7.6/10
99,111
297 user 122 critic

Leaving Las Vegas (1995)

Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

Director:

Writers:

(novel), (screenplay)
Reviews
Popularity
2,354 ( 96)

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
Won 1 Oscar. Another 30 wins & 27 nominations. See more awards »
Edit

Cast

Cast overview, first billed only:
...
...
...
...
...
Kim Adams ...
...
Stuart Regen ...
...
...
Albert Henderson ...
Man at Strip Bar (as Al Henderson)
Shashi Bhatia ...
...
Anne Lange ...
...
Edit

Storyline

Because his wife left him and took his son with her, screenwriter Ben Sanderson has started drinking, a lot. He's getting more and more isolated and he troubles women in bars because he wants to have sex with them. When he gets fired, he decides to leave everything behind and move to Las Vegas and drink himself to death. In Las Vegas he meets Sera, a prostitute with some problems as well who he moves in with. Written by Marco van Hoof <k_luifje7@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexuality and language, violence and pervasive alcohol abuse | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

| |

Language:

|

Release Date:

9 February 1996 (USA)  »

Also Known As:

Adiós a Las Vegas  »

Box Office

Budget:

$3,600,000 (estimated)

Gross:

$31,968,347 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Digital)

Color:

Aspect Ratio:

1.66 : 1
See  »
Edit

Did You Know?

Trivia

With reference to the electronic label changing on the drink bottles only the 35 mm blow up internegative and interposative had the changes cut in to them The Super 16mm original negative was never re cut. See more »

Goofs

Yuri is supposed to be swearing in Latvian on the phone. In fact, he speaks gibberish. See more »

Quotes

Sera: You can fuck me in the ass. You can cum on my face. Just keep it out of my hair. I just washed it.
See more »

Crazy Credits

The opening credits do not appear until fifteen minutes into the film. See more »


Soundtracks

The Third Man Theme
Written by Anton Karas
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Viva Greek Tragedies
5 January 2004 | by (Valencia, California) – See all my reviews

Not unlike John Huston's Under The Volcano, Leaving Las Vegas borrows from Greek mythology, obliquely mirroring the tragedy and pathos of Orpheus' failed attempt to rescue his dead wife, Eurydice, from Hades. Mike Figgis obliges us with a helpful hint in the scene where Nicolas Cage gives Elizabeth Shue a present of earrings: Greek cameos.

As in the ancient tale, love challenges the inevitability of death, although, in the case of LLV, roles are upended and sometimes blurred, and Orphean references are either thinly disguised, or non-specific to the point of being thoroughly sublimated. Academic, to be sure, but completely acceptable as long as LLV can sustain itself and remain engaging. And it surely does, thanks to Figgis' intelligent script and direction, Cage's role as a down-and-out writer and his protracted self-destruction, and Shue's portrayal of a lonely hooker, lifting that old bromide beyond what could have been routine, to a level not seen since Jane Fonda's character in Klute. Excellent performances all around.

With all that said, this film is not for everyone (in particular those who only respond to gratuitous sex, car chases, and mindless pyrotechnics). The lurid depictions of despair, self-loathing, and violence could put off even the most hardened social worker. In my mind's eye, I could see psychiatrists amongst the theater audiences, furiously jotting down their observations. Understandable; the two principal characters are, in the common parlance, screwed up. One cannot cope with failure, so decides to opt out, while the other does cope, but only barely, existing along the ragged edges of what passes for society in Nevada Hell. These details, though, tend to outline and, indeed, strengthen the true heart of this film: Sacrifice and Unconditional Love.

If this film is not for everyone, then who is it for? Those with real life experience and the maturity gained thereby. Those with strong emotional constitutions. Anyone appreciative of impassioned performances. Freudians. Alcoholics, recovering and otherwise. Pimps. Priests. Classicists. Petty whiners in need of perspective. And, more than anyone else, couples who plan on breaking up. In sickness and in health, 'til death do us part. 9.5 out of 10.


66 of 86 people found this review helpful.  Was this review helpful to you?

Contribute to This Page