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Leaving Las Vegas (1995)

 -  Drama | Romance  -  9 February 1996 (USA)
7.6
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Ratings: 7.6/10 from 81,632 users   Metascore: 82/100
Reviews: 274 user | 113 critic | 23 from Metacritic.com

Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

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Title: Leaving Las Vegas (1995)

Leaving Las Vegas (1995) on IMDb 7.6/10

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Won 1 Oscar. Another 34 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Stuart Regen ...
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Albert Henderson ...
Man at Strip Bar (as Al Henderson)
Shashi Bhatia ...
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Anne Lange ...
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Storyline

Because his wife left him and took his son with her, screenwriter Ben Anderson has started drinking, a lot. He's getting more and more isolated and he troubles women in bars because he wants to have sex with them. When he gets fired, he decides to leave everything behind and move to Las Vegas and drink himself to death. In Las Vegas he meets Sera, a prostitute with some problems as well who he moves in with. Written by Marco van Hoof <k_luifje7@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

prostitute | death | sex | alcoholic | bar | See All (82) »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexuality and language, violence and pervasive alcohol abuse | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

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Release Date:

9 February 1996 (USA)  »

Also Known As:

Adiós a Las Vegas  »

Box Office

Budget:

$3,600,000 (estimated)

Gross:

$31,968,347 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

To get ready for his role, Nicolas Cage would film himself drunk to study his speech patterns. See more »

Goofs

When driving through Las Vegas, Ben finishes a bottle of Vodka, two minutes later there is liquid in the bottle again. Since he is severely alcoholic, it can be expected though that it's not necessarily the same bottle, he may also have opened a second one. See more »

Quotes

Sera: Included with the rent 'round here is a complimentary blow-job.
See more »

Crazy Credits

The opening credits do not appear until fifteen minutes into the film. See more »

Connections

References Husbands and Wives (1992) See more »

Soundtracks

I Won't Be Going South (For A While)
Written by Angelo Palladino
Performed by The Palladinos
Courtesy of Pangaea Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The dignity of love and the depths of despair
3 June 2005 | by (Vulcan) – See all my reviews

If Mike Figgis never made another film, and Nick Cage and Elizabeth Shue retired after making Leaving Las Vegas, they would have done so with impunity. Both actors are superb, and bring the excellent screenplay to life with the help of some masterful dramatic cinematography.

Cage plays a suicidal alcoholic who has come to Las Vegas to drink himself to death, and Shue plays the unexpected problem - a prostitute who falls in love with him. The only reason this film did not receive a ten from me is the voice-over technique which was tastefully minimal, but, in my opinion, the only mistake the director made. It does help to provide closure, but I felt that closure was an unnecessary compromise here.

This is not an entertaining film, and in truth, I am surprised by its popularity among typical audiences. It is a serious film, and a work of art, but fun is not to be found here. DO NOT see this film if you dislike feeling emotionally drained and ethically challenged, and DO NOT see it if you are very prone to boredom, or easily offended by sexual violence, substance abuse and the horror of daily life on the street.

This is an intensely sad film about love shared by people who are caught in the gravity of their lives and can not escape. It is also a story of redemption and respect, found in improbable places. It is NOT a fun-filled frolicking romantic comedy, but rather, the opposite, and it achieves a beauty, dignity and power almost unique among films treating such starkly real and disturbing subjects.


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