Losing Isaiah
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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2008

4 items from 2017


‘Feud: Bette and Joan’: How Jessica Lange Made Conniving Joan Crawford Sympathetic — Career Watch

14 August 2017 12:30 PM, PDT | Indiewire | See recent Indiewire news »

Welcome to Career Watch, a vocational checkup of top actors and directors, and those who hope to get there. In this edition we take on Jessica Lange, who’s at the height of powers at age 68, revealing depths of emotion as fading Golden Age star Joan Crawford in FX’s mighty Emmy contender “Feud: Bette and Joan.”

Bottom Line: Jessica Lange has matured from a gorgeous movie ingenue to a theater and screen character actress with extraordinary range who keeps surprising audiences with what she can make them feel.

Career Peaks: From the start, Lange impressed people even when she was in the clutches of the Dino De Laurentiis incarnation of “Kong Kong.” She followed that up with her performance as a sexy waitress who seduces Jack Nicholson on a kitchen table in Bob Rafelson’s “The Postman Always Rings Twice” (1981) and with a weighty dramatic role as the depressed »

- Anne Thompson

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‘Feud: Bette and Joan’: How Jessica Lange Made Conniving Joan Crawford Sympathetic — Career Watch

14 August 2017 12:30 PM, PDT | Thompson on Hollywood | See recent Thompson on Hollywood news »

Welcome to Career Watch, a vocational checkup of top actors and directors, and those who hope to get there. In this edition we take on Jessica Lange, who’s at the height of powers at age 68, revealing depths of emotion as fading Golden Age star Joan Crawford in FX’s mighty Emmy contender “Feud: Bette and Joan.”

Bottom Line: Jessica Lange has matured from a gorgeous movie ingenue to a theater and screen character actress with extraordinary range who keeps surprising audiences with what she can make them feel.

Career Peaks: From the start, Lange impressed people even when she was in the clutches of the Dino De Laurentiis incarnation of “Kong Kong.” She followed that up with her performance as a sexy waitress who seduces Jack Nicholson on a kitchen table in Bob Rafelson’s “The Postman Always Rings Twice” (1981) and with a weighty dramatic role as the depressed »

- Anne Thompson

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Gifted – Review

11 April 2017 10:17 PM, PDT | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

In just a couple of days the Summer blockbuster season will get a big jump-start (hey Spring’s not yet a month old) when those magnificent men (and women) in their flying “muscle-car” machines start spinning their wheels and defying gravity at the multiplex. As they rev their engines here’s a quiet little “heart-tugger’ about family and kids that stars a guy that usually helps usher in the big popcorn flicks as Marvel Studios’ patriotic powerhouse. Like many “swinging” singles from TV (“Family Affair”) and cinema (Raising Helen), he’s tackling unexpected parenthood after the tragic demise of the birth mother. And things get even more complicated, when (as in other recent films like Little Man Tate) the child is a genius, brainy, or as the title proclaims, Gifted.

 

Frank Adler (Chris Evans) is living a pretty good life in the southern “sunshine state” of Florida. He keeps busy »

- Jim Batts

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Sundance in Havana

5 January 2017 5:05 PM, PST | Sydney's Buzz | See recent Sydney's Buzz news »

A Panel on Screenwriting: Features vs. TV Series

There has been an explosion in TV series over the last five years which has opened more opportunities worldwide to writers, directors and producers than feature film writing.

Paul Federbush, International Director, Feature Film Programs for Sundance Institute moderated a riveting panel of such TV/ feature writers as D.V. DeVincentes who wrote three episodes of the limited TV series (and exec produced five), “The People v. O.J. Simpson: American Crime Story” which won two Primetime Emmys and the feature “High Fidelity”; Erik Jendresen who won a Primetime Emmy for the miniseries “Band of Brothers” and is now working on a limited series which may go from four segments to eight; Naomi Foner who created “The Electric Company” aimed at children ages 7 to 10 to teach basic reading concepts to its young viewers. She won the Golden Globe for the screenplay and »

- Sydney Levine

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2008

4 items from 2017


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