| Photos (see all 17 | slideshow) | Videos (see all 2) |
| Robert Englund | ... | William 'Bill' Gartley | |
| Ted Levine | ... | Officer John Hunton | |
| Daniel Matmor | ... | Mark Jackson | |
| Jeremy Crutchley | ... | J.J.J. Pictureman / Mortician | |
| Vanessa Pike | ... | Sherry Ouelette | |
| Demetre Phillips | ... | George Stanner | |
| Lisa Morris | ... | Lin Sue | |
| Vera Blacker | ... | Mrs. Adelle Frawley | |
| Ashley Hayden | ... | Annette Gillian | |
| Danny Keogh | ... | Herb Diment | |
| Ted Le Plat | ... | Doctor Ramos | |
| Todd Jensen | ... | Roger Martin | |
| Sean Taylor | ... | Derrick Gates | |
| Gerrit Schoonhoven | ... | Aaron Rodriguez | |
| Nan Hamilton | ... | Mrs. Ellenshaw | |
| Adrian Waldron | ... | Mr. Ellenshaw | |
| Norman Coombes | ... | Judge Bishop | |
| Larry Taylor | ... | Sheriff Hughes | |
| Irene Frangs | ... | Mrs. Smith | |
| Megan Wilson | ... | Ginny Jason | |
| Odile Rault | ... | Alberta | |
| Ron Smerczak | ... | Officer Steele | |
| rest of cast listed alphabetically: | |||
| Ashley Waldorf | ... | Paramedic driver (uncredited) | |
Directed by | |||
| Tobe Hooper | |||
Writing credits | ||
| Stephen King | (short story) | |
| Tobe Hooper | (screenplay) and | |
| Stephen David Brooks | (screenplay) (as Stephen Brooks) and | |
| Harry Alan Towers | (screenplay) (as Peter Welbeck) | |
Produced by | |||
| Kent Adamson | .... | development producer | |
| Rita Marie Bartlett | .... | associate producer | |
| Sudhir Pragjee | .... | executive producer | |
| Anant Singh | .... | producer | |
| Sanjeev Singh | .... | executive producer | |
| Helena Spring | .... | executive producer | |
| Harry Alan Towers | .... | executive producer (as Peter Welbeck) | |
Original Music by | |||
| Barrington Pheloung | |||
Cinematography by | |||
| Amnon Salomon | |||
Film Editing by | |||
| David Heitner | |||
Casting by | |||
| Christa Shamberger | |||
Production Design by | |||
| David Barkham | |||
Art Direction by | |||
| Zack Grobler | |||
Costume Design by | |||
| Moira Anne Meyer | |||
Makeup Department | |||
| Scott Coulter | .... | key special makeup effects: Los Angeles | |
| Tracy Crystal | .... | key makeup artist | |
| Barry R. Koper | .... | makeup artist: Mr. Englund, Los Angeles | |
| Lana Levin | .... | assistant makeup artist | |
| David B. Miller | .... | makeup artist: Mr. Englund, Los Angeles | |
| Scott Patton | .... | special makeup effects artist | |
| Lloyd Power | .... | key hair stylist | |
| Mark Villalobos | .... | special makeup effects technician | |
| Scott Wheeler | .... | makeup effects | |
| Scott Wheeler | .... | special makeup effects: Los Angeles | |
Art Department | |||
| Sean Ahern | .... | set builder | |
| Clive Berry | .... | assistant set dresser | |
| Shane Bunce | .... | property master | |
| Pascal Contos | .... | stand-by props | |
| Chris Croukamp | .... | assistant set dresser | |
| Hamid Croukamp | .... | set dresser | |
| Peter De Jager | .... | graphic designer | |
| Jeanne Henn | .... | set dresser | |
| Roland Hunter | .... | head scenic artist | |
| Rosalind Lurie | .... | graphic designer | |
| Loui Polykarpou | .... | assistant property master | |
| Della Steenkamp | .... | assistant set dresser | |
| Danny Tsatsi | .... | stand-by props | |
Sound Department | |||
| Dana Austin | .... | adr recordist: Los Angeles (as Dana Porter) | |
| Charlotte Buys | .... | dialogue editor | |
| Nicky De Beer | .... | sound designer | |
| Tommy Goodwin | .... | adr mixer: Los Angeles | |
| Akbar Ali Goolam | .... | sound transferer | |
| Elinor Hardy | .... | adr editor | |
| Raymond Hennessy | .... | boom operator | |
| John Isles | .... | stereo sound consultant | |
| Sid Knowles | .... | adr mixer | |
| Sid Knowles | .... | foley mixer | |
| Edwin Lawson | .... | sound transferer | |
| Wayne Lines | .... | foley editor | |
| Juliet Phillips | .... | foley artist | |
| Mark Phillips | .... | sound re-recording mixer | |
| Leith Ridley | .... | foley artist | |
| Colette Russouw | .... | adr editor | |
| Richard Sprawson | .... | sound mixer | |
| Warwick Swinney | .... | special sound effects | |
| Robert Thorpe | .... | sound effects editor | |
| Jeff Tucker | .... | sound technical advisor | |
| Nikki Van Kiekerk | .... | dialogue editor | |
| Christopher T. Welch | .... | adr supervisor: Los Angeles | |
Special Effects by | |||
| David Moffat | .... | special effects assistant | |
| Karen Poolman | .... | special effects assistant | |
| Max Poolman | .... | special effects coordinator | |
| Andrew Robertson | .... | special effects assistant | |
| Teri-Lin Robertson | .... | special effects department coordinator | |
| Bonnie Wienand | .... | special effects assistant | |
| Tony Wilson | .... | special effects assistant | |
| Janek Zabielski | .... | special effects technician | |
Visual Effects by | |||
| Stephen David Brooks | .... | visual effects supervisor | |
| Denise Davis | .... | visual effects coordinator: Los Angeles | |
| Paul Lasaine | .... | matte painting supervisor | |
| Winston Quitasol | .... | digital compositor | |
| Carolyn Soper | .... | visual effects producer: Los Angeles | |
Stunts | |||
| Roland Jansen | .... | action vehicle stunts: London | |
| Gavin Mey | .... | stunt coordinator: London | |
| Ashley Waldorf | .... | action vehicle co-ordinator | |
| Ashley Waldorf | .... | stunt driver | |
Camera and Electrical Department | |||
| Umberto Adaggi | .... | still photographer | |
| Xavier Arce | .... | clapper loader | |
| Danny Ben Menahem | .... | gaffer | |
| Ewen Bogle | .... | focus puller | |
| Derek William Carlow | .... | grip | |
| Vincent G. Cox | .... | camera operator: second unit | |
| Vincent De Jager | .... | focus puller: second unit | |
| Graham Elston | .... | best boy grip | |
| Bernard Fani | .... | electrician | |
| Simon Francis | .... | rigging gaffer | |
| David Gur | .... | still photographer | |
| Gavin Horne | .... | key grip | |
| Clive Lawrie | .... | camera operator: second unit | |
| Pepsy Mahunisi | .... | electrician | |
| John Matye | .... | best boy electric | |
| Ishmail Moeng | .... | grip | |
| Themba Mudau | .... | grip | |
| Kenneth Shange | .... | grip | |
| Anthony Smythe | .... | focus puller: second unit | |
| Rys Vincent | .... | focus puller: second unit | |
Costume and Wardrobe Department | |||
| Rebecca Ferrari | .... | wardrobe assistant | |
| Darion Hing | .... | wardrobe master | |
Editorial Department | |||
| Nicci Blue | .... | second assistant film editor | |
| Charlotte Buys | .... | second assistant film editor | |
| Megan Gill | .... | first assistant film editor | |
| Hayley Morris | .... | first assistant film editor | |
| Lucas Ramosime | .... | post-production assistant | |
| Lorraine Salk | .... | additional editor: Los Angeles | |
| Jeanine Smal | .... | apprentice film editor | |
| Nicci Van Niekerk | .... | assistant editor | |
Music Department | |||
| Dave Hunt | .... | music mixer: London | |
| Dave Hunt | .... | music recordist: London | |
| Toby Wood | .... | assistant scoring engineer | |
Other crew | |||
| Gerard Botha | .... | production assistant | |
| Maureen Conway | .... | script supervisor | |
| Tim Cummings | .... | voice effects: Los Angeles | |
| Lionel Glass | .... | projectionist | |
| Anita Hope | .... | production coordinator: Los Angeles | |
| Joyce Kurtz | .... | additional adr: Los Angeles | |
| Todd Masters | .... | prosthetics co-designer: Los Angeles | |
| Sandra Mazzotti | .... | production coordinator | |
| Nicola Rauch | .... | craft service | |
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| Alferd Packer: The Musical | The Incredible Melting Man | Face Eater | Basket Case 2 | Leprechaun |
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I really wanted to like "The Mangler". Stephen King, as a struggling young father and aspiring author in the 1960s, took a grueling job in a sweatshop laundry where, to pass the time and exercise his imagination, he fantasized about the hulking machinery there as being an evil entity, waiting to kill. (Remember as a child being apprehensive about walking past the furnace in the basement?) Well, he did pen "The Mangler", a masterful short story about just that, a possessed washing machine, and made it a minor classic. Now here comes Hollywood in the 1990s, hanging its story lines not on mood and atmosphere but on in-your-face special effects and adolescent gore. This film is an insult to King's pioneering short story, and to the set designer who indeed created a worthy villain in the brooding machine monster. "The Mangler" is only lifted off the rock-bottom 1 rating to a 3 because of its well-done sets. Otherwise, just read the terrific original short story, and leave this bomb out to dry.