Larsen, an aspiring poet in 20's Oslo, leaves his girlfriend to spend a year as a trapper in East Greenland. There he is teamed with a seemingly rough old sailor/trapper, Randbek, and a ... See full summary »
In a small dilapidated village in 1990s Hungary, life has come to a virtual standstill. The autumn rains have started. The villagers expect to receive a large cash payment that evening, and... See full summary »
In a Norwegian city with a 24-hour daylight cycle a Swedish murder investigator has been brought in on a special case. Sleep deprived, he makes a horrible mistake which is discovered by the killer he has been hunting.
Sverre Anker Ousdal
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Mohamad Ali Keshavarz,
On Dry Well Lane in Beijing in 1953, Chen Shujuan and Lin Shaolong marry. A year later their son, nicknamed Tietou (Iron Head), is born. The Party is everywhere: Mao's photograph, ... See full summary »
Nanni Moretti directs himself playing himself in this wry look at life. Presented in three chapters, Moretti uses the experiences of traveling on his motor-scooter, cruising with his friend... See full summary »
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Frédéric van den Driessche,
Larsen, an aspiring poet in 20's Oslo, leaves his girlfriend to spend a year as a trapper in East Greenland. There he is teamed with a seemingly rough old sailor/trapper, Randbek, and a scientist, Holm. Trapped in a tiny hut together as the arctic winter sets in, a complex and intense love/hate relationship develops between Randbek and Larsen, who are more similar than either would like to admit. A powerful psychological and physical drama set against stunningly bleak arctic scenery. Written by
As usual, I went to see this movie having heard nothing of it, which normally works best since then I am able to see it on its own premises rather than being affected by reviews or previews, and even so I was quite surprised.
This film is nothing less than a well-played, well-shot psychological action/drama/thriller, and what's more, a Norwegian one even. Everything is highly believable, and the psychological development of the main character is a bit reminiscent of Espen Arnakke in Aksel Sandemose's Misery Harbour.
In "Misery Harbour", however, it is a development you are made aware of and pointed to look for, whereas in "Kjærlighetens Kjøtere", it gradually dawns on you what you are seeing, which makes this a much more powerful psychological narrative.
All in all, this is a rare pearl of ice, a gem of filmmaking that should not be left in its oyster, but held up to the light to be viewed in all its beauty by everyone who enjoy good movies.
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