Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she ...
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A member of the ETA terrorist organization belongs to a commando which is preparing an outrage in Madrid. But he sets other priorities when he meets a girl who is addicted to drugs and for ... See full summary »
Marina, a woman with a glass eye, has the bad luck to be the victim of an assault witnessed by Rafael, a goodhearted butcher, who rescues her from her attacker, a man named Daniel. Rafael ... See full summary »
Set in '50s Spain, a young man (Sanz) leaves the army and looks for a job so he and his fiancée (Verdu) can get married. He rents a room from a widow (Abril), and shortly begins a torrid ... See full summary »
In 1931, a young soldier (Fernando) deserts from the army and falls into a country farm, where he is welcomed by the owner (Manolo) due to his political ideas. Manolo has four daughters (... See full summary »
Fernando Fernán Gómez,
Diana, Duchess of Belflor, is a smart and attractive young lady who is in love with his secretary Teodoro, but he is engaged to Marcela, a lady-in-waiting of the Duchess. Diana, driven by ... See full summary »
Maria, whose parents live in the country, cannot stand her father's authoritarian ways and moves to the city. She finds a job as a cleaner and tries to survive in a wretched apartment in ... See full summary »
Javi and his friend Carlos snoop around an old house on the way home from school. According to his brother Juan this is a haunted house and one can hear the voices of the dead. Later he is ... See full summary »
El Bola, a 12 year old boy a.k.a. "Pellet" is a 12 year old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The ... See full summary »
Juan José Ballesta,
The movie tells the story of a family of comedians that work in the towns of Spain during the 40's and 50's. Life gets very tough for them since they cannot compete any longer with cinema. ... See full summary »
Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she tries to find work and earn some money... Written by
Nadie hablará de nosotros must have been in the right place at the right time. Otherwise it is hard to understand how it could have won so many Goyas. In some ways it seems like a ripoff of Pulp Fiction: a sympathetic character finds a way to steal some money from gangsters; one of the gangsters' hired guns has some second thoughts about his métier; beatings and shootings abound. The key difference is that Tarantino's story is so stylized, with the fragmented storytelling style and cool soundtrack, that the violence is as shockingly laughable as it is just plain shocking. Díaz Yanes' story, instead, includes a bunch of details that might add a more direct social message: Victoria Abril's character is a recovering alcoholic, working as a prostitude in Mexico City, whose husband is a comatose bullfighter, whose mother in law is a former political prisoner and torture victim of the Franco regime, and who thinks nothing of going back to prostitution when she cannot find respectable employment in Madrid; the killer who goes to Madrid to get her has a terminally ill daughter and thinks God may be punishing him for his sins; his partner is a gourmand who loves to cook and introduce people to new taste sensations. All this makes for a jumbled mess of a movie; there is adequate tension and interest, as a crime thriller needs, but it does not push the boundaries of the genre and does only a mediocre job of fulfilling them. Including graphic scenes of violence, physical and psychological, against Victoria Abril does not qualify as groundbreaking, entertaining, or even interesting.
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