Al Fountain, a middle-aged electrical engineer, is on the verge of a mid-life crisis, when he decides to take his time coming home from a business trip, rents a car, and heads out looking ... See full summary »
Joe and Mary have been living together in Manhattan for six years. Joe is an actor, who has no agent and no thesping credits, but whose ambitions are very high. He works as a waiter at a ... See full summary »
A neurotic nebbish lives in 2 worlds: the fantasy of winning his dream-girl via a hit movie, and the meager existence he scrapes out from very odd jobs, such as thesping in an arty ... See full summary »
An episodic look at a young man's life in Mexico's national highway patrol. We follow Pedro Rojas from cadet training and his rookie assignment in a northern border area, to his quick ... See full summary »
A five year project involving filming on NYC subway. Camera observes people and events unaware they are being filmed. Emotional, intimate and deeply human. All done by director Tom DiCillo.... See full summary »
When a light explodes Wanda asks "Is everybody hurt? Is anybody OK?", whereas she should be asking "Is anybody hurt? Is everybody OK?" See more »
Bob, what the fuck is with that smoke, man? Whaddya got in there, a couple of hamsters blowing smoke rings, ferchrissakes?
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statement after the end credits: The characters and incidents portrayed and the names herein are sort of fictitious, and any similarity to the name, character or history of any person is sort of coincidental and unintentional. See more »
"Living in Oblivion" is one of your video store's coolest secrets. Writer-director Tom Dicillo takes a satiric look at independent films while capturing the ups and downs of making a movie. For the cast and crew of the film within this film, the downs hilariously outnumber the ups.
Steve Buscemi shines in an all-too-rare lead role as the frustrated director. There's also great work by James LeGros as the pompous leading man, Catherine Keener as the insecure leading lady, and Dermot Mulroney as the broken-hearted cinematographer.
Dicillo is especially concerned with the nightmares and daydreams of his characters, and rightly adopts a dreamy visual style that shifts between black and white and color.
It all adds up to an uncommonly intelligent, artistic, and funny(!) comedy that deserves your attention.
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