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| Chris O'Donnell | ... | Matt Leland | |
| Drew Barrymore | ... | Casey Roberts | |
| Matthew Lillard | ... | Eric | |
| Richard Chaim | ... | Duncan | |
| Robert Nadir | ... | Coach | |
| Joan Allen | ... | Margaret Roberts | |
| Jude Ciccolella | ... | Richard Roberts | |
| Amy Sakasitz | ... | Joanna Leland | |
| T.J. Lowther | ... | Adam Leland | |
| Kevin Dunn | ... | Clifford Leland | |
| Elaine Miles | ... | Housekeeper | |
| Sharon Collar | ... | Librarian | |
| Selene H. Vigil | ... | Singer | |
| Valerie M. Agnew | ... | Drummer | |
| Roisin Dunne | ... | Guitar | |
| Elizabeth F. Davis | ... | Bass | |
| Todd Sible | ... | Bartender | |
| Leslie Do Qui | ... | S.A.T. Monitor | |
| Patrick Ryals | ... | Vice Principal | |
| Angela Hall | ... | Dr. Laura Genel | |
| Hunt Holman | ... | Nurse Barry | |
| Sandra Singler | ... | Orderly | |
| Allen Galli | ... | Medication Nurse | |
| Gregg Gilmore | ... | Patient (as Greg M. Gilmore) | |
| David J. Guppy | ... | Patient | |
| Liev Schreiber | ... | Salesman | |
| Angelina Torres | ... | Landlady (as Angelina Calderón Torres) | |
| Stefan Enriquez | ... | Waiter | |
| Yvonne C. Orona | ... | Mechanic | |
| Pedro García | ... | Mechanic | |
| rest of cast listed alphabetically: | |||
| Scott Duthie | ... | Raver (uncredited) | |
Directed by | |||
| Antonia Bird | |||
Writing credits(WGA) | ||
| Paula Milne | (written by) | |
Produced by | |||
| John Landgraf | .... | co-producer | |
| David Manson | .... | producer | |
| Marcus Viscidi | .... | co-producer | |
Original Music by | |||
| Andy Roberts | |||
Cinematography by | |||
| Fred Tammes | (director of photography) | ||
Film Editing by | |||
| Jeff Freeman | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| David Brisbin | |||
Art Direction by | |||
| Mark Worthington | |||
Set Decoration by | |||
| Gene Serdena | |||
Costume Design by | |||
| Eugenie Bafaloukos | |||
Makeup Department | |||
| Fern Buchner | .... | makeup artist | |
| Angel De Angelis | .... | hair stylist | |
Production Management | |||
| Peggy Jacobson | .... | production supervisor | |
| Marcus Viscidi | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Vebe Borge | .... | first assistant director | |
| Otie Brown | .... | second assistant director | |
| Paul B. Pedreira | .... | second second assistant director (as Paul Burke Pedreira) | |
| Elisa Sansalone | .... | second second assistant director | |
Stunts | |||
| David Boushey | .... | stunts | |
| Ian Boushey | .... | stunts | |
| Marla Casey | .... | stunt double | |
| Scott Duthie | .... | stunts | |
| Scott Duthie | .... | utility stunts | |
| Steve Geray | .... | stunts | |
| Gene Hartline | .... | stunts | |
| Terry Jackson | .... | stunt double: Chris O'Donnell | |
| Hugh Aodh O'Brien | .... | stunts (as Hugh A. O'Brien) | |
| Patricia M. Peters | .... | stunts | |
| Stever Sharp | .... | stunts | |
| Christopher Villagomez | .... | stunts | |
| Webster Whinery | .... | stunt coordinator | |
| Mark Steven Grove | .... | stunts (uncredited) | |
| Bret Kiene | .... | utility stunts (uncredited) | |
Casting Department | |||
| Patti Carns Kalles | .... | casting: Seattle | |
| Barbara Collins | .... | casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Therese M. Schoeppner | .... | extras casting | |
| Terry Terry | .... | extras casting | |
| Jason James | .... | casting: Seattle (uncredited) | |
Costume and Wardrobe Department | |||
| Marina Fish | .... | costume assistant | |
| Dina Helmlinger | .... | costume assistant | |
| Michael J. Long | .... | costume supervisor | |
| Jalene Murphy | .... | assistant costumer (as Jalen Murphy) | |
Editorial Department | |||
| Dale E. Grahn | .... | color timer | |
| Michael Rafferty | .... | second assistant editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Jan Wesley | .... | first assistant editor | |
Music Department | |||
| Larry Kenton | .... | additional orchestrator | |
| Steve Mccroskey | .... | music editor | |
| Leslie Morris | .... | orchestra contractor | |
| Tim Simonec | .... | orchestrator | |
| John Vigran | .... | score mixer | |
| Laura Ziffren | .... | music supervisor | |
Transportation Department | |||
| Gregory W. Anderson | .... | driver | |
| Chris Bean | .... | transportation production assistant | |
| Janey Bergam | .... | driver | |
| Bryan Deck | .... | driver | |
| Keith Dosher | .... | transportation captain | |
| Virgil S. Dosher | .... | driver | |
| Gregg Gilmore | .... | driver (as Greg M. Gilmore) | |
| Timothy Grosse | .... | driver | |
| David J. Guppy | .... | driver | |
| Joel McCarthy | .... | driver | |
| Sean Mennie | .... | driver | |
| Mark A. Miller | .... | driver | |
| Barry Phillips | .... | driver | |
| Susie Lynn Reynolds | .... | driver | |
| Michael J. Santoro | .... | cook/driver | |
| Leo Schaible | .... | driver | |
| Matt Skerritt | .... | driver | |
| Jerry T. Stroh | .... | driver | |
| Paul E. Stroh | .... | transportation coordinator | |
| David W. Strong | .... | driver | |
| Dana Schisler | .... | driver (uncredited) | |
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| The Virgin Suicides | Girl, Interrupted | Splendor in the Grass | Stateside | Lolita |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is a love story, of sorts, which conflicts the viewer in that it tenderly presents this tragic heroine and then shocks the audience by eloquently demonstrating the ins and outs of the moderate-to-severe bi-polar disorder, with which the heroine attempts to live.
(The mother states her daughter suffers from depression, but Drew's depiction does NOT indicate depression alone. There are extreme highs and bottom-dipping lows, which would be more indicative of manic depression or bi-polar disorder than depression alone. Not to minimize the life-changing effects of clinical or chemical depression, because I'm not.)
Drew generates a stellar performance here, and fully sells the range of emotions her character experiences. Her portrayal is dead on perfect; in not just the disease itself, but her depth and range here is nothing short of phenomenal.
Chris O'Donnell is not as lacking as some would make one believe. He contributes an adequate performance as a young man without a clue; therefore, his character is vastly disliked because he comes off as clueless, and movie-goers associated him with the character. Go figure.
This work is seriously underrated, primarily due to the unsatisfactorily heart-wrenching ending, but also due to the audiences inability to conceive of Drew as anything but bubbly and intelligent. She customarily takes parts in which her character is put in a sweet (if rose-colored) light, whereas her role herein is quite edgy and tragic.
The screenplay itself is not solid. The flux is very fluid within this story. The only solid thing here are the performances by Drew and Chris, and the profound sadness and sense of loss experienced by its viewers via the execution of the story line.
I actually enjoyed this, though the ending IS unsettling and fails to satisfy.
It rates an 8.4/10 from...
the Fiend :.