A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
The final movie in Oliver Stone's Vietnam trilogy follows the true story of a Vietnamese village girl who survives a life of suffering and hardship during and after the Vietnam war. As a ... See full summary »
Hiep Thi Le,
Tommy Lee Jones,
Haing S. Ngor
The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
Director Oliver Stone's exploration of former president Richard Nixon's strict Quaker upbringing, his nascent political strivings in law school, and his strangely self-effacing courtship of his wife, Pat. The contradictions in his character are revealed early, in the vicious campaign against Helen Gahagan Douglas and the oddly masochistic Checkers speech. His defeat at the hands of the hated and envied John F. Kennedy in the 1960 presidential election, followed by the loss of the 1962 California gubernatorial race, seem to signal the end of his career. Yet, although wholly lacking in charisma, Nixon remains a brilliant political operator, seizing the opportunity provided by the backlash against the antiwar movement to take the presidency in 1968. It is only when safely in office, running far ahead in the polls for the 1972 presidential election, that his growing paranoia comes to full flower, triggering the Watergate scandal. Written by
During the 'Watergate breaking' montage, the narrator mentions about the five men arrested for the burglary along with their mugshots (Virgilio González, Bernard Barker, James McCord, Eugenio Martínez, and Frank Sturgis). However, the montage also included the mugshots of E. Howard Hunt and Gordon Liddy - who were part of the scheme, later on arrested and sentenced to jail along with the other five, but they weren't on the night of the breaking. The two were caught a few days later. See more »
Written by Franz Schubert
From Schubert's "Symphony No. 2 in B Flat Major, D 125"
Performed by Koninklijk Concertgebouworkest (as Royal Concertgebouw Orchestra)
Nikolaus Harnoncourt, Conductor
Courtesy of Teldec Classics International GmbH
by arrangement with Warner Special Products See more »
This one has always been one of my all-time favorites. As a political science major, I was fascinated the first time I saw it, and have seen it several times since. You almost have to to assimilate everything. But as a political science junkie and a history nerd, I always found this film to be very entertaining and fun to watch, especially if you're a historian who's also read other books on the Nixon administration, All the President's Men, etc.
This film gives a very raw look into the world of the Presidency and politics. I think Hopkins did a wonderful job as Nixon, as well as the rest of the cast (namely Bob Hoskins as J. Edgar Hoover and Ed Harris as E. Howard Hunt). From a historian's perspective, I think it did a fair job of looking at what Nixon's career was like, the disappointments he experienced, the struggles he made, the mistakes he committed, and the situation he found himself in once he finally became President. The film's a bit long (especially the redone version = 3.5 hours), but I think it's worth it.
And I'm fully aware of Oliver Stone's background. I've always had a mixed reaction with Mr. Stone. Two of my favorite films ever are Nixon and Alexander (and I'm even a Greek Republican), yet the only film I've ever walked out on was JFK. JFK was just too much; the only assassination theory Stone didn't throw in it was the UFO theory. But as far as Nixon goes, I commend Stone for giving a fair portrayal of him, knowing what a notorious liberal he is. And once again, this is coming from a moderate Republican.
Extremists will hate this film. Ultra-conservatives will look as this film with skepticism and claim it's BS while radical liberals will claim it's "too sympathetic" toward Nixon. But for anyone with open eyes who isn't narrow-minded one way or the other, or for anyone interested in what the world of politics is like, I highly recommend this film. Like I said, it's always been one of my all-time favorites.
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