40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were ... See full summary »
What do an elderly topiary gardener, a retired lion tamer, a man fascinated by mole rats, and a cutting-edge robotics designer have in common? Both nothing and everything in this ... See full summary »
Raymond A. Mendez
A documentary on the chaotic production of Werner Herzog's epic Fitzcarraldo, showing how the film managed to get made despite problems that would have floored a less obsessively driven ... See full summary »
Documentary that chronicles how Francis Ford Coppola's Apocalypse Now was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director.
Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project (which has never been resurrected).
THE PERVERT'S GUIDE TO CINEMA takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Zizek, ... See full summary »
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic. Written by
Mike D'Angelo <firstname.lastname@example.org>
This video was given to me by a friend who knows that I look at film not merely as entertainment, but art as well. This project with its 40-odd 50 second vignettes done by a mix of directors of varying talents and celebrity, using an antiquated camera, gives an opportunity to see snapshots of their work as pure art. All of them are at least passable, with over half being very, very good. A few of them are truly outstanding, the most notable being Andre Konchalovsky's gem on life, death, temporality and nature. David Lynch's segment is a close second. I highly recommend this to any serious student of film as art.
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