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Kôkaku kidôtai (1995)

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190 comments in total

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87 out of 95 people found the following comment useful :-
Important science fiction, 30 March 2001

Author: Hopper-2

Ghost in the Shell is a visually stunning animated masterpiece. Japanese animation has always been in a class of its own, so I won't even attempt to describe the incredible attention to detail and beautiful imagery in this movie. In this case the animation is merely icing for what is one of the most important works of science fiction in recent years.

Every generation has had books and movies that have contributed to our collective understanding of reality. Prior to World War II this included books like Yevgeny Zamyatin's "We" and Huxley's "Brave New World", and later Orwell's "1984". Today most warnings about the future fall into the category of science fiction. Science fiction began to fill this role when Arthur C. Clarke's "2001" warned us of the potential for humanity to create intelligent, even sentient computers that could murder their human creators. "2001" envisioned computer intelligence imprisoned in the physical body of a computer. Where "2001" left off, Ghost in the Shell begins.

Ghost in the Shell tells the story of a future in which a computer program, Project 2501, becomes self-aware and begins a quest to fill basic needs it feels are qualifiers of being alive by controlling computers and people to achieve its ultimate goals. Whereas the HAL-9000 computer was relatively harmless, owing to its confinement in the Odyssey space ship, Project 2501 is a recognition that the global internet could have dire consequences for all of us. By comparison, this new villain is virtually invincible. But is Project 2501 a villain?

Most people who have told me that they didn't like this move said that they didn't understand it. Indeed, the story and concepts are very complicated. I have watched it several times and still get new things out of it every time. Roger Ebert called Ghost in the Shell, "Unusually intelligent and challenging science fiction, aimed at smart audiences".

Ghost in the Shell is full of fascinating dialog, such as this diatribe about the cycle of life and death by Project 2501. "A copy is just an identical image. There is the possibility that a single virus could destroy an entire set of systems, and copies do not give rise to variety and originality. Life perpetuates itself through diversity, and this includes the ability to sacrifice itself when necessary. Cells repeat the process of degeneration and regeneration until one day they die, obliterating an entire set of memory and information. Only genes remain. Why continually repeat this cycle? Simply to survive by avoiding the weaknesses of an unchanging system."

Thus Ghost in the Shell goes beyond simply a prediction or warning for the future: it attempts to contribute to our understanding of reality by breaking existence down into biological terms and making us question, along with the characters in the movie, whether or not any of us has a soul. The characters in Ghost in the Shell are unusually deep and are a refreshing change from the one-dimensional stereotypes we've become numbed by in modern media. Ghost in the Shell would be required reading in many high school and university courses if it weren't for the fortuitous fact that it can be enjoyed in this beautifully animated feature film. This is one of the few movies ever made that everyone should watch at least once.

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52 out of 57 people found the following comment useful :-
A stunning and complex cinematic warning, 12 November 2000

Author: Josh Leman (nuematsu8@aol.com) from Boulder, CO, USA

Ghost in the Shell is a masterpiece. I would go so far as to say that it's the second best science fiction film I've ever seen (behind 2001, of course), but no one knows about it. I find it terribly unfortunate that the only American viewers familiar with Ghost in the Shell are anime fans, many of whom overlook the film's complexity and see only its nudity and violence. The movie kind of gets in its own way-- within the first five minutes we see the heroine's nude body as well as a very messy head-exploding scene, and many of the viewers who would otherwise end up enthralled by the film's abundant style and intelligence immediately dismiss it as exploitative anime trash. Every time I show this movie to non-anime fans I have to explain beforehand that Ghost in the Shell is a serious work of science fiction and that everything in it, including the adult content, is part of the point the movie makes about where our society is headed.

The film is stylish, artistic, and beautiful. Masamune Shirow's stunningly believable vision of the future makes the jump from manga to anime remarkably well. As brilliant as the comics are, I really prefer the film version, which eliminates the nearly pornographic T&A (the film has nudity but it's clearly not meant to be titillating) and all of the exaggerated comic relief which only detracted from the manga in my opinion. The film's action sequences are strikingly different from the overly stylized symphonies of destruction seen in most action films. Gunfire, martial arts combat, and car chases are depicted exactly as they would occur in the real world-- without fast music or Armageddon-style hyper-editing or any of the needless cinematic baggage we've come to expect. But it's the movie's ideas that make it great, particularly in the last half hour, when thoughtful viewers learn what this story is all about-- the emergence of a new kind of life form, an intelligent and self-aware intelligence that can live indefinitely without ever inhabiting a physical body. The film argues that this will occur within the next thirty years, and the superbly ambiguous ending inspires us to come up with our own ideas of what will happen to humanity once this new life form begins to reproduce. This is filmmaking that should be seen and discussed.

And now the disclaimer. All of the above comments refer to the subtitled Japanese version of the film, NOT the English dub. Simply put, the dub ruins everything. A good example is Kusanagi's wry comment at the very beginning of the film. An officer who is communicating with Kusanagi through a kind of electronic telepathy tells her there's a lot of static in her brain. In the original Japanese version (as well as in the manga) she replies that "It's that time of the month," but in the dub her comment is inexplicably changed to "Must be a loose wire." It's completely insane-- do they think that, in a film with considerable nudity and graphic violence, people are going to be offended by a PMS innuendo? The whole movie is filled with such intelligence-insulting changes; please do yourself a favor and watch the subtitled version.

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48 out of 57 people found the following comment useful :-
The manga for the masses., 30 July 2002
Author: Luke-Walker from London, England

This is the most beautiful film i've ever seen.

There, i've said it. Watch it and be awed at how amazingly detailed and fluid the whole film is. Never does it falter in the art department. The colours are just right, the peoples movements are so real its scary, and sometimes the strong story of the film cant fit all this beauty in and so it releases it entirely in a magical scene in the middle of the film with no dialogue and no plot progression, just marvellous panoramic followed by marvellous panoramic shot. This is my favourite segment of the movie. It shows the nameless city in which the protagonists exist as a cluttered, enclosed, claustrophobic world, yet terrifyingly familiar. This film is full of such themes which subtly make their way into your mind and you dont even realise they're there until afterwards.

So lets talk about the story. Its an amazing monster of a tale, squeezing it all in barely in its short running time. It does sometimes feel a little rushed, a little convoluted so that it bears repeat viewings to get the whole thing, but it is still a strong story none the less. In fact it is a very mature story. The creators could have so easily gone the typical manga route and thrown in some invading demons or mega-destructive internet monsters. But no, the whole thing restrains intself to a realistic view of an extra-ordinary situation. it all feels like this is exactly how it would happen in real life, and that is what makes it so engaging, and so scary.

This film deserves to be seen, not just because the heavenly beauty warrants it, but because the deep issues it raises needs to be questioned. If you want to be entertained without thinking, watch Wicked City or the countless millions of other mediocre mangas out there. You want to be entertained and be made to think and question the film? See this.

You wont regret it.

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49 out of 60 people found the following comment useful :-
A masterpiece of Art, Technology and Culture..., 22 December 1998

Author: Guiz (guizmure@hotmail.com)

I would highly recommend this cyber-political-industrial thriller that envisions our future in a hyper realistic (idealistic?) way. The plot is excellent, though I did not get it the first time. The quality of the graphics surpasses any anime available on the market and the soundtrack is beautiful. The creative team did an amazing job providing the movie with fine details, harmony in this very descriptive world of high technology (AI) and traditional Japan. I thoroughly believe it is a masterpiece, a unique audio-visual experience. (cf. Blade Runner, Akira)

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23 out of 24 people found the following comment useful :-
Excellent., 25 October 2001

Author: Quag7 from Tucson, AZ

I liked everything about this film. Much has been made of the artwork, and with good reason. Voltron, this isn't. I am not an anime fan and haven't seen a lot of anime films. Most plot descriptions of anime films sound boring to me. I'm not into monsters and tentacles or cute wide eyed little girls fighting evil. (Not that cute wide eyed little girls shouldn't fight evil, I mean, I'm all about fighting evil, aren't we all?) Ghost in the Shell, on the other hand, represents the best of its genre and the best of any genre is worth a watch. This movie ought to appeal to anyone who enjoys cerebral films. It addresses interesting philosophical questions about identity, some of which we will no doubt be pondering in the not too distant future. (I'm perhaps foolishly optimistic when it comes to AI).

I should add as well that this is definitively in the cyberpunk genre. If you liked the old Max Headroom television series or movies like Wargames, this will no doubt appeal to you. Even the English dubbing isn't bad, even if it is a little bit fast (to keep up with Japanese).

Darken the room, sink low in your chair, turn the volume up (the soundtrack is spectacular), and fall into this movie. I wish there were more like it. The artwork is incredible (if you don't consider animation art, you should take a look at Ghost) and the plot and dialogue are three dimensional and thought provoking. Two thumbs up. As I say, best of genre.

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26 out of 30 people found the following comment useful :-
Don't Listen to koryanpiora, 13 March 2005

Author: Noir_Blues from United States

This is single handedly one of the best animated films I've ever seen. You can definitely tell how far the animation genre has gotten in the last half-century. It's pretty much flawless in my opinion. The story, audio, and especially visuals are excellent. This is definitely one of the most pretty films i've ever seen. The philosophy really made me think too, the matrix tried this idea and failed horribly with it's sequels. This one isn't just for hipsters, if you're a sci-fi fan I couldn't recommend this more. If you liked this, I also recommend Akira, The Ghost in the Shell: Stand Alone Complex series, and the upcoming Steamboy

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22 out of 23 people found the following comment useful :-
It found a voice... and a following, 5 August 2004

Author: dee.reid from United States

"Ghost in the Shell" is an intricate masterpiece of cyber-punk fiction and storytelling, successfully melding intriguing philosophical ideas with a coherent, well thought-out (albeit) confusing plot.

Even more, it's a nightmarish vision of a society that's dominated by cyberspace and looking back now, is eerily prescient of today's computerized times. Many of the characters in the film are enhanced, someway or another by machines, to help them get the advantage in a vastly changing society.

I'll avoid going real deep into the plot simply because there's a whole lot to grasp and even I got more than a little confused trying to follow it. The story is that a team of high-level government operatives are hot on the trail of a notorious computer hacker called the "Puppet Master," who is wanted for various crimes in cyberspace and has taken a particularly fond interest in the team's tough, female cyborg leader.

Not surprisingly, as with the stigmas surrounding Anime', "Ghost in the Shell" is not short of nudity and graphic violence. But it's far from being gratuitous, and does not slow down the movie at all.

"Ghost in the Shell" was one of the first Anime' films to skillfully blend traditional drawn animation with computerized imagery. This helps to give the film a surreal, yet beautiful look. And the dialogue helps sometimes too, with helping to sort out the confusing plot and many of its mythical ideas about personal identity and human evolution.

This film is also even more revered today, in 2004, since some of this film's core themes helped to develop the plot basis of the insanely popular "Matrix" films, and some scenes from "Ghost in the Shell" were even homaged to in the first "Matrix" movie. The Wachowski Brothers certainly do owe a lot to this movie for the success of their work in America.

I think that to understand "Ghost in the Shell," it would help to accept that Anime' is much more complex and daring than traditional American animation. Most Japanese animation films, like this one, "Akira," or Mayazaki's "Spirited Away," are on a level of sophistication that will never be matched in America.

It has been said that the majority of American audiences would be afraid of Anime' because of the many stereotypes surrounding it, but that's why it's boundless - it's been given free reign to use those stigmas to its advantage in developing truly remarkable pieces of art that have gone largely ignored here in the U.S. "Ghost in the Shell" could very well be a mere reflection or a parable of a doomed society that's probably already accepted its dark fate. Most American animation would never touch up on this sort of subject matter.

"Ghost in the Shell" is my #3 choice Anime' film (behind "Spirited Away" and "Akira") because it's so full of ideas and is masterful in telling a dark story about our times.

10/10

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16 out of 20 people found the following comment useful :-
A Visually Stunning Anime for Adult Audiences, 16 November 2003
Author: AMIO-PatricioMunoz from Toronto, Ontario

Wonderfully executed anime classic.

It is a darker anime tale aimed towards a more mature audience. I enjoyed the amazing realism of this film. The attention to detail is definitely enjoyable to see.

The DVD has a rather enjoyable documentary on the making of the film. Any fan will enjoy the structure and content of the documentary. It is quite informative on the process of making the film.

Like most Anime, there is a lot of character development and dialogue mixed with stunning visuals.

I think the most captivating element that this film has to offer is its creative "cinematography" and attention to detail. There are numerous memorable shots in this film.

This is not an anime for everybody. Attention to story is critical and I am guilty of rewinding certain areas just to keep up with the story.

Thankfully this is not a mindless science-fiction/anime tale filled with crazy action sequences. The Ghost in the Shell proves to be quite philosophical in nature by questioning the meaning of life.

I would love to venture deeper into this story and its message but I think it is better for you interpret it on your own.

Remember to watch this movie with your heart, not with your mind. Reflect on it later. This is the best way to enjoy this type of film.

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19 out of 26 people found the following comment useful :-
Great examination of what it is to be human, but minus emotions., 1 June 2001

Author: Jeremy Bristol from Plattsmouth, NE

Ghost has some of the best animation I've ever seen, and the character designs really fit the story better than the usual big-eyed beautiful girls that typically are found in anime (Akira excepted). Unlike most animation, the scenes where computer animation is blended with cel look right (was anyone really impressed with the magic carpet ride in Aladdin?).

Also, it is very thought provoking and philosophical, even quoting from the bible (the "through a glass, darkly" bit, also used in a film by Ingmar Bergman). However, it doesn't have much emotional punch unless you're one of those people who thought The Matrix wasn't just possible but likely. Even liberals are far too conservative and unwilling for change to feel comfortable with having whole parts of their body replaced to become superhuman (there are already a lot of paranoid people at my college worried about how the government will use the human genome project to control their lives or clone them, despite the fact that there won't be any major advancements for many years). The views of individuality are a bit strange, too. Basically, the movie says that we are who we are because of the information stored in our minds, but gives no creedence to the individual ways people process that information (look at autistics). Think of it this way: a robot can have all the information a human can, but when given a choice between equally good things (such as which kind of ice cream to have or which of the seven urinals to use in an empty bathroom), it would prove itself incapable of this simple human trait. Sure, the movie understands that (a "ghost" in this movie is a soul-like entity), but it doesn't really "show" this--the human and partially-human characters feel as unemotional as the computers around them. Still, that's traditional in science fiction--in the Blade Runner director's cut, the replicants (especially Roy Batty) seem more human than Harrison Ford's character.

7/10 for the subtitled version.

The dubbed version is another story. This is absolutely the worst high-budget dub there is--practically on par with the Skuld episodes from Oh My Goddess ("We've--got--to--help--Belldandy!" with very hard and pronounced iambs). On top of that, the sound is so flatly recorded and mixed that you can't understand what's thought and what's spoken (which is very important in this movie). 1/10.

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6 out of 6 people found the following comment useful :-
Painted Poetry, 20 September 2003

Author: worldwideweird from Cologne, Germany

His earlier movie `Patlabour 2' had already indicated what talents director Mamoru Oshii might yet develop, and this total animation classic then succeeded even highest hopes. The brilliant quality of animation, sound and music alike set a new standard, especially for the combination of classical drawings merged with CGI-effects. In fact, the optic of `Ghost in the Shell' is still able to challenge every one of Disney's hundred million dollar projects.

But the film has, of course, also other qualities. While its storyline is rich and well developed (though sometimes hard to follow), basically transporting motives of `Blade Runner' to the next level and to a setting more based on our present-day reality, Oshii's greatest talent is clearly creating scenes in which nobody says a word, giving the pictures and the music space to form a truly poetic unity. These scenes, where the audience is allowed to just follow amazing visual sequences, often presented in slow motion, of metaphorical images (e.g. of birth, religion, the artificial...), supported by a great, meditative soundtrack, carry the greatest impact and are really the backbone of the movie. `Ghost in the Shell' is not loud. Even the action scenes are quiet, the total opposite of `Akira' where all people are screaming and yelling all the time. Action is not only eye-candy in `Ghost in the Shell', it is metaphorical as well - just regard the last battle in the run-down museum, outstanding.

This is really the so-far masterpiece of the digital age. It is everything what `Matrix' tried to be, it includes fantastic, original action sequences as well as very intelligent and frighteningly actual observations about humanity's fading purposes in a more and more self-sufficient, `digitized' world which produces such an informational overkill that one can ask oneself the question of how long it will take till the individual mind is no longer needed.

A great movie that should not only be seen by die-hard animation fans, but by all people that are interested in elaborated, yet highly entertaining film.

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