Former British secret agent Harry Palmer now runs a Private Investigation company in Russia. He gets a job to locate and recover a consignment of stolen Plutonium, and with the help of ...
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A war veteran tries to investigate the murder of his son who was working as a Russian translator for the British intelligence service during the Cold War. He meets a web of deception and paranoia that seems impenetrable...
John Preston is a British agent with the task of preventing the Russians detonating a nuclear explosion next to an American base in the UK. The Russians are hoping this will shatter the 'special relationship' between the two countries.
A young wife decides to complete her education and take her exams. She meets a professor who teaches her to value her own insights while still being able to beat the exams. The change in ... See full summary »
Haskell (Michael Caine) is assigned a job by his boss, the aristocratic Landon-Higgins (James Fox), to highjack a high security van in broad daylight while it's in the shadow run (out of ... See full summary »
Former British secret agent Harry Palmer now runs a Private Investigation company in Russia. He gets a job to locate and recover a consignment of stolen Plutonium, and with the help of colleague Nikolai Petrov he sets off to St. Petersburg to try and find it. Along the way he must deal with the violent Russian Mafia, and also find Nikolai's girlfriend Tatiana who has been kidnapped. Written by
Although this film is sometimes referred to as "Len Deighton's Midnight in Saint Petersburg," Len Deighton himself had no involvement in the production and the film is not based on one of his novels. Not only that, but Deighton did not even coin the name "Harry Palmer" (the character in his novels remained unnamed). See more »
What is wrong with movie writers, producers, and directors? There is a sizable market of baby-boomers who would love to see sequels of fondly remembered movies from the 60s, yet it seems that the powers-that-be are deliberately ruining virtually every opportunity to tap into that market. Granted the younger movie-going public has shown they have little or no attention span, but I have to believe that a good movie would appeal to enough of them to make some money. I cite (shudder) The Avengers and (retch) Wild Wild West as 2 of the worst offenders possible and the 2 90s Harry Palmer films aren't far behind them. Directors: WATCH SOME 60S MOVIES AND TRY TO RECAPTURE THE MAGIC. It is tough, if not impossible, to do, but you can do better than you have been doing. Using some of the original stars such as Michael Caine, Robert Vaughn, David McCallum, Robert Conrad or whomever is still this side of the sod would be wonderful, but it still would require a good script. The 2 Harry Palmer movies don't get it. The music is wrong, the car and boat chases are wrong, the ambiance is wrong, the supporting cast is wrong, etc. Do better while there is still time.
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