|Page 1 of 3:||  |
|Index||25 reviews in total|
Why would Aaron Fleming of Northern Ireland throw up at this movie? My
theory is that you never had a warm childhood Aaron and nothing magical has
ever happened in your life. It wasn't made for viewers such as yourself. I
think TRAINSPOTTING might be more your line.
I'd go further than saying that Ted Danson was "good" in this - it is by far his best movie (with the possible exception of GETTING EVEN WITH DAD). As discredited, financially strapped and harrassed Dr Dempsey, Danson is bundled off to Loch Ness to disprove Nessie's existence. Not only does he fail in his task, but he finds something even yet more unlikely - the unconditional love of a little girl and her innkeeper mother played with feisty gusto by Joley Richardson. I would defy any true romantic to withhold a tear at the end of this movie...easily one of the most touching films of all time. Proof if such be needed that one can make a beautiful family movie with not a single swear word or offensive scene.
The very briefly glimpsed "beastie" is heart-warmingly portrayed, never more so than during the closing credits to a backdrop of Rod Stewart's "Rivers of My Heart." Veteran Ian Holm just about steals the show as the Laird and "keeper" of the secret. The scene on the bus when he opens up Dr Dempsey's envelope is worth the price of the theater ticket alone!
Saccharine? manipulative? unrealistic? Yeah? well so was ET!
I caught this on the Sci-Fi channel, where it is aired from time to time.
Methinks it ought to be shown on the Family Channel, as it is excellent
family viewing. And no, there really isn't any sex in it. (But how else was
I to get your attention?)
Ted Danson, who still seems just like Sam Malone from "Cheers" - only with a bad hair day - is quite winning in the lead role of this film. He plays a rather cantankerous, and somewhat discredited, American anthropologist who is sent to Scotland to disprove the existence of the "Loch Ness Monster".
He doesn't (at first, anyway) mix well with the local Scottish residents living near Loch Ness. Eventually he is won over by the dear sweet daughter (Isabel) of the local innkeeper. Her influence on him, along with that of the water bailiff, played by Ian Holm, profoundly change him towards the end of the film. Epiphany in the making.
If you value humanity over science, then this film is for you. It is a very enchanting movie that is worth watching. My advice: chill out, take a break from the war on terrorism and go rent this movie and give it a look. You'll be glad you did, and I highly doubt that you will be forced to run to the bathroom to be physically sick as did Aaron Fleming from N. Ireland. (While you're at it, rent another thoroughly enjoyable movie which was also filmed in Scotland, "Local Hero" (1983)).
Watch. Reflect. Reconsider your values in life. Then go pour yourself a good scotch.
I like this movie. It maybe be lukewarm and saccharine as everyone else thinks, but it is far superior to all those Fifties and Sixties lake monster pics. Ted Danson does a wonderful acting job outside of "Cheers" and the special effects are magical. the whole production has a rather Disney feel to it as it makes you believe in magic and takes a different realistic view of one of the world's biggest mysteries. This movie does the same thing "Harry And The Hendersons" did for Bigfoot.
Okay, it's not exciting but it's still a great film - ideal for 'pleasent' viewing. The cast are brilliant, especially Joley Richardson and Kirsty Graham as mother and daughter - although it is a little unfair to imply that these two alone make the film watchable; others (Ted Danson, Ian Holm, & James Frain) really do help to make this a great film. The story is slow and gentle, making it great for a quiet viewing session. The special effects are limited which allows for the storyline to show through and, even though the end is a little predictable, It's still good to watch right through to Rod Stewart's brilliant closing song. Go for it, I watch it over and over when the mood takes.
I'm an old romantic, so I enjoyed this successfully executed formula
movie. I enjoyed the premise of a burned out idealistic bigfoot
researcher being sent to the Scottish boondocks because he needed the
job, at the risk of securing his reputation as a myth chaser. Ted
Dansen came up with a convincing edginess to his character (but still
obviously with a big heart) that was a refreshing addition to his
normal comic characterizations. I also love the idea that in some
little corner of the boondooks you can stumble on a Scottish fair
maiden whose twinkle in the eye can steal your heart. Joely
Richardson's character makes you fall in love with her with a toss of
her head. The sparring of the characters is good fun. The plot of the
movie could have gone several ways; the writers chose to go the "Disney
Movie" route, which provides satisfying entertainment for kids, without
seriously degrading the by-the-book but convincing romance. A young
James Frain shows outstanding appeal and promise as a powerhouse actor
in his character as an idealistic and enthusiastic sidekick to Ted
Dansen's beast hunter, a fun character to watch.
The story is paced and told with an experienced hand; it provided a very pleasant getaway on a winter's afternoon, transporting the viewer to the famous Loch Ness region of Scotland. I think the photography could have been more painterly and mystical, but you get a good eyeful of the dramatic Scottish landscape.
The music score is a nice selection of Scottish influenced themes, with the soaring "Rhythm Of My Heart" by Rod Stewart as the final credits roll.
So if you're a romantic, you should thoroughly enjoy this movie. If not, it will probably be be too formulaic and "Disney-esque" for you.
the acting at first i thought seemed a little dry but really builds up
character throughout the movie, now Ted Danson adds a great actor to the
cast and the little girl really brightens up the movie, all in all not a
flick for an afternoon movie.
7 out of 10.
Dempsey (Ted Danson) is a sort of photojournalist of the weird happenings on planet earth. Having fallen on somewhat hard times, he, nevertheless, is reluctant to attempt his next assignment. The boss directs him to Scotland, where he is to use modern technology to PROVE once and for all that there is no Nessie Monster. There is no real choice but for Dempsey to get on a plane. When he lands, he almost drives over a pretty local lady, Laura (Joely Richardson). In short order, he finds out that she has the only rooming house and, after some begging, she lets him a room. Also in the house is her beautiful young daughter, Isabella (Kirsty Graham). Of all of the Scots, Izzy is the most welcoming to Dempsey. Hiring a boat and crew, Dempsey begins his exploration. This greatly displeases the bailiff (Ian Holm) but the lawman can do little to stop the efforts. As time goes on, no monster does appear, so Dempsey is soon ready to go back to the States. However, one day, Izzy reveals some secrets, big ones. Also, Laura, despite her outward dislike for Dempsey, may, in fact, be attracted to the brash American. Is there romance ahead? First, this film has a terrific setting, the beautiful country around Loch Ness. If you always wishes to go to Scotland but, have little money and big flying anxieties, you will be enchanted with the view. Then, the main actors are quite good, with Danson doing a variation of his smug humor and Richardson looking great and sporting a fine accent. Holm, Graham and all of the others support them nicely. The production also features fine costumes, an arresting script, gorgeous photography and a steady direction. In short, look for Loch, you fans of romance and family-friendly features. It's lovely.
A discredited American scientist (played by Ted Danson) is appointed the
task of proving once and for all whether there is an unknown species in Loch
This is a fine family film which manages to be warm and sincere without losing sight of its main theme. There are plenty of interesting characters and moments of humour.
The only problems are the monsters themselves, which have faces like Jurassic Park Raptors. And caves under the castle? Only ten minutes of this were actualy filmed at Loch Ness, most of it taken at another Scottish loch which apparently 'looked more like Loch Ness than Loch Ness itself'.
If you can ignore the odd clanger, however, this is still a film hat's certainly worth seeing.
This movie can be enjoyed as long as you are prepared to accept the plot for
what it is - A far fetched romantic tale to well the tears in your eyes and
make you think "Awww... isn't that sweet" The plot as far as the actual
"Beastie of the Loch" is far-fetched enough without stretching the bounds or
reality with the love story.
Being far-fetched does not, however, mean that this movie is not worth watching. I actually quite enjoyed it, and was able to watch along with a young family without having to cringe at foul language or blatant sex scenes. Take this movie for what it is - family entertainment. The kids will live the monster storyline and the special effects, the romantic among us will sniffle at the course of true love, and the others will probably find this to be a fairly average, fairly entertaining way to spend 90 minutes or so of your time.
Loch Ness is directed by John Henderson and written by John Fusco. It
stars Ted Danson, Joely Richardson, Ian Holm, Kirsty Graham and James
Frain. Music is scored by Trevor Jones and cinematography is by Clive
Tickner. Plot sees Danson as Zoologist Jonathan Dempsey, who has now
become something of a joke in his field after a failed "beastie hunt"
for the Yeti. In the last chance saloon, he's packed off by his
superiors to debunk the Loch Ness Monster legend, where hardly enthused
anyway, he finds a small community unwelcome to his being there. After
finally booking into a small inn run by single mother Laura McFetridge
(Richardson) Dempsey forms a warm relationship with Laura's nine year
old daughter, Isabel (Graham), who just may hold the key to the mystery
of Loch Ness.
Once it was made available for viewing it struggled to gain any significant support, both by critics and film fans alike. Caught in the 1990's creature feature slipstream created by Jurassic Park, hopes were high for a very different type of Loch Ness Monster movie. Nobody, except for the film makers, were quite prepared for what type of film Loch Ness is. Henderson's film is a human interest story first and foremost, one that has the Loch Ness Monster as its backdrop. It is driven by a mismatched (developing) love story, yet still has enough about it to raise the pertinent question that crowns the story, namely why? And should we? Solve the Loch Ness Monster mystery. It's all very simple and low-key, where any expectation of an FX extravaganza will lead you only to a big disappointment. Helps, too, if you kind of want to believe in the fantastical, like a bit of whimsy with your film supper.
An insult often used to beat it with is that it copies Local Hero's template. What is wrong with that? Since Local Hero itself is a charming human fable set in similar gorgeous locale, why not have that delightful film as a marker? In fact Loch Ness is more family friendly, adult enough for the discerning grown up, whilst beguiling the kiddies too. And lets rejoice the sparse use of special effects, what we get is brief, and dare I say it? Magical. Fusco's script is also witty, with much fun mined from Danson's fish out of water portrayal as he finds himself at odds with everyone except the Nessie keen assistant played with wide eyed energy by Frain. The rest of the cast are roundly great as well, Danson (affable supreme), Richardson (quality Scottish accent), Holm (grumpy curmudgeon) and Graham (one of the most natural and unfussy child performances ever), lead the way. While good secondary support comes from a barking mad Keith Allen and Nick Brimble as the self appointed love rival for Laura's attentions.
Bolstering the film is a majestic score from Jones, with the expected Celtic harmonies neatly sitting along side the more brassy and keyboard thrusts as the narrative hits its peaks. The synth and string arrangement that accompanies "Nessie" is simply beautiful and the reason why this particular writer had to buy the score. Although the Highland/Lochs locations used for filming are to die for, the film needed a better cinematographer than Tickner. He's good on something like sci-fi trasher Split Second, where he gets away with washed out apocalyptic colours, but here his photography is often murky and the sumptuous colours of the scenery never boom out from the screen. He does, however, know how to light a pretty face, the beautiful Richardson benefiting greatly here.
With a big human heart and awash with family friendly mysticism, Loch Ness is a lovely picture. Thankfully for those who now know what to expect, it's a mile away from being a creature feature. 8.5/10
|Page 1 of 3:||  |
|External reviews||Parents Guide||Plot keywords|
|Main details||Your user reviews||Your vote history|