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Nelly & Monsieur Arnaud (1995)

When Nelly, a woman being just divorced, meets by chance M. Arnaud, a mature salesman just retired, begins a strange and special relationship between the two personalities.

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Nominated for 1 BAFTA Film Award. Another 6 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Vincent Granec
Claire Nadeau ...
Jacqueline
...
Lucie
...
Isabelle
...
Dolabella
...
Jerôme
Jean-Pierre Lorit ...
Christophe
Michel Albertini ...
Djamel
Coraly Zahonero ...
Marianne
Graziella Delerm ...
Laurence
Olivier Pajot ...
Jean-Marc
Alexandre Chappuis ...
Luc
Karine Foviau ...
Sandrine
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Storyline

When Nelly, a woman being just divorced, meets by chance M. Arnaud, a mature salesman just retired, begins a strange and special relationship between the two personalities. Written by Volker Boehm

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

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Language:

Release Date:

21 June 1996 (USA)  »

Also Known As:

Nelly and Mr. Arnaud  »

Filming Locations:

 »

Box Office

Opening Weekend:

$937,000 (USA) (12 July 1996)

Gross:

$858,345 (USA) (23 August 1996)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Fujicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Quotes

Monsieur Arnaud: Marry an old man like me and you'll have liberty, security, and austerity.
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Connections

Referenced in Rewind This! (2013) See more »

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User Reviews

Heart-stoppingly wonderful
21 September 2004 | by (Belfast, Northern Ireland) – See all my reviews

How many film-makers make their greatest masterpiece as their last film? Not many, but to that select list, add Claude Sautet. Nelly & M. Arnaud is exquisite.

It is cinema.

This is to say that, in common with most truly and unquestionably great films, it could not exist with such power in any other art. The most difficult and also the most wonderful films are the films that take place, primarily in their character's hearts. It was not important what Charles Foster Kane *did*, but what he felt. In this film too, we experience the primacy of human feelings.

We do this through two luminous performances that reveal just how coarse is the acting that we habitually see in block-buster movies. One of the many deep emotions that overcame me when I first saw this film was that sheer privilege to see such acting.

To see the very gradual, subtle and beautiful love that develops between the two central characters is to get a glimpse of heaven. A film, then, not of love, but the possibility of love, and a warning without didacticism that we all should grasp love if we are given the opportunity.

Perhaps the greatest joy of cinema is its ability to allow us to experience rare emotion. This wonderful, wonderful film does that in an effortless way, without sentimentality, and for that we should be eternally grateful. Thank you M. Sautet, wherever you may be.


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