The final movie in Oliver Stone's Vietnam trilogy follows the true story of a Vietnamese village girl who survives a life of suffering and hardship during and after the Vietnam war. As a ... See full summary »
Hiep Thi Le,
Tommy Lee Jones,
Haing S. Ngor
A journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 military dictatorship, including the assasination of Archbishop Oscar Romero. He forms an... See full summary »
Jon Lansdale is a comic book artist who loses his right hand in a car accident. The hand was not found at the scene of the accident, but it soon returns by itself to follow Jon around, and ... See full summary »
Director Oliver Stone's exploration of former president Richard Nixon's strict Quaker upbringing, his nascent political strivings in law school, and his strangely self-effacing courtship of his wife, Pat. The contradictions in his character are revealed early, in the vicious campaign against Helen Gahagan Douglas and the oddly masochistic Checkers speech. His defeat at the hands of the hated and envied John F. Kennedy in the 1960 presidential election, followed by the loss of the 1962 California gubernatorial race, seem to signal the end of his career. Yet, although wholly lacking in charisma, Nixon remains a brilliant political operator, seizing the opportunity provided by the backlash against the antiwar movement to take the presidency in 1968. It is only when safely in office, running far ahead in the polls for the 1972 presidential election, that his growing paranoia comes to full flower, triggering the Watergate scandal. Written by
Lillian Disney, in a rare public criticism of her late husband Walt Disney's company (which released the film and in which she was a major stockholder), released a statement soon after the film opened expressing her extreme displeasure with it and that Walt Disney Company was involved in its release (although the film wasn't released by Disney but by Buena Vista Picturs, a Disney subsidiary). She believed the film was mean-spirited and biased; she also extended a personal apology on behalf of the Disney family to the Nixon family. Both families were close and often socialized together, so the Disneys knew the Nixons personally. Mrs. Disney thought that the film grossly exaggerated President Nixon's character faults and ignored what she believed to be many of his redeeming qualities. See more »
The road Nixon is traveling along to get to the ranch in 1972 has yellow markings. At that time, although the USA was replacing the white ones, country roads would have not been changed, and even if it had been changed, the marking would not have been faded. See more »
This is a scary one. A merciless look into the pathology of one weird bloke. Anthony Hopkins may not look like Nixon but he does the role to perfection. It is truly scary.
Great cast. Hopkins is a hard working star. What a shame he lost to the Hoffman aper Cage. And Nixon? What a loser. What a terrible insufferable tragic loser. It surely was a challenge to do this for Hopkins.
The biggest most significant detriment is of course one knows not where fact ends and fiction begins. Stone doesn't exactly have a reputation for avoiding hyperbole.
But taken as a personality portrait it's devastating. You might know your history but you've probably never imagined things were like this. You could have imagined them if you'd taken the time, but this movie brings you there.
It's just a tragic movie about an extraordinarily tragic figure. Stone brought you Salvador where he showed how well he knows the art of movie making; he brought you the screenplay for Scarface; and so forth. He can do it, whether or not he goes too far on some occasions. The movie production itself is very good.
And it's a long one. It's not a popcorn movie. It's extremely depressing and frightful. A look into one very weird pathology. But a 7 out of 10 is not out of order.
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