Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
Angela Bennett's a software engineer type who works from home and has few friends outside of cyberspace. Taking her first vacation in years, she becomes embroiled in a web of computer espionage. Written by
The "Praetorians," an Illuminati-esque group who Angela Bennett's contact Cyberbob tells her about and states affiliation with Wall Street, is the name of an extremely private internet and corporate security company in Texas who's customers actually include Wall Street. See more »
Sandra claims to be in Cozumel but when she returns to the hotel from the hospital and insist she that she hasn't checked out we see the computer and it clearly states that the hotel is in Cancun. See more »
[Alan holds up martini glasses]
Dr. Alan Champion:
Guess what time it is? Gibsons! Almost. We have no onions, so we'll have to use these: Seldane, the antihistamine of champions.
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Nostalgia may play a large part of my positive feelings towards this film as I watched it repeatedly on video with my younger sister as a teen. Back then "the net" was a new and largely undiscovered frontier, and this film romanticized hackers and the seemingly mysterious world wide web.
I would liken this to a less ambitious version of 'The Fugitive', a film that released two years prior (and by most accounts a superior thriller). Much of what happens in the course of this film is standard fare, but it is presented with a semblance of realism and never seems to hit any lulls or real snags in rhythm despite the frenetic pacing. The plot isn't entirely plausible or devoid of clichés, but it remains interesting from start to finish, and Bullock carries the role well.
There are scattered scenes that show astute directing on the part of Irwin Winkler, though some of the secondary characters give uneven performances. However, Bullock does an admirable service at depicting a frumpy insular woman uncomfortable with her own sexuality and outer beauty. Her character is both resourceful and vulnerable at once, and it's a fresh pace to see a female lead with some layers to peel back in a genre dominated by men. Dennis Miller is very likable in his role, and ably acts the part with a more downplayed version of his real life persona. He was my favorite character by far and brought a lot of warmth to the role.
I'm usually very critical of any movies I see, and am generally turned off by standard Hollywood fodder, but there is a certain charm to 'The Net' that I can't deny. I liked it in '95, and I like it again almost twenty years later. Like visiting an old friend, there's a familiarity to it that is so hopelessly 90's and so reminiscent of a bygone era--the inception of the internet age--that it carries a certain weight to me unmatched by the multitude of forgettable popcorn thrillers of the decade.
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