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Mopus Opus., 29 August 2010
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Author:
dunmore_ego from Los Angeles, California
*** This review may contain spoilers ***
A well-intentioned redemption movie that follows all its formulas
sweetly, then tries one last tear-jerk that just makes us feel dirty,
paying off with a nice piece of elevator muzak that is so memorable, it
will have you humming something else within five minutes of hearing it.
Richard Dreyfus is Mr. Holland, a composer who begrudgingly takes a job
as a high school music teacher to make ends meet. His methods are rigid
at first, as he forgets that music is meant to be fun. Then he
remembers. Then his students forget. And so on.
There's the faithful, supportive wife (Glenne Headly), the brash
football coach buddy (Bill Meister), the anal principal who butts heads
with Holland over his "revolutionary" teaching methods, like teaching
rock and roll and other devil's music (William H. Macy), the
wet-mouthed schoolgirl with the crush (Jean Louisa Kelly, who sexes
Holland with a sensual rendition of "Someone to Watch Over Me"), the
black underprivileged kid with no rhythm-- hang on now!-- The wha-?
Terrence Howard pretends really badly that whitey Dreyfus teaches him
soul... and finally, for this man whose life revolves around hearing -
his wife births a deaf son. Writer Patrick Sheane Duncan shows us the
Poignant Plot Device Handbook is a harsh mistress.
Throughout his career of coaxing musicality from his students and
sending out into the world, Holland slaves over a masterpiece that we
only hear in snatches as he toodles on his piano and scribbles notes.
Then the big payoff. Holland, old, exhausted, forced into retirement,
is given a final surprise by his students, as they assemble in the
auditorium as an orchestra to perform his magnum opus for the first
time. And after 30 years of working on this piece of music which he
brazenly calls "American Symphony"; after all that sweat and sacrifice
and slaving, his magnum opus sounds like - elevator muzak! In 12/8
time, a tuneless, embarrassing, meandering piece of unmemorable laundry
detergent commercial. And look at the faces on the crowd: inspired,
majestic, flavor bursting in your mouth not in your hand.
MR. HOLLAND'S OPUS is a cry for art, a plea for creativity, a pledge
against mediocrity - and The "American Symphony" is the turd in the
swimming pool of musical appreciation.
It is blathered quite overtly that Mr. Holland's true opus is the
collective education of his students over the years. THEY are his
masterpiece... Thank Christ! For a moment, we thought we'd have to
continue to hold our "inspired" faces for your laundry detergent
commercial...
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