| Videos (see all 2) |
| Robert Englund | ... | William 'Bill' Gartley | |
| Ted Levine | ... | Officer John Hunton | |
| Daniel Matmor | ... | Mark Jackson | |
| Jeremy Crutchley | ... | J.J.J. Pictureman / Mortician | |
| Vanessa Pike | ... | Sherry Ouelette | |
| Demetre Phillips | ... | George Stanner | |
| Lisa Morris | ... | Lin Sue | |
| Vera Blacker | ... | Mrs. Adelle Frawley | |
| Ashley Hayden | ... | Annette Gillian | |
| Danny Keogh | ... | Herb Diment | |
| Ted Le Plat | ... | Doctor Ramos | |
| Todd Jensen | ... | Roger Martin | |
| Sean Taylor | ... | Derrick Gates | |
| Gerrit Schoonhoven | ... | Aaron Rodriguez | |
| Nan Hamilton | ... | Mrs. Ellenshaw | |
| Adrian Waldron | ... | Mr. Ellenshaw | |
| Norman Coombes | ... | Judge Bishop | |
| Larry Taylor | ... | Sheriff Hughes | |
| Irene Frangs | ... | Mrs. Smith | |
| Megan Wilson | ... | Ginny Jason | |
| Odile Rault | ... | Alberta | |
| Ron Smerczak | ... | Officer Steele | |
| rest of cast listed alphabetically: | |||
| Ashley Waldorf | ... | Paramedic Driver (uncredited) | |
Directed by | |||
| Tobe Hooper | |||
Writing credits | ||
| Stephen King | (short story) | |
| Tobe Hooper | (screenplay) and | |
| Stephen David Brooks | (screenplay) (as Stephen Brooks) and | |
| Harry Alan Towers | (screenplay) (as Peter Welbeck) | |
Produced by | |||
| Kent Adamson | .... | development producer | |
| Rita Marie Bartlett | .... | associate producer | |
| Sudhir Pragjee | .... | executive producer | |
| Anant Singh | .... | producer | |
| Sanjeev Singh | .... | executive producer | |
| Helena Spring | .... | executive producer | |
| Harry Alan Towers | .... | executive producer (as Peter Welbeck) | |
Original Music by | |||
| Barrington Pheloung | |||
Cinematography by | |||
| Amnon Salomon | |||
Film Editing by | |||
| David Heitner | |||
Casting by | |||
| Christa Schamberger | |||
Production Design by | |||
| David Barkham | |||
Art Direction by | |||
| Zack Grobler | |||
Costume Design by | |||
| Moira Anne Meyer | |||
Makeup Department | |||
| Scott Coulter | .... | key special makeup effects: Los Angeles | |
| Tracy Crystal | .... | key makeup artist | |
| Barry R. Koper | .... | makeup artist: Mr. Englund, Los Angeles | |
| Lana Levin | .... | assistant makeup artist | |
| David B. Miller | .... | makeup artist: Mr. Englund, Los Angeles | |
| Scott Patton | .... | special makeup effects artist | |
| Lloyd Power | .... | key hair stylist | |
| Mark Villalobos | .... | special makeup effects technician | |
| Scott Wheeler | .... | makeup effects | |
| Scott Wheeler | .... | special makeup effects: Los Angeles | |
Art Department | |||
| Sean Ahern | .... | set builder | |
| Clive Berry | .... | assistant set dresser | |
| Shane Bunce | .... | property master | |
| Pascal Contos | .... | stand-by props | |
| Chris Croukamp | .... | assistant set dresser | |
| Hamid Croukamp | .... | set dresser | |
| Peter De Jager | .... | graphic designer | |
| Jeanne Henn | .... | set dresser | |
| Roland Hunter | .... | head scenic artist | |
| Rosalind Lurie | .... | graphic designer | |
| Loui Polykarpou | .... | assistant property master | |
| Marelize Pretorius | .... | assistant property master | |
| Marelize Pretorius | .... | stand-by set dresser | |
| Della Steenkamp | .... | assistant set dresser | |
| Danny Tsatsi | .... | stand-by props | |
Sound Department | |||
| Dana Austin | .... | adr recordist: Los Angeles (as Dana Porter) | |
| Charlotte Buys | .... | dialogue editor | |
| Nicky De Beer | .... | sound designer | |
| Tommy Goodwin | .... | adr mixer: Los Angeles | |
| Akbar Ali Goolam | .... | sound transferer | |
| Elinor Hardy | .... | adr editor | |
| Raymond Hennessy | .... | boom operator | |
| John Isles | .... | stereo sound consultant | |
| Sid Knowles | .... | adr mixer | |
| Sid Knowles | .... | foley mixer | |
| Edwin Lawson | .... | sound transferer | |
| Wayne Lines | .... | foley editor | |
| Juliet Phillips | .... | foley artist | |
| Mark Phillips | .... | sound re-recording mixer | |
| Leith Ridley | .... | foley artist | |
| Colette Russouw | .... | adr editor | |
| Richard Sprawson | .... | sound mixer | |
| Warwick Swinney | .... | special sound effects | |
| Robert Thorpe | .... | sound effects editor | |
| Jeff Tucker | .... | sound technical advisor | |
| Nikki Van Kiekerk | .... | dialogue editor | |
| Christopher T. Welch | .... | adr supervisor: Los Angeles | |
Special Effects by | |||
| David Moffat | .... | special effects assistant | |
| Karen Poolman | .... | special effects assistant | |
| Max Poolman | .... | special effects coordinator | |
| Andrew Robertson | .... | special effects assistant | |
| Teri-Lin Robertson | .... | special effects department coordinator | |
| Bonnie Wienand | .... | special effects assistant | |
| Tony Wilson | .... | special effects assistant | |
| Janek Zabielski | .... | special effects technician | |
Visual Effects by | |||
| Stephen David Brooks | .... | visual effects supervisor | |
| Denise Davis | .... | visual effects coordinator: Los Angeles | |
| Paul Lasaine | .... | matte painting supervisor | |
| Eric Peterson | .... | visual effects artist | |
| Winston Quitasol | .... | digital compositor | |
| Wally Schaab | .... | digital artist | |
| Carolyn Soper | .... | visual effects producer: Los Angeles | |
Stunts | |||
| Roland Jansen | .... | action vehicle stunts: London | |
| Gavin Mey | .... | stunt coordinator: London | |
| Ashley Waldorf | .... | action vehicle coordinator | |
| Ashley Waldorf | .... | stunt driver | |
Camera and Electrical Department | |||
| Umberto Adaggi | .... | still photographer | |
| Xavier Arce | .... | clapper loader | |
| Danny Ben Menahem | .... | gaffer | |
| Ewen Bogle | .... | focus puller | |
| Derek William Carlow | .... | grip | |
| Vincent G. Cox | .... | camera operator: second unit | |
| Vincent De Jager | .... | focus puller: second unit | |
| Graham Elston | .... | best boy grip | |
| Bernard Fani | .... | electrician | |
| Simon Francis | .... | rigging gaffer | |
| David Gur | .... | still photographer | |
| Gavin Horne | .... | key grip | |
| Clive Lawrie | .... | camera operator: second unit | |
| Pepsy Mahunisi | .... | electrician | |
| John Matye | .... | best boy electric | |
| Ishmail Moeng | .... | grip | |
| Themba Mudau | .... | grip | |
| Kenneth Shange | .... | grip | |
| Anthony Smythe | .... | focus puller: second unit | |
| Rys Vincent | .... | focus puller: second unit | |
Costume and Wardrobe Department | |||
| Rebecca Ferrari | .... | wardrobe assistant | |
| Darion Hing | .... | wardrobe master | |
Editorial Department | |||
| Nicci Blue | .... | second assistant film editor | |
| Charlotte Buys | .... | second assistant film editor | |
| Megan Gill | .... | first assistant film editor | |
| Hayley Morris | .... | first assistant film editor | |
| Lucas Ramosime | .... | post-production assistant | |
| Lorraine Salk | .... | additional editor: Los Angeles | |
| Jeanine Smal | .... | apprentice film editor | |
| Nicci Van Niekerk | .... | assistant editor | |
Music Department | |||
| Dave Hunt | .... | music mixer: London | |
| Dave Hunt | .... | music recordist: London | |
| Toby Wood | .... | assistant scoring engineer | |
Other crew | |||
| Gerard Botha | .... | production assistant | |
| Maureen Conway | .... | script supervisor | |
| Tim Cummings | .... | voice effects: Los Angeles | |
| Lionel Glass | .... | projectionist | |
| Anita Hope | .... | production coordinator: Los Angeles | |
| Joyce Kurtz | .... | additional adr: Los Angeles | |
| Todd Masters | .... | prosthetics co-designer: Los Angeles | |
| Sandra Mazzotti | .... | production coordinator | |
| Nicola Rauch | .... | craft service | |
| Stuart Wentzel | .... | armourer | |
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| Dreamcatcher | The Incredible Melting Man | Creepshow 2 | Cannibal! The Musical | Maximum Overdrive |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
THE MANGLER is further proof that some of the "top" names in horror can make 'em as bad as they come.
This one concerns a possessed laundry press (getting kind of desperate for new ideas, aren't they?) that is turned into a killing machine by a splash of virgin's blood (!) It grinds, smashes and burns workers in a small, grimy New England factory. Robert Englund does some heavy duty hamming as the cruel, greedy owner with white hair, an eye patch and leg braces, who lurches around on crutches, degrades (and has offscreen sex with) his female employees and screams nearly every line of his terrible dialogue.
Even his fans, and fans of Hooper (if he has any left) and Stephen King (whose short story in "Night Shift" this is based upon) will want to steer clear of this dreary, senseless, humorless gorefest with a handful of decent FX. The screenplay (by Hooper and Stephen Brooks) and supporting acting (especially Daniel Matmor as an occult expert) are both terrible.
I've read that this film (produced in 1993) was initially targeted for a wide theatrical release, but only got a limited one before heading off to video world in 1995. Avoid the sequel, too.
I gave it a 2 out of 10 only because it's slightly better than Part 2.