40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were ... See full summary »
A series of 5-minute line animations (drawn in the rough style and with the minimalist plots of David Lynch's The Angriest Dog in the World comic strip) featuring an angry and violent Neanderthal, and his family and neighbors.
Thomas and Alfred were born around the same time; a fire in the nursery had nurses scrambling to save the newborns. Because he felt that he deserved Alfred's good fortune at being born into... See full summary »
Jaco Van Dormael
Jo De Backer
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic. Written by
Mike D'Angelo <firstname.lastname@example.org>
This film was made to celebrate one-hundred years of the first camera used by the Lumiere Brothers. Forty directors from around the world were asked to make a short film with the original camera. The rules being it lasts no longer than fifty-two seconds, only three takes allowed, and no synchronous sound. The directors are predominately French, with a few notable exceptions like David Lynch, Peter Greenaway and John Boorman. Lynch's segment is far and away the most creative and satisfactory effort. Most of the others are mainly static and ordinary. But it's a fascinating documentary with insights and comments from the all the directors, and worth seeing for Lynch's film alone. That was the prime reason I watched it.
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