Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he ... See full summary »
Six million dollars suddenly goes up for grabs when an aged diner's heart fails after he discovers that he has won the lottery. Which of the remaining late-night dining regulars will get ... See full summary »
Sean Patrick Flanery,
John Koch's second feature and follow up to "Je ne sais quoi" (2008), "The Seducer" (2009) is an adaptation and present-day re-imagination of Fyodor Dostoevsky's 1848 short story "White ... See full summary »
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Marty Lakewood is a reporter forced to leave Chicago and his family because he had uncovered too much police corruption. He returns to his small home town on the California coast to his ... See full summary »
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Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he thinks is wrong in contemporary society. His bitterness spills over at a dinner party attended by his old college friends, an occasion which sends him running to a nearby brothel, where he meets Liza (Lee), a young prostitute. Written by
The Underground Man:
I'm a sick man. I think it's my liver but I refuse to see a doctor. From spite. I'm a spiteful man. I've been living like this for a long time. I used to work in the Building Department but I don't now. I was a bad civil servant. I was unciviled. I was spiteful. No, no, no, no. That's a lie! I'm not spiteful. Uh, I'm not anything. But I am sick. I'm crippled from too much introspection, as in too much awareness is a disease, a crippling disease, absolutely.
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No Russian authors were killed or injured during the filming of this motion picture. See more »
I love this book. It was my bible for years from high school on. Notes From Underground (what happened to the *The*? My text versions always included it) was arguably the first truly modern psychological ontological existential novel, the forerunner to, among other things, Catcher in the Rye & many of Woody Allen's better works.
This movie, on the other hand, comes off as nothing more than a very lame imitation of a Steve Martin routine. The lead even looks like Steve Martin but the ancillary characters are barely cardboard in substance. What should have been wryly & universally satirical simply becomes high-school sophomoric.
A dreadful disappointment.
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