Out of enthusiasm, a Militia soldier abandons his platoon and decides to fight for the cause of the Revolution. His Lieutenant and the rest of the crew look for him during the confused night of 22-23 December 1989.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
Mr. Lazarescu, a 63 year old lonely man feels sick and calls the ambulance. When it arrives, the paramedic decides he should take him to the hospital but once there they decide to send him ... See full summary »
Jean, a farm lad, wants to escape his silent father; he runs to Paris to his older brother, Georges, who's away covering the war in Kosovo. Angry, he throws a bag of half-eaten pastry into ... See full summary »
Spain, 1950s. Montse's agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she lost her youth raising. But one day, a reckless ... See full summary »
Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man? Written by
Stick with it. Impressive albeit rarely seen film!
A scientist (Gert Voss) increasingly alarmed at the violence, death and suicide in the world, begins to lose his mind, turning his apartment into self sufficient quarters with rabbits, chickens and vegetables grown under artificial light. Written by Michael Haneke this ultimately worthwhile film tests the patience in the first two thirds and comes across as an art-house version of Falling Down (1993). The direction is assured and cleverly conceals matters through deliberate framing. This causes the viewer to wonder whether the events we are seeing are chronological and indeed to question what is actually happening. The final third where Voss' wife (Angela Winkler) and children return to find Voss' obsessive behaviour overwhelming everything illuminate on prior events and make for a tragic and sad end.
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