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Storyline
Jude, Luke, Marc, Paulie and Pete are liberal-minded roommates and grad students at a Iowa post-secondary institution. Every Sunday for the past year, they have hosted a dinner party, inviting a friend over to have an open-minded discussion about whatever topics are of interest. On a dark and stormy night when Pete was supposed to bring a friend for one of those dinners, he instead comes home with Zachary Cody, who rescued a stranded Pete whose car broke down. They invite Zach to stay for dinner instead of Pete's missing friend. They soon find out that Zach is among other things a racist neo-Nazi, which brings up a potentially dangerous situation for Jewish Marc and black Luke. After some physical altercations and verbal threats, Marc ends up stabbing Zach dead out of what he considers self-defense. As the friends discuss what to do about Zach, they finally come to the conclusion that in killing Zach, they have done society a service. So they ponder 'why not invite other ... Written by
Huggo
Plot Summary
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Plot Synopsis
Taglines:
Love... Sex... Life... Death. In this house it's all on the table.
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Did You Know?
Trivia
Beau Bridges was originally asked to play Norman Arbuthnot, but he turned the role down.
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Goofs
During dinner with the reverend, dishes move around the table between shots.
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Quotes
Norman Arbuthnot:
I'm the first to admit we took this country from the indians but what were they doing with it anyway; shooting off bows and arrows and using seashells for money.
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Connections
Referenced in
The X-Files: Dæmonicus (2001)
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Soundtracks
"Lover's Concerto"
Written by
Sandy Linzer &
Denny Randell
Performed by
The Toys
Courtesy of Rhino Records
By Arrangement with Warner Special Products
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I just read through 48 comments and I think nobody mentioned "Arsenic and Old Lace," which is an obvious source for the idea of quizzing guests and, as a good deed, giving wine with arsenic to those who'd be better off dead.
Here the story is set against a familiar political divide, and as the murders (and cameos) follow one another, the criteria for getting killed become distressingly looser until the audience becomes impatient for the inevitable retribution.
All this exposition of criteria takes considerable time, and evidently character development needed to be sacrificed. I'm sure that in creating a large group of murderers who all share a house, the creators had something in mind (other than "Friends") and we get the impression of an attempt at characterization but it doesn't jell. The movie would have been better off with just one couple in on the plot; that's all Shakespeare needed for Macbeth.