The story of Elizabeth Taylor's rise to stardom, beginning in Los Angeles 1942. Her dominating mother has decided that her daughter must become a star - no matter what others or Elizabeth ...
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After her female lover leaves her, a nurse hires a male escort to seduce the lover and then break her heart so she will return. As the escort begins to win her over, however, he begins to ... See full summary »
Two American students go to Italy after graduating from art school, one to work in restoration of paintings, the other because she's inherited her father's castle. When the restorer visits ... See full summary »
With his pregnant wife at death's door after a car crash, desperate husband John Barrett invades the home of Mark Driscoll and his rich, neglected wife Sally. He holds the couple hostage in... See full summary »
Recently widowed Shelby Naylor (Sherilyn Fenn) listening to her husbands police scanner overhears a husband and wife arguing on the phone. The wife ends up dead and Widow Naylor points the finger endangering herself.
An exploration of certain conspiracy theories surrounding the JFK assassination from Jack Ruby's perspective. Ruby owns a run-down strip club in Dallas, and does what he can for credibility... See full summary »
Backstreet Dreams is the story of a man, who has a disturbed child. He and his wife take their son to a clinic, where he is diagnosed by a talented psychologist (Stevie), as being autistic.... See full summary »
The story of Elizabeth Taylor's rise to stardom, beginning in Los Angeles 1942. Her dominating mother has decided that her daughter must become a star - no matter what others or Elizabeth herself think. Assisted by Hedda Hopper, she gets a part in Lassie Come Home (1943). She becomes a child star, raised by her studio. Growing up, she has several love-affairs - and several divorces, since her husbands can't accept being married to a Hollywood icon. Written by
The 1940s audiences watch a trailer is for National Velvet. The trailer ends with a "G-rating" classification. These ratings were not in use until the 1960s - the filmmakers obviously used the '70s re-release version. See more »
I thought this movie was somewhat interesting, for one reason: Given the fact that to actually +portray+ Richard Burton himself is a task to daunt the bravest -- to be blunt, I'd have said it couldn't be done at all -- I was surprised to find that Angus MacFadyen turned in not so poor a performance in this role. His size and build appear to be similar to Burton's; though the face is not really the same, neither is it very wide of the mark. The real test, of course, is that famous voice -- and here, also, he does a creditable job of impersonation. MacFadyen, in this role, actually to some extent achieves the "suspension of disbelief" so necessary to a believable story.
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