Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a result of this relationship, she changes her personality when... See full summary »
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Sarah Jessica Parker,
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Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
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Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his... See full summary »
Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a result of this relationship, she changes her personality when she begins to receive anonymous telephone calls. Written by
After Sarah plants the gun in Tony's right hand she goes into the bathroom to clean up. When she comes out and kneels by Tony, the gun is no longer there. See more »
I think sex is overrated, Dr. Taylor. Don't you?
No, I guess not. You'd be out of a job, wouldn't you?
I love that little scar... on your mouth.
See more »
A more or less typical thriller made special by Rebecca De Mornay's awesome performance. She is the executive producer of this picture and must have badly wanted to do this role -- I'm glad she did.
She plays a psychiatrist evaluating whether an accused serial killer is competent to stand trial. It becomes obvious early on that she was drawn to psychiatry because of her own severe emotional problems and difficult past. In the meantime, we are shown troubling relationships with men appearing in her personal life. An upstairs neighbor badly wants her, but she wants only to be friends. Her father shows up out of the blue seeking affection and assistance, but she resists him, and it is obvious that their relationship and her childhood were deeply troubled. A stranger (Banderas) she meets in a store ardently pursues her, and they begin an affair, but she has difficulty trusting him, both because he is something of a suspicious character and because, as she tells him, she has difficulty trusting anybody. Their relationship becomes volatile and angry, tinged with violent overtones. Then there is the issue of her ex-fiancé, who vanished abruptly and without explanation just before the scheduled wedding.
As happens in these kinds of films, she is sent a series of mysterious messages and packages with no return addresses. Then violent things start to occur. Someone is clearly trying to terrorize her, but who? So many suspects -- Banderas? The upstairs neighbor (who is of course jealous of Banderas)? The serial killer, acting through friends outside of prison? Her father? The ex-fiancée? I did not anticipate the answer to this question, revealed of course at the film's end, but it was not an especially unusual conclusion for films of this kind. What made this picture worthwhile was De Mornay's utterly believable portrayal of, let us say, a difficult character, reminiscent of what she did in "The Hand That Rocks The Cradle". She is simply great at this kind of thing, besides being classically gorgeous.
The other acting is fine, but no one stands out. Banderas is always good, but in this one he is mostly eye candy for the ladies. Harry Dean Stanton as the serial killer is suitably menacing and crazed, but this picture is really all De Mornay. I found it a bit slow at times, but the last 20 minutes or so made up for the weak spots. Definitely worth watching.
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