Sickened to see his students always sleeping in class, a teacher with a colleague and an anarchist start a war against the television. They climbed on Paris roofs to coat the T.V. antennas ... See full summary »
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of ... See full summary »
During an orgy with minor girls, some old and wealthy notables are being murdered by a small group of leftist young revolutionaries. Very soon the police are tracking down Virgile Cabral, ... See full summary »
Le peintre Antonio Berti est appelé à Reims par son ami Robert Maurisson pour restaurer les peintures de la cathédrale. Robert aime les jeunes filles, même s'il est un notable réputé. Et ... See full summary »
A man helps the victim of an auto accident, not realizing that the man has actually been shot. The men who shot him are now after the man who helped him, in order to eliminate him as a ... See full summary »
Dalila Di Lazzaro,
Generally I do not go much for Jean-Pierre Mocky stuff.Most of the time,he botches the job,steals screenplays ("le miraculé" was a George Langelaan rip-off)and why he can make as much movies as he wants still remains a mystery to me,most of them do not get even commercial success.
There are exceptions though:" l'albatros"(1971) was perhaps the first French road movie and remains watchable today."Noir comme le souvenir" is closer to Chabrol psychological detective story.There are unusual scenes:in the school,the stage invaded by girls disguised as cats ,a bad taste climax !A gallery of sinister-looking characters,and the recurrent image of a clown give the movie substance.The subject,if one takes a good look at it,is not that much original:can someone raise from the dead?Boileau-Narcejac did that forty years before,with "les diaboliques" "vertigo" and the forgotten "à coeur perdu" (which Etienne Périer filmed under the title "meurtre en 45 tours").But the suspense is sustained and Jane Birkin's presence is an asset for this work.
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