In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
A.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new ... See full summary »
In the year 2027, a year following the end of the non-nuclear World War IV, a bomb has gone off in Newport City, killing a major arms dealer who may have ties with the mysterious 501 ... See full summary »
It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition, human brains can connect to the internet directly. Major Motoko Kasunagi is an officer in Section 9, an elite, secretive police division that deals with special operations, including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master, a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes. Written by
There are multiple references to Oshii's earlier film "Angel's Egg" in the final climax. The tree of life in a room filled with fossils is taken directly from Angel's Egg. Also the feathers are in the climax of both films. See more »
Before Kusanagi leaps off of the building in the opening, she is wearing black gloves and black boots. In the next shot, she is suddenly wearing white gloves and white boots, both of which seemingly came from nowhere. See more »
In the near future: Corporate networks reach out to the stars, electrons and light flow throughout the universe. - The advance of computerisation, however, has not yet wiped out nations and ethnic groups.
To all units: Code 2-0-8 in district C-13, Newport City. Air space is closed. I repeat...
See more »
I was a huge anime fan in highschool but as time progressed, my interests and focus in media have changed. A few days ago I re-discovered my forgotten anime collection. Behold, Ghost in the Shell.
Watching this fine piece of animation again brought back the reasons why I was attracted to anime in the first place. It is obvious that a lot of work went into Ghost in the Shell; the attention to graphic details creates some remarkably realistic animation.
Though the major reason to see this film is for the animation, there are also other fine points to consider. It has a fairly complex plot. The science it focuses on is definitely modern though, albeit, fantastic.
I recommend the subtitled version because the dubbed dialog is sometimes over wordy and odd-sounding (as are most dubbed versions).
Some viewers may be turned-off by the many scenes that aren't accompanied by music, especially the action sequences. The music, however, is outstanding. There are a couple of scenes that are basically slide shows of various themes. These are accompanied with music and no dialog. The animation, to say the least, is beautiful and seems to be the focus.
In summary, Ghost in the Shell is very satisfying.
35 of 51 people found this review helpful.
Was this review helpful to you?