Steve Thompson is a sixteen-year-old who seemed to have everything going for him: good looks, friends, and a great personality. But his once bright future is tragically dimmed after a car accident brings all this to a crashing halt.
Neil Patrick Harris,
Alexandra Bergson (Jessica Lange) inherits the family farm and struggles to carve a home and a fortune from the windswept prairie. Along the way, she forfeits her one chance for love, but ... See full summary »
Madie Levrington is a neurotic, wealthy woman who escapes from a New York mental institution where her unwholesome husband had her committed to avoid the trial of an expensive divorce. She ... See full summary »
Quinn K. Redeker
When Hannah Pinkham's fiancé writes he's finally shipping home, her mother makes a fairy tale wedding dress, but while she's fitting it the knock on the door is not him, but the dreaded ... See full summary »
Neil Patrick Harris,
Doogie Howser plays Doogie Howser if he were sent back 100 years to Nebraska. Not a flaw on him, body or soul. He falls for a poor immigrant girl, Antonia, who lives in a sod hut and whose father commits suicide. And he's always true to her in spirit, as she is true to him.
The story is a good one, and the setting is beautiful--actually filmed in Nebraska, it seems. The setting is also unique in that rarely are prairie stories filmed. There are no cowboys and Indians, and no canyons and buttes: it's just flat earth, and people growing wheat, wheat and more wheat. The woman playing Antonia (Elina Löwensohn) was exceptional, but the others all looked too Hollywood to be in 1880s Nebraska. The grandparents(Jason Robards & Eva-Marie Saint) just seemed to be in a Celebrex commercial rather than in an adaptation of a classic novel set in a long-ago time. And Doogie Howser was great to look at--no wonder he was so easy for the girls to love--but his whole character was too good to be true. Yet, the film delivers, even if it definitely has the feel of a Hallmark Hall of Fame presentation. No swearin', no sex, even though it seems as though Antonia got herself employed at a whorehouse. I guess we're seeing it through Doogie's eyes, and to him she's just a waitress and a dime-a-dance girl.
I don't know if this has been made into a real movie, but it would be good to see it without the feel-good gloss. At least the ending is not the expected one.
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