifts it and makes it a very interesting and enjoyable movie. Do watch it.
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