| Photos (See all 54 | slideshow) | Videos (see all 3) |
| Sandra Bullock | ... | Angela Bennett | |
| Jeremy Northam | ... | Jack Devlin | |
| Dennis Miller | ... | Dr. Alan Champion | |
| Diane Baker | ... | Mrs. Bennett | |
| Wendy Gazelle | ... | Ruth Marx | |
| Ken Howard | ... | Michael Bergstrom | |
| Ray McKinnon | ... | Dale Hessman | |
| Daniel Schorr | ... | WNN Anchor | |
| L. Scott Caldwell | ... | Public Defender | |
| Robert Gossett | ... | Ben Phillips | |
| Kristina Krofft | ... | Nurse #1 | |
| Juan García | ... | Resort Desk Clerk | |
| Tony Perez | ... | Mexican Doctor | |
| Margo Winkler | ... | Mrs. Raines | |
| Gene Kirkwood | ... | Stan Whiteman | |
| Christopher Darga | ... | Cop | |
| Charles Winkler | ... | Cop | |
| Julia Pearlstein | ... | Nurse #2 | |
| Rick Snyder | ... | Russ Melbourne | |
| Gerald Berns | ... | Jeff Gregg | |
| Tannis Benedict | ... | Elevator Woman | |
| Vaughn Armstrong | ... | Trooper | |
| Wren T. Brown | ... | Trooper | |
| Lynn Blades | ... | Remote Reporter | |
| Israel Juarbe | ... | Thief | |
| Julia Vera | ... | Mexican Nun (as Julia Ver) | |
| Lewis Dix Jr. | ... | FedEx Man (as Lewis Dix) | |
| Lili Flanders | ... | Embassy Worker | |
| Adam Winkler | ... | Computer Nerd | |
| Brian E. Frankish | ... | Shuttle Driver | |
| Wanda-Lee Evans | ... | Desk Sergeant (as Wanda Lee Evans) | |
| David Winkler | ... | Computer Technician | |
| Kerry Kilbride | ... | WNN Reporter | |
| Roland Gomez | ... | Limo Driver | |
| Melvin Thompson | ... | Fire Official | |
| Rich Bracco | ... | Fireman | |
| Lucy Butler | ... | Female Officer | |
| John Livingston | ... | Computer Technician | |
| Cam Brainard | ... | Computer Technician | |
| Dennis Richmond | ... | Newscaster | |
| Elaine Corral Kendall | ... | Newscaster | |
| Alfredo López | ... | Guitar Player (as Alfredo Lopez) | |
| Thomas Crawford | ... | Waiter | |
| John Cappon | ... | ICU Doctor | |
| Barbara Abedi | ... | CCU Nurse | |
| Kevin Brown | ... | The Bunny | |
| Hope M. Parrish | ... | Security Officer (as Hope Parrish) | |
| Brad Hill | ... | Security Officer (as William B. Hill) | |
| Danny Breen | ... | Supervisor | |
| Andrew Amador | ... | Dermot Conley | |
| Melissa Bomes | ... | Reservation Clerk | |
| rest of cast listed alphabetically: | |||
| Bob Dini | ... | News Reporter (uncredited) | |
| Nicole Vigil | ... | Conventioneer (uncredited) | |
| Philip Vitola | ... | Pedestrian (uncredited) | |
| Gabrielle Wagner | ... | Shopping Woman (uncredited) | |
Directed by | |||
| Irwin Winkler | |||
Writing credits(WGA) | ||
| John D. Brancato | (written by) (as John Brancato) & | |
| Michael Ferris | (written by) | |
Produced by | |||
| Rob Cowan | .... | producer | |
| Irwin Winkler | .... | producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Jack N. Green | (director of photography) | ||
Film Editing by | |||
| Richard Halsey | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| J. Dennis Washington | (as Dennis Washington) | ||
Art Direction by | |||
| Thomas T. Taylor | (as Tom Targownik) | ||
Set Decoration by | |||
| Anne D. McCulley | |||
Costume Design by | |||
| Linda M. Bass | (as Linda Bass) | ||
Makeup Department | |||
| Audrey L. Anzures | .... | hair stylist | |
| Whitney James | .... | makeup artist | |
| Pamela S. Westmore | .... | makeup supervisor | |
Production Management | |||
| Brian E. Frankish | .... | unit production manager (as Brian Frankish) | |
Art Department | |||
| Dragon Dronet | .... | props | |
| Frank Haddad | .... | head greensman | |
| Ann Harris | .... | set designer | |
| Margaret Mazzola | .... | leadman | |
| Hope M. Parrish | .... | property master | |
| Jim Poynter | .... | lead man: San Francisco | |
| Kenneth L. Westcott | .... | lead man (as Ken Westcott) | |
| Frank White | .... | propmaker | |
| Oscar Delgadillo | .... | set dresser (uncredited) | |
| Richard Bryan Douglas | .... | carpenter (uncredited) | |
Special Effects by | |||
| Dale L. Martin | .... | special effects | |
| Leo Lencio Sous | .... | special effects | |
Visual Effects by | |||
| Eric Bigas | .... | computer display graphics | |
| Eric Bigas | .... | special visual effects | |
| David Drzewiecki | .... | director of visual effects photography | |
| David Drzewiecki | .... | visual effects supervisor | |
| Jim Houston | .... | visual effects | |
| George Merkert | .... | visual effects executive producer | |
| Kelley Ray | .... | computer graphics supervisor | |
| Kevin Bales | .... | visual effects camera assistant (uncredited) | |
Stunts | |||
| Robin Lynn Bonaccorsi | .... | utility stunts (as Robin Bonaccorsi) | |
| Rocky Capella | .... | utility stunts | |
| Jeffrey Eith | .... | stunts | |
| Donna Evans | .... | stunt double: Ms. Bullock | |
| Marian Green | .... | stunts | |
| Kevin Larson | .... | stunts | |
| Jeff Mosley | .... | stunt double | |
| Hugh Aodh O'Brien | .... | stunts (as Hugh A. O'Brien) | |
| Eddie Perez | .... | stunts | |
| Pat Romano | .... | stunts | |
| Nancy Thurston | .... | stunt performer | |
| Buddy Van Horn | .... | stunt coordinator | |
| Danny Virtue | .... | stunt coordinator | |
| Webster Whinery | .... | stunt double: Mr. Northam | |
| Larry Holt | .... | stunts (uncredited) | |
| Tim Meredith | .... | stunt driver (uncredited) | |
Casting Department | |||
| Nancy Hayes | .... | extras casting: San Francisco | |
| Jeff Olan | .... | extras casting | |
Costume and Wardrobe Department | |||
| Cynthia Black | .... | additional set costumer | |
| Giovanni Casalnuovo | .... | assistant costume designer | |
| Joan Hunter | .... | set costumer | |
| Gail Just | .... | key set costumer | |
| Deahdra Scarano | .... | costume supervisor (as Deahdra T. Scarano) | |
| Eileen Sieff Stroup | .... | key costumer (as Eileen Mae Sieff) | |
Editorial Department | |||
| Brian Berdan | .... | additional editor | |
| Blake Danforth | .... | assistant editor | |
| Gloria Kaiser | .... | color timer | |
| Blake Maniquis | .... | first assistant editor | |
| Eric Rigney | .... | avid technician | |
| Marcelo Sansevieri | .... | additional editor | |
| Arthur Schlenger | .... | assistant editor | |
| Dale Jones | .... | avid technician (uncredited) | |
Music Department | |||
| Joan Beal | .... | choral contractor | |
| Larry Blank | .... | additional orchestrator | |
| Thomas A. Carlson | .... | music editor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Dell Hake | .... | additional orchestrator | |
| Karen Harper | .... | singer | |
| Janice Hayen | .... | music preparation | |
| Will Kaplan | .... | music editor | |
| Stephen Krause | .... | scoring mixer | |
| Ken Kugler | .... | conductor | |
| Ken Kugler | .... | orchestrator | |
| David Low | .... | orchestra contractor | |
| Frank Macchia | .... | music preparation | |
| Gabriel Mann | .... | composer: additional music | |
| Jeffrey Pollack | .... | music consultant | |
| Jeff Rona | .... | composer: additional music | |
| Jeff Rona | .... | music programmer | |
| Kim Scharnberg | .... | additional orchestrator | |
| Steven L. Smith | .... | music preparation | |
Transportation Department | |||
| Chris Basso | .... | production van driver: basecamp | |
| Ted Basso | .... | production van driver operator | |
| Chris Haynes | .... | driver | |
| Timothy P. Ryan | .... | transportation captain | |
| Don Tardino | .... | transportation coordinator | |
| Thomas Vilardo | .... | transportation captain | |
| Erik Von Hof | .... | picture car department | |
Other crew | |||
| Margie Balter | .... | piano coach: Sandra Bullock and Diane Baker | |
| Diane Bandolas | .... | production accountant | |
| Mark Brunetz | .... | assistant: Ms. Bullock (as Mark H. Brunetz) | |
| Mark Brunetz | .... | development executive (as Mark H. Brunetz) | |
| Viki Cacciatore | .... | assistant accountant | |
| Karen Cowan | .... | assistant: Mr. Cowan | |
| Roy Cullen | .... | assistant: Mr. Winkler | |
| Robert Dawson | .... | title designer | |
| Steve Dayan | .... | location manager | |
| Mary Duff | .... | assistant: Mr. Winkler | |
| Curran G. Engel | .... | production office coordinator: San Francisco | |
| Erin Engman | .... | production secretary | |
| Paula Frankel | .... | script supervisor: second unit | |
| Heather Holliday | .... | production assistant | |
| Kenneth Hunter | .... | assistant location manager | |
| Ellen Lent | .... | location manager (as Ellen Winchell) | |
| Todd A. Marks | .... | display graphics supervisor | |
| Michael Neal | .... | payroll accountant | |
| Bryan Nelson | .... | production assistant | |
| Conor O'Gorman | .... | production assistant | |
| Elaine Patarini | .... | assistant location manager | |
| Trudy Ramirez | .... | script supervisor (as Trudy G. Ramirez) | |
| Margo Romano | .... | assistant accountant | |
| Lois Walker | .... | production coordinator | |
| Jeff Winn | .... | key craft service | |
| Saisie M. Jang | .... | extras wrangler (uncredited) | |
| Mitchell Nyberg | .... | set coordinator (uncredited) | |
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| Eraser | Assassins | Flightplan | The Fugitive | Three Days of the Condor |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This isn't a bad movie thriller to keep you off the Internet for two hours, but can you take the risk? THE NET sounds unconvincing since our love of computers and cyber-sputting expresses what the story is all about, and a possible fad to recognize. Thankfully, it does attempt to bring some raw suspense that is head-and-shoulders above other lame films that contend to "artificial communication". Once again, Sandra Bullock knows how to keep her fans happy, and even though it's no "chick-flick", she's still the likeable character inside. This time, she's stalked in a game of cat-and-mouse and becomes ruined by an identity crisis. Even with the brand new concept of cyberware, that's just normal for a suspense thriller. An old, traditional "chase" plot gives the movie a blip on the screen, but the story is greatly paced and exciting enough to increase your pulse rate to rapid highs. The computer mess is the biggest fuss some viewers will have in common, including all those not used to this new style. A good shot at a modernization of mystery-suspense films, but you know exactly what to predict here. Why the new TV series?