| Photos (See all 54 | slideshow) |
Directed by | |||
| Mike Figgis | |||
Writing credits | ||
| John O'Brien | (novel) | |
| Mike Figgis | (screenplay) | |
Produced by | |||
| Lila Cazès | .... | producer | |
| Marc S. Fischer | .... | line producer | |
| Stuart Regen | .... | executive producer | |
| Paige Simpson | .... | executive producer | |
| Annie Stewart | .... | producer | |
Original Music by | |||
| Mike Figgis | |||
Cinematography by | |||
| Declan Quinn | (director of photography) | ||
Film Editing by | |||
| John Smith | |||
Casting by | |||
| Carrie Frazier | |||
Production Design by | |||
| Waldemar Kalinowski | |||
Art Direction by | |||
| Barry Kingston | (as Barry M. Kingston) | ||
Set Decoration by | |||
| Florence Fellman | |||
Costume Design by | |||
| Laura Goldsmith | |||
Makeup Department | |||
| Kathryn Bihr | .... | key makeup artist (as Katy Bihr) | |
| Beatrice De Alba | .... | key hair stylist (as Beatrice DeAlba) | |
| Linda Hardy | .... | hair stylist | |
| Linda Hardy | .... | makeup artist | |
Production Management | |||
| Marc S. Fischer | .... | unit production manager | |
| Robin Le Chanu | .... | production supervisor (as Robin L. Green) | |
| Michael Saxton | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Simone Farber | .... | second assistant director | |
| Gary Marcus | .... | first assistant director | |
| Joel Chernoff | .... | second unit director (uncredited) | |
Art Department | |||
| Amy H. Abrams | .... | on-set dresser | |
| Russell R. Anderson | .... | lead man (as Russ Anderson) | |
| Michael R. Blaich | .... | lead scenic artist (as Michael Blaich) | |
| Florencio Gelabert | .... | artwork | |
| Bob Hawk | .... | carpenter | |
| Jason Hedley | .... | swing gang (as Jason John Hadley) | |
| Ghislain Mandon | .... | swing gang | |
| Anmari Ollsson | .... | paintings in Sera's apartment | |
| Charles Page | .... | construction foreman | |
| Steve Pfauter | .... | swing gang (as Stephen Pfauter) | |
| Charles Phillips | .... | construction coordinator (as Chuck Phillips) | |
| Seth Phillips | .... | construction grip | |
| Rodrido Pimentel | .... | artwork | |
| Gustavo Ramos Rivera | .... | artwork | |
| James Scott | .... | paintings: L.A. bank | |
| Zeev Tankus | .... | property master | |
| Rebecca Young | .... | art department coordinator | |
| Anne Mari Ziecker | .... | assistant property master | |
| Kevin Coyle | .... | set dresser (uncredited) | |
| John Sparano | .... | assistant property master (uncredited) | |
Sound Department | |||
| Andie Derrick | .... | foley artist | |
| Henry Dobson | .... | dubbing mixer | |
| James Feltham | .... | assistant sound editor | |
| Nigel Heath | .... | supervising sound editor | |
| Rod Howick | .... | foley editor | |
| Mathew Knights | .... | dialogue editor | |
| Danny Sheehan | .... | assistant dubbing mixer | |
| Julian Slater | .... | sound effects editor | |
| Jason Swanscott | .... | foley artist | |
| Pawel Wdowczak | .... | sound mixer | |
| Paul Coogan | .... | boom operator (uncredited) | |
| Clifford 'Kip' Gynn | .... | sound mixer: video (uncredited) | |
| John Hays | .... | boom operator (uncredited) | |
Special Effects by | |||
| Jules Findley | .... | special effects compositor | |
| William D. Harrison | .... | special effects supervisor: Special Effects Unlimited, Inc. (as William Harrison) | |
| Al Marangoni | .... | special effects: Special Effects Unlimited, Inc. (as Albert Marangoni) | |
| Matthew Pope | .... | special effects: Special Effects Unlimited, Inc. | |
Visual Effects by | |||
| Aviv Yaron | .... | data operator: Cinesite (uncredited) | |
Stunts | |||
| Bruce Paul Barbour | .... | stunts (as Bruce Barbour) | |
| Dick Hancock | .... | stunts | |
| Jeff Smolek | .... | stunts | |
| Diane Towery | .... | stunts | |
| Russell Towery | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Paul Birk | .... | best boy electric (as Paul R. Birk) | |
| Bonnie Blake | .... | first assistant camera: "b" camera | |
| Richard Boyle | .... | best boy grip (as Rick Boyle) | |
| James Elton Davis | .... | electrician (as James Davis) | |
| Christian E. Dirkes | .... | dolly grip | |
| Bernadette 'B.C.' Echohawk | .... | camera loader (as Bernadette Echo Hawk) | |
| Flint Ellsworth | .... | electrician | |
| Suzanne Hanover | .... | still photographer | |
| Todd Heater | .... | electrician | |
| Steve Irwin | .... | video playback operator | |
| Toby Irwin | .... | gaffer | |
| Sean McKelvey | .... | electrician (as Sean Mark McKelvey) | |
| John Joseph Minardi | .... | grip | |
| Marie Pedersen | .... | camera operator (as Marie Pederson) | |
| Stephen Pizzo | .... | first assistant camera | |
| Kevin Smyth | .... | key grip | |
| T.J. Tollefson | .... | grip | |
| Larry Markart | .... | video playback operator (uncredited) | |
| Dylan Rush | .... | grip (uncredited) | |
Casting Department | |||
| Stacey Rosen | .... | casting associate | |
| Chris Gray | .... | extras casting (uncredited) | |
| Terrence Harris | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Vikki Barrett | .... | set costumer (as Vickie Brinkkord) | |
| Jean Davis | .... | assistant costumer | |
| Leesa Evans | .... | costume supervisor | |
| Vivienne Westwood | .... | wardrobe: Ms. Shue | |
Editorial Department | |||
| Colin Coull | .... | color timer | |
| Jinx Godfrey | .... | assembly editor | |
| Paul Knight | .... | assistant editor | |
| Dana Padgett | .... | post-production coordinator | |
| Robert Pond | .... | Negative assembly supervisor: 35mm neg cutting | |
| Annette Williams | .... | assistant editor | |
| Vaughn Mullady | .... | negative cutter (uncredited) | |
Music Department | |||
| Tony Coe | .... | musician: tenor saxophone and clarinet | |
| Ed Deane | .... | musician: electric guitar | |
| Gemma Dempsey | .... | music supervisor | |
| Mike Figgis | .... | musician: trumpet and keyboards | |
| Isobel Griffiths | .... | musician's contractor | |
| Dave Hartley | .... | musician: piano | |
| Austin Ince | .... | original score engineer | |
| Chris Laurence | .... | musician: double bass | |
| Maggie Nicols | .... | featured musician: vocalist | |
| Sting | .... | featured vocalist | |
| Ian Thomas | .... | musician: drums | |
| Ray Warleigh | .... | musician: alto saxophone | |
| Anthony Marinelli | .... | composer: additional music score (uncredited) | |
| Anthony Marinelli | .... | musician (uncredited) | |
| Anthony Marinelli | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Jennifer A. Blum | .... | driver (as Jennifer Blum) | |
| Steve Earle | .... | driver | |
| Don Feeney | .... | driver | |
| Scotty Goudreau | .... | driver (as Scott Goudreau) | |
| Brian Kahn | .... | driver: insert car | |
| Kathy L. MacMillan | .... | driver | |
| Seth Phillips | .... | driver: construction department | |
| Derek Raser | .... | transportation coordinator | |
| Todd Rowland | .... | driver: Mr. Cage | |
| J.T. Thayer | .... | transportation captain | |
| Earl Thielen | .... | driver | |
| Tracy Thielen | .... | driver | |
| Mark Willis | .... | driver | |
| Paul Burlin | .... | driver (uncredited) | |
Thanks | |||
| Claudia Buchanan | .... | special thanks | |
| Brigid Buckman | .... | special thanks | |
| Miles A. Copeland III | .... | special thanks (as Miles Copeland) | |
| Elaine Davis | .... | special thanks | |
| Tony Dingman | .... | special thanks | |
| Arlen Figgis | .... | special thanks | |
| Lois Kay | .... | special thanks | |
| Anthony Marinelli | .... | special thanks | |
| Simon Osborne | .... | special thanks | |
| Randolph Pitts | .... | special thanks | |
| Holly Simpson | .... | special thanks | |
| Cecilia Skjorten | .... | special thanks | |
| Sting | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| I drink too much | boloyolo |
| How much did he drink each day? | shaunwebb66 |
| So shoot yourself already | jamerkk |
| Sera | IloveMuggy |
| After the rape scene... | lisacamillek |
| Yuri's Parting Words | zcj5577-1 |
|
|
|
|
|
| Head-On | Boy A | The Last Seduction | The Life of David Gale | Candy |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Ben Sanderson is an alcoholic, who after getting released from his well paid screen writing position, heads to Vegas with his severance pay. Where he seriously plans to drink himself to death. But whilst cruising down the strip he meets Sera, a nicely turned out prostitute, and both troubled souls come together in an unlikely romance.
Based around the semi-autobiographical novel by John O'Brien, an alcoholic who committed suicide before the film made it to the screen, this is a sad, dark and deeply upsetting picture. Sanderson and his plight has no motive, we are not fed reasons for his nihilistic behaviour. We find him at the beginning of the film joyously hurtling thru a liquor market isle, promptly filling his shopping cart with bottles of liquor. From here on in we know that this is no ordinary film about an alcoholic trying to get off the booze, we are on a train to Bleakville, stops at Love and Liberation seem a very long way away.
Enter Sera, the sweet and wholesome prostitute, who having escaped the abusive and borderline psycho pimp, Yuri, is herself in need of liberation. But can she carry the burden of both as this unlikely and almost certainly doomed romance starts to become significant? Nicholas Cage as Sanderson is terrific, very compelling, realistic and segueing from zany wired comedy to the desolation of Sanderson's death wish descent within a heart beat. Elisabeth Shue as Sera is also incredibly potent, if perhaps guilty of looking too pristine, and prompting questions of why she would be drawn to Ben's world anyway?
Shue none the less works her socks off to make Sera sensitive and believable. Directed by Mike Figgis, who shot it beautifully in Super 16 film, the film won a Best Actor Academy Award for Cage, and garnered nominations for Best Actress {Shue} & Best Director and Best Adapted Screenplay {both Figgis}. Massively popular and praised on release, it has lost none of the impact that it had back then. 8/10