Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Lenny and Amanda have an adopted son Max who turns out to be brilliant. Lenny becomes obsessed with finding Max's real parents because he believes that they too must be brilliant. When he finds that Linda Ash is Max' real mother, Lenny is disappointed. Linda is a prostitute and porn star. On top of that, she is quite possibly the dumbest person Lenny has ever met. Interwoven is a Greek chorus linking the story with the story of Oedipus. Written by
Jason Ihle <firstname.lastname@example.org>
In a 2005 interview with "Vanity Fair", Woody Allen stated that even after their bitter and much-publicized breakup, he considered casting Mia Farrow as his wife Amanda, saying that he believed she would be the best actress for the role. In response to this, his casting director Juliet Taylor replied, "What, are you nuts?" See more »
The scene at the school where Lenny and Amanda consider sending their child was shot at the City & Country School in New York, a world-famous progressive K-8 school in the Greenwich Village section of Manhattan. During their visit, a school administrator mentions that the child's test scores are acceptable. In real life, however, the school does not use standardized-test scores when considering prospective students. See more »
And so there I am on the first day, on the set, and there's this guy fucking me from behind, right, and there's these two huge guys dressed like cops in my mouth at the same time and I remember thinking to myself, "I like acting. I wanna study."
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The Greek Chorus does the "When You're Smiling (The Whole World Smiles At You)" song-and-dance production number over half the credits. See more »
Charming, imaginative look at fate, heredity and love
This is a charming movie - particularly the parts played by the boxer-onion farmer, and prostitute/porn star, and their two scenes together. Allen's character's efforts sense of what happier direction the prostitute's life could take and his efforts to reform her, are also exactly what most of us would do if we discovered that she was the biological mother of our adopted child.
Allen has such imagination - and such an understanding of how people of varying education and background, talk and move, and what they care about.
I did feel the subplot involving Helena Bonham-Carter, her career and Peter Weller, was less imaginative, less interesting. I've always had trouble warming to Bonham-Carter - perhaps it's just how unlikeable virtually all her roles have been - and this role didn't help.
Mira Sorvino's character sounds amusingly like Victoria Jackson from Saturday Night Live - her figure is so eye-popping, and her sweetness so endearing that she definitely is the memorable character for anyone who sees the movie. "Oh, that's the one with Mira Sorvino" is undoubtedly how people would remember this movie. However, the Greek chorus was a wonderful idea - and Jack Warner in a small role as a blind seer, and F. Murray Abraham as the principal chorus member/conscience of the movie is also wonderful.
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