Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
This film is as subtle a kicking a house brick with your toe, and deeply dishonest.
The comedic characters and events are from the era of the Keystone Cops; completely over the top. This film is from the genre of farce verging on melodrama, complete with music to make sure we know what we are supposed to think. It should have been honest enough not to pretend to anything more complex.
The life challenges faced by the characters are real enough but the plot is completely cliché and obvious.
The central characters are simplistic and are black & white (she all good, he all bad). The dialog is from the day dreams of a fourteen year old.
The fact that a film uses actor Hugh Grant does not make it sensitive, uplifting or funny. The fact that a film contains sex and slapstick does not make it a romantic comedy.
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