| Cast overview, first billed only: | |||
| Cameron Diaz | ... | ||
| Ron Eldard | ... |
Pete
|
|
| Annabeth Gish | ... |
Paulie
|
|
| Jonathan Penner | ... |
Marc
|
|
| Courtney B. Vance | ... |
Luke
|
|
| Bill Paxton | ... |
Zachary Cody
|
|
| Nora Dunn | ... |
Sheriff Alice Stanley
|
|
| Ron Perlman | ... | ||
|
|
Dan Rosen | ... |
Deputy Hartford
|
| Amber Taylor | ... |
Girl in Coffee Shop
|
|
|
|
Matt Cooper | ... |
Jerk in Coffee Shop
|
| Charles Durning | ... |
Reverend Gerald Hutchens
|
|
| Mark Harmon | ... |
Dominant Male
|
|
|
|
Gil Segel | ... |
Iowa Resident at Door
|
|
|
Rachel Chagall | ... |
Abortion Activist
|
Jude, Luke, Marc, Paulie and Pete are liberal-minded roommates and grad students at a Iowa post-secondary institution. Every Sunday for the past year, they have hosted a dinner party, inviting a friend over to have an open-minded discussion about whatever topics are of interest. On a dark and stormy night when Pete was supposed to bring a friend for one of those dinners, he instead comes home with Zachary Cody, who rescued a stranded Pete whose car broke down. They invite Zach to stay for dinner instead of Pete's missing friend. They soon find out that Zach is among other things a racist neo-Nazi, which brings up a potentially dangerous situation for Jewish Marc and black Luke. After some physical altercations and verbal threats, Marc ends up stabbing Zach dead out of what he considers self-defense. As the friends discuss what to do about Zach, they finally come to the conclusion that in killing Zach, they have done society a service. So they ponder 'why not invite other ... Written by Huggo
This is a film that can be viewed on two levels.
The first level is that of a straightforward black comedy. Five liberal students, who think they have the answers to all the world's ills, have their comfortable world invaded by a redneck racist who is invited in for supper after coming to the aid of one of the students when he has car trouble. Naturally there is a clash of politics and, after a violent argument, the racist is accidentally killed. They decide to bury him in their garden instead of reporting the killing. What follows is a continuation of an earlier debate they had been having; would people be justified in murdering someone if they knew he was evil? Their answer is yes, and soon they are inviting other rightwingers for an evening of dinner, debate and death. On the first level the film is okay.
It is on the second, more cerebral level, that the film really succeeds. The great irony is that the liberals become intolerant, revealing the dangers of political correctness and the very real possibility of a left-wing police state in which alternative views are crushed in the name liberal values.
A good soundtrack, some sparkling cameos by the dinner guests, and a knockout performance by Ron Perlman as the conservative commentator make this largely overlooked comedy well worth a gander.