Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Reportedly, Hans Zimmer composed the theme before the shooting started. It is also said that the score is inspired by the birth of Zimmer's daughter. See more »
When Sam and Sean are talking after their tennis lesson, (just before Sam realizes he's late for the doctor) Sam's hair changes between shots. See more »
I hate you! You did this to me you miserable piece of dick-brained, horseshit slime-sucking son of a whore bitch!
That's perfect! I got it all on film, the kids will love it!
See more »
At the beginning of the end credits, baby pictures of the main cast are shown with their individual credits. See more »
Hugh Grant is a good comedic actor but has little dramatic range. This much is obvious from the mediocre 'Nine Months'. There is little humor in the script which would have been totally devoid of laughter were it not for Robin Williams. Williams almost singlehandedly saves the film and his energy lifts the suitably manic climax. But the rest of the film is a hard slog. I didn't find Tom Arnold funny. Julianne Moore is a fine actress but the script hamstrings her. One nice touch - the end credits, which are unusual and quite pleasant to watch. The film is watchable but dull, certainly not worth a trip to the theater.
3 of 4 people found this review helpful.
Was this review helpful to you?