Directed by | |||
| Hayao Miyazaki | |||
Writing credits(in alphabetical order) | ||
| Hayao Miyazaki | ||
Original Music by | |||
| Chage & Aska | |||
Cinematography by | |||
| Atsushi Okui | |||
Film Editing by | |||
| Takeshi Seyama | |||
Production Management | |||
| Nozomu Takahashi | .... | production manager | |
| Naomi Yamada | .... | production manager | |
| Tamami Yamamoto | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Satoshi Aritomi | .... | assistant director | |
Sound Department | |||
| Kouji Abe | .... | SR-D re-recording | |
| Noboru Nishio | .... | SR-D re-recording | |
Special Effects by | |||
| Tomosa Hashizume | .... | special effects | |
| Masahiro Murakami | .... | special effects | |
| Shigeru Tanifuji | .... | special effects | |
Visual Effects by | |||
| Keiichi Abe | .... | CGI producer | |
| Mitsunori Katamichi | .... | CGI producer | |
| Hideki Nakano | .... | CGI producer | |
| Toshio Saitou | .... | CGI producer | |
Camera and Electrical Department | |||
| Tamaki Furushiro | .... | photographer | |
| Wataru Takahashi | .... | photographer | |
| Junji Yubata | .... | photographer | |
Animation Department | |||
| Masashi Ando | .... | animation director | |
| Naomi Atsuta | .... | finish animation | |
| Masaaki Endo | .... | key animator | |
| Kaichi Fukudome | .... | background artist | |
| Seiko Higashi | .... | inbetween artist | |
| Sayaka Hirabara | .... | background artist | |
| Takeshi Imamura | .... | key animator | |
| Ryouko Ina | .... | background artist | |
| Hiroyuki Inoue | .... | inbetween checker | |
| Masatoshi Iseki | .... | finish animation inspector | |
| Houkou Ishii | .... | key animator | |
| Emiko Iwayanagi | .... | inbetween artist | |
| Hitomi Kanno | .... | inbetween checker | |
| Naomi Kasugai | .... | background artist | |
| Yuriko Katayama | .... | finish animation | |
| Toshio Kawaguchi | .... | key animator | |
| Hana Kikuchi | .... | inbetween artist | |
| Yumiko Kitajima | .... | inbetween artist | |
| Komasa | .... | inbetween artist | |
| Rie Kondou | .... | inbetween artist | |
| Ken'ichi Konishi | .... | key animator | |
| Misuzu Kurata | .... | inbetween artist | |
| Ikuo Kuwana | .... | inbetween artist | |
| Kiyoko Makita | .... | inbetween artist | |
| Hisako Matsuda | .... | inbetween artist | |
| Mariko Matsuo | .... | inbetween artist | |
| Masaru Matsuse | .... | key animator | |
| Naomi Mori | .... | finish animation | |
| Fumiko Moritomo | .... | key animator | |
| Kanako Moriya | .... | finish animation | |
| Kyouko Naganawa | .... | background artist | |
| Yoko Nagashima | .... | inbetween artist | |
| Rie Nakagome | .... | inbetween checker | |
| Katsutoshi Nakamura | .... | inbetween artist | |
| Sumie Nishido | .... | inbetween artist | |
| Takehiro Noda | .... | key animator | |
| Kazuo Oga | .... | background artist | |
| Mayumi Ohmura | .... | inbetween artist | |
| Kazuyoshi Onoda | .... | inbetween artist | |
| Shinji Otsuka | .... | key animator | |
| Masaya Saitou | .... | inbetween checker | |
| Houko Sakano | .... | inbetween artist | |
| Shinsaku Sasaki | .... | key animator | |
| Kuri Sawa | .... | inbetween artist | |
| Eriko Shibata | .... | inbetween artist | |
| Tomoko Shibata | .... | inbetween artist | |
| Masako Shinohara | .... | key animator | |
| Yoshiyuki Shinohara | .... | key animator | |
| Asakiko Suzuki | .... | inbetween artist | |
| Kouko Suzuki | .... | color assignment | |
| Mariko Suzuki | .... | inbetween artist | |
| Satoru Taguchi | .... | finish animation | |
| Naochika Tanaka | .... | background artist | |
| Akiko Teshima | .... | inbetween artist | |
| Keiko Tomizawa | .... | inbetween artist | |
| Shinobu Tsunegi | .... | inbetween artist | |
| Kôjirô Tsuruoka | .... | inbetween artist (as Koujirou Tsuraoka) | |
| Keiko Watanabe | .... | inbetween artist | |
| Alexandra Weihrauch | .... | inbetween artist | |
| Ken'ichi Yamada | .... | key animator | |
| Akira Yamagawa | .... | background artist | |
| Hideshi Yamamori | .... | inbetween artist | |
| Mayumi Yamamoto | .... | inbetween artist | |
| Yukari Yamaura | .... | inbetween artist | |
| Michiyo Yasuda | .... | character color designer | |
| Tomomi Yokoyama | .... | inbetween artist | |
| Ken'ichi Yoshida | .... | key animator | |
| Hideaki Yoshio | .... | key animator | |
Editorial Department | |||
| Tsuneko Mizuta | .... | assistant editor | |
| Kei Uchida | .... | assistant editor | |
Music Department | |||
| Naoko Asanashi | .... | musical director | |
| Teruhiko Ohno | .... | music arranger | |
Other crew | |||
| Minako Nagasawa | .... | production progress | |
| Tomoaki Nishodou | .... | production desk | |
| Kouji Ohtsuka | .... | production progress | |
| Chiaki Tanaka | .... | production desk | |
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| Nausicaä of the Valley of the Wind | Terra e... | Gin-iro no kami no Agito | Grey Digital Target | Double Lives |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb Japan section |
The music's forgettable but will have become part of you, once you've replayed "On Your Mark" enough times to decipher it. Bypassing as much as possible of what's already on this page, what struck me, last viewing, was except for very beginning which is really a flash forward to the very end, nothing takes place at ground level. Everything seems to happen in or between towers. Falling's a big deal. Witness the oh no!/yes go! collapse that ends the rescue sequence. Finally the two rescuers are grounded, though speeding forward, and the `angel' appears to fall, though naturally, with as little trauma as imaginable, upward. The hands' release modifies the Sistine Chapel detail, but also echoes many of Robert Bresson's shots of hands.