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Murder in the First (1995)

 -  Drama | Thriller  -  20 January 1995 (USA)
7.3
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Ratings: 7.3/10 from 18,807 users  
Reviews: 106 user | 40 critic

An eager and idealistic young attorney defends an Alcatraz prisoner accused of murdering a fellow inmate. The extenuating circumstances: his client had just spent over three years in solitary confinement.

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Cast

Cast overview, first billed only:
...
...
...
...
Mary McCasslin
...
D.A. William McNeil
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Mr. Henkin
...
Byron Stamphill
...
...
Adult Rosetta Young
Ben Slack ...
Jerry Hoolihan
...
Warden James Humson
...
Blanche, Hooker
Alex Bookston ...
Alcatraz Doc (as Alexander Bookston)
Richie Allan ...
Jury Foreman
Herb Ritts ...
Mike Kelly
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Storyline

Henri Young stole five dollars from a post office and ended up going to prison - to the most famous, or infamous, prison of them all: Alcatraz. He tried to escape, failed, and spent three years and two months in solitary confinement - in a dungeon, with no light, no heat and no toilet. Milton Glenn, the assistant warden, who was given free reign by his duty-shirking superior, was responsible for Young's treatment. Glenn even took a straight razor and hobbled Young for life. After three years and two months, Young was taken out of solitary confinement and put with the rest of the prisoners. Almost immediately, Young took a spoon and stabbed a fellow prisoner in the neck, killing him. Now, Young is on trial for murder, and if he's convicted he'll go to the gas chamber. An eager and idealistic young attorney, James Stamphill, is given this impossible case, and argues before a shocked courtroom that Young had a co-conspirator. The true murderer, he says, was Alcatraz. Written by J. Spurlin

Plot Summary | Add Synopsis

Taglines:

They locked him up. They crushed his spirit. But they couldn't hide the truth. See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong images of prison brutalities, sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

20 January 1995 (USA)  »

Also Known As:

Alcatraz - kohtaloni  »

Box Office

Gross:

£804,934 (UK) (15 December 1995)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

When Henry Young tried to escape Alcatraz in real life, one of his accomplices was named Dale Stamphill, the same surname as Christian Slater's character See more »

Goofs

In the scene when Christian Slater's character is running down the hill after the Trolley in San Fransisco, you see many cars that are appropriate for the period lining the streets. If you look closely, however, you'll see Red-Zones. There weren't Red Zones in San Fransisco during this time. See more »

Quotes

[first lines]
Prison Barber: They're coming! Run!
See more »

Crazy Credits

This Film is Inspired by a True Story See more »

Connections

Featured in Los Angeles Plays Itself (2003) See more »

Soundtracks

God Rest Ye Merry Gentlemen!
(uncredited)
Traditional English Christmas, earliest known publication 1833
Sung by Alcatraz wives and children
See more »

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User Reviews

 
A Terrific, Inspiring and Entertaining Movie.
16 March 2006 | by (United States) – See all my reviews

I had not heard of his movie before. I caught it in mid-broadcast on cable, while channel surfing, eleven years after its release, and after the first few moments, decided to watch it to the end. It is now one of my favorites, right up there with "To Kill a Mockingbird." This film succeeds both as star turns and as an ensemble piece. But more importantly it succeeds in portraying American society in the 1930s as a whole, and involving the audience emotionally in both the the greater social issues as well as the smaller, more tender, personal issues. Despite its sensitivity, it is far from a chick flick. Despite it's theme of violence, it is far from a macho action flick. It is a courtroom thriller based on real events, and it is worth watching more than once.

The script writing and direction are calculated to be moving, and they succeed. Every actor in the film, every detail of the art direction, every camera angle plays on your heart and sense of moral indignation. To do so successfully, as I think this movie does, is the definition and purpose of art.

Kevin Bacon shows the most range in his film that I have ever seen from him. His physical performance was very demanding, his character work even finer. His chemistry with each actor in every scene is both bold and subtle, raw and complex. He reminds me of DeNiro's performance in the "Cape Fear" remake.

Christian Slater's character provides the viewer's point of view in the film, and he plays with great emotion and passion, and yet with a touch of reserve and detachment. I am strongly reminded of Kevin Costner's performance in "The Untouchables." Needless to say, Gary Oldman is a master at his craft, and always amazing to watch. Every character Oldman plays is memorable, and the antithesis of type-casting. His portrayal of the warden in this film is a brilliant balance of a socially acceptable monster.

This movie has received a lot of criticism for portraying historical facts inaccurately, and for taking sides in a political debate. I would remind the open-minded viewer that "To Kill A Mockingbird" also took great liberties with the facts of the historic court case on which it was based (there were six accused rapists, not one; the person on whom Atticus Finch was based was in reality the judge and not the defense attorney, etc.) and emphatically took sides in the even more hotly contested political debate over racial discrimination in America. Both films were based on real life, but neither claimed to be a documentary. Whether you resent historical tampering and political statements for dramatic impact is something only you can decide for yourself. Personally, I support both "To Kill A Mockingbird" and "Murder in the First" as films whose merits outweigh their flaws.

In short, this movie is worthy of your time, and will reward you, whether you want entertainment thrills, a good popcorn movie, a morally inspiring story or the appreciation of a well-crafted piece of work. It falls a little short of "The Shawshank Redemption," but not far. Despite what this or any other review says, start this movie without any preconceived notions, and just go along for the ride. I think you will be surprised, happy and satisfied.


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