This epic film traces over three generations an immigrant family's trials, tribulations, tragedies and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face...
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Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named ... See full summary »
Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on step-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members... See full summary »
Kid brother Chuco (Danny De La Paz) is a sullen low-rider still caught up in the life. Despite their differences, their family bond is strong. But that bond is violently tested when rivals ... See full summary »
Danny De La Paz,
A young girl agrees to work in a center for girls who can't stay with their parents. She gets wrapped up in the plights of several of the girls, and tries to help them, but only gets herself into trouble with her parents and supervisor.
James Earl Jones,
Mary Stuart Masterson
A couple of student nurses decide to join some doctors to work in a medical station in the rain-forest a few hours flying-time from the Mexican town Catamaco. As they fly from Catamaco ... See full summary »
This epic film traces over three generations an immigrant family's trials, tribulations, tragedies and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the 1950s. As the second generation become adults in the 1960s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent. Written by
The final scene is duplicated shot-for-shot from the final scene of Apur Sansar (1959). See more »
When Isabella is at the Sanchez home, we see a medium shot of Paco with a bowl of popcorn, and Memo. In front of them is a tray of taquitos. But a minute or two later, Irene brings out the same tray and sets it down on the coffee table in front of them. See more »
Cihuateteo. That's what my mother called them. The souls of women who had died giving birth. They became Cihuateteo, the spirits who helped the sun to set. Without Cihuateteo, the sun would not be able to rest.
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Mexican culture has rarely been pictured in the Hollywood cinema (even though they we are the biggest minority in the country!), but this film probably rates as the best Mexican-themed film (until further notice). The evolution of the family's house really makes this an interesting image in regards to the lives of the family. The intersecting lives of the family are all well thought out, even though it all seems rather convenient they all have these different personas and political aspirations. When I first watched this film, I thought it was one of the greatest movies of all time. Instead of portraying Mexicans as lazy, this film really encompassed the cultural aspects and fears of the common Mexican man. A great film to watch, even if you aren't Mexican.
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